Goddy Leye


Goddy Leye was a Cameroonian artist and intellectual.
His work is focused on videos, installations, conceptual art and theoretical contributions. He is the founder of the art centre ArtBakery in Bonendale, Cameroon and he was the curator and promoter of site-specific art and international projects. His role was central in the cultural and art scene in Cameroon and at the international level.

Life and career

Goddy Leye was born 24 November 1965 in Mbouda, Cameroon. He obtained his diploma at a bilingual high school in 1989 and studied African literature and philology at the University of Yaoundé between 1986 and 1991. In 1990 he obtain his master's in African literature.
His artistic training started in 1987 with the artist and art historian Pascal Kenfack in Yaoundé until 1992. He continued his training in 1994 at the National Art Institute in Bamako, in 1997 at the ZKM Karlsruhe Centre for Art and Media in Germany, in 1999 at 18th Street Arts Complex in Santa Monica, California and between 2002 and 2002 at the Rijksakademie van Beeldende Kunsten in Amsterdam. In the Netherlands he co-funds and he becomes member of the Rijksakademie International Network, a network of artists who support contemporary cultural practices in their countries of origin. Specifically for his interest in supporting art practices, Leye moved back to Douala in 2002 to create the art centre ArtBakery in Bonendale, devoted specifically to facilitating artistic training and exchanges among artists and to support multimedia, installations, video and digital art.
In 2002 he was the curator of the project Bessengue City, a workshop and a series of site-specific art projects in the neighbourhood of Bessengue in Douala; the project involved Goddy Leye, James Beckett, Hartanto, Jesus Palomino and the local community. In 2006 he promoted and participated in Exit Tour. In 2007 contributed to the Ars&Urbis Workshop organised in Douala by doual'art for the preparation of the SUD Salon Urbain de Douala and he was in residency at the Blachère Foundation in Apt, France. In 2008 he was in residency at the Gasworks cultural space in London; in 2009 he participated at the project Image Art After in dialogue with Florence Ayisi and he contributed at the Cairo Residency Symposium.
Leye's work received prizes from UNESCO, the Rockefeller Foundation and the Dutch Ministry of Foreign Affairs. As an artist and intellectual, he was involved in numerous expert committees; he was a member of the think tank of the Africa Centre in Cape Town and was an ambassador of CAN.

Work

Leye started working as an artist in 1992. His work was focussed on memory, African postcolonialism and on the construction of history. More specifically he expressed himself with multimedia works, videos and video installations. Through time, he started to be involved more and more in the production of projects both in Cameroon and at an international level. He contributed to publications, produced and curated site-specific artworks and founded the centre ArtBakery. The centre offers tools and an infrastructure to artists interested in multimedia productions and it is characterised by an active role in training. Leye was considered a key artist and intellectual by Cameroonian artists of his generation and younger.
Leye expressed his attention to the ways history is told and knowledge is transmitted and forgotten through his art works, writings and his active involvement in conferences and think tanks. His theoretical contributions focused on the structure of cultural institutions, on network systems, on artistic and cultural practices and on urban transformations.

Videos and installations

Na Lingi Yo, 2007Sankofa River, 1997
  • We Are the World, video, 2006Elections, UCA project, 2007Honey MoonAvis sur Visage, video installation, 2007The Beautiful Beast, video installation
  • Stickers and Wall, Alexandria, Egypt, 2004Dancing With the Moon, video installation, 2003Reel Location, video, 2002The Walking Mirror, video, 2001
  • Visa-je, video installation, 2000The Voice of the Moon, video installation
  • Collaboration with Collectif Auto Da Fe, No Art on Two Dollars A Day, video. Video made from the performance made during SUD Salon Urbain de Douala 2007.

Solo exhibitions

Fiction ou realite?, Fri'Art, Fribourg, 2003 Dancing with the Moon, doual'art, Douala, 2003 Goddy Leye, Icba Gallery, Salvador de Bahia, 2001Sankofa Blues, doual'art, Douala, 2000Sankofa Blues, Goethe institute, Yaoundé, 1999Behind the Scenes, Electronic Cafe International, Santa Monica, US/on Internet, 1999Sankofa River, doual'art, Douala, 1999Sankofa, French Cultural Centre, Douala, Douala, 1999Sankofa Video, Goethe institute, Yaoundé, 1999Fouilles Sauvages, doual'art, Douala, 1996Bois Sacré, Goethe institute, Yaoundé, 1995Bois Sacré, Ifa, 1995

Group exhibitions

Goddy Leye's work is exhibited in numerous festivals and international exhibitions.Breaking News. Contemporary Photography from the Middle East and Africa, Ex Ospedale Sant'Agostino, Modena, 2010SUD PARIS, Maison Revue Noire, Paris, 2010Cameroonian Touch.2 – doual'art, Douala, 2010This is now 1 & 2 – L'appartement 22, 1st Johannesburg Art Fair, 2088 and Rabat, 2009Prêt-à-pARTager, Mode-Fotografie-Workshop, curated by IFA Institut für Auslandsbeziehungen, Dakar, 2008 Africa Remix, Johannesburg Art Gallery, Johannesburg, 2007Ba Mama, Galerie Mam, Douala, 2007Contemporary Vision, The World Bank, Yaoundé, 2007Africa Remix, Centre Pompidou, Paris, 2006Exit Tour, Douala, Cotonou, Lomé, Accra, Ouagadougou, Bamako, Dakar, 2006, promoted by ArtBakery.Africa Remix, Museum Kunstpalast, Düsseldorf, Germany, 2004New, Netwerk galerij, Aalst, 2003Unesco laureates, 18th street arts complex, Santa Monica, USA, 2003Post-border land, SBK, Amsterdam, 2003Nuits métis, la Ciota, 2003Electromediascope, The Nelson Atkins Museum of Art, Kansas City, 2002Slow, Shedhalle, Zurich, Switzerland, 2002Rendez-vous at Xiamen, Chinese European Art centre, Xiamen, 2002Nuits métis, la Ciota, 2002Videoformes 2002, Clermont-Ferrand, 2002. Presentation of the video The Walking Mirror.Right 2 fight, Sarah Lawrence College, New York, 2002Sao Paulo Biennial, Blick Wechsel, São Paulo, Brazil, 2002Playtime, Johannesburg, 2002Bili Bidjocka / Goddy Leye, Espace Doual'Art, Douala, Cameroon, 2001BlickWechsel, IFA-Galerie, Berlin, 2001Lucarne, Goethe-Institut, Yaounde, Cameroon, 2001BlickWechsel, Bonn and IFA-Galerie Stuttgart, 2000Total Global, Museum fur Gegenwartskunst, Bale, 2000Havana Biennial, Havana, 2000Dak'Art 2000, Biennale de l'Art contemporain africain, Dakar Biennale, Dakar, 2000South Meets West, Berne, 2000Boulev'Art, Cotonou, 2000Sept des cents derniers jours, Espace Doual'art, Douala, 2000Lille 2000, Lille, 2000South Meets West, Accra, 1999Dream, Espace Doual'art, Douala, 1999Triennale der Kleinplastik, Stuttgart, 1998Dak'art 98, Dakar Biennale, Dakar, 1998Fenac 98 Festival national de l'Art et de la Culture, Ebolowa, 1998L'Art entre Tradition et Globalisation, Goethe-Institut, Yaoundé, 1997Le Kwatt, Espace Doual'art, Douala, 1997Babil 2, Espace Doual'art, Douala, 1997Resource Art Cameroon, Goethe-Institute, Yaoundé, 1996Cameroon Art, Galeria Arte Mondo, Sarrano, 1996Africa Unite, Galerie Africréa, Yaoundé, 1996Nouvelles Tendances de la Peinture camerounaise, Galerie Africréa, Yaoundé, 1996Babil, Goethe-Institute, Yaoundé, 1995Taxi-couleurs, ERBA Ecole régionale des Beaux-Arts, Angers, 1995Fenac 94, Douala, 1994Taxi-Couleurs, CCF-INA, Bamako, 1994Festac 88 National Festival of Arts and Culture, Douala, 1988

Theoretic contributions and curatorial work

Goddy Leye contributed to publications and magazines such as Chimurenga magazine. He actively supported the creation of the magazine DiARTgonale founded by the artist Achilleka.
He was the founder and director of the centre ArtBakery, started in 2002. He was the curator of the project Bessengue City organised in the neighbourhood of Bessengue in Douala in 2002 and he was the promoter in 2006 of Exit Tour.