Go Ahead!


Go Ahead! is the third studio album by Japanese singer-songwriter Tatsuro Yamashita, released in December 1978.

Overview

"A masterpiece third solo album that marked the creativity of Yamashita's brilliant and versatile writing style which determined his subsequent path."
In commercial music, etc., there was a high demand for Yamashita as a musician who works under anonymity, but Yamashita's evaluation as a contract musician for a record company, was favorable, but he wasn't meeting the sales figures RCA wanted. Yamashita himself felt that the world of rock and folk that he had lived in had entered a new stage at that time, and thought that if he went on like this, he would probably have to give up his records and live activities. So he had a pessimistic prediction that this album would probably be the last. The album was criticized by critics and listeners for being disorganized, but it can be said that the writer's principle, which began to suffer, was the sprout of the album production policy that followed. However Tatsuro Yamashita was told that one of his songs in the Go Ahead! album "Bomber" was a hit song in a disco in Osaka. Therefore, in 1979, a promotional single was released under the title of "Bomber".
The songs "Let's Dance Baby", "Bomber" & "潮騒 " would've be featured in his 1982 greatest hits album "Greatest Hits! of Tatsuro Yamashita". Meanwhile, the song "This Could Be The Night" would get re-recorded in 1984 as part of his soundtrack album "Big Wave".
In 2002, a remastered reissue was released as part of The RCA/AIR Years 1976–1982 series. The reissue would include remastered tracks and three additional tracks that were previously unreleased before. It would enter the Oricon charts, peaking in at number twenty-five.

Personnel

Overture

Love Celebration

Let's Dance Baby

  • Tatsuro Yamashita: Electric Guitar, Percussion, Bang! & Background Vocals
  • Yutaka Uehara: Drums & Percussion
  • Akihiro Tanaka: Bass & Percussion
  • Kazuo Shiina: Electric Guitar & Percussion
  • Hiroyuki Namba: Keyboards & Percussion
  • Motoo Okazaki: Alto Sax Solo
  • Minako Yoshida: Background Vocals
  • Ryuzo Kosugi: Background Vocals

Monday Blue

ついておいで (Follow Me Along)

  • Tatsuro Yamashita: Electric Guitar & Background Vocals
  • Yutaka Uehara: Drums
  • Akihiro Tanaka: Bass
  • Kazuo Shiina: Electric Guitar
  • Hiroyuki Namba: Electric Piano
  • Motoya Hamaguchi: Percussion
  • Shigeharu Mukai: Trombone Solo
  • Minako Yoshida: Background Vocals

Bomber

  • Tatsuro Yamashita: Electric Guitar & Background Vocals
  • Yutaka Uehara: Drums
  • Akihiro Tanaka: Bass
  • Kazuo Shiina: Electric Guitar Solo
  • Hiroyuki Namba: Keyboards
  • Minako Yoshida: Background Vocals

潮騒 (The Whispering Sea)


Paper Doll

  • Tatsuro Yamashita: Electric Guitar, Percussion & Background Vocals
  • Yutaka Uehara: Drums
  • Akihiro Tanaka: Bass
  • Ryuichi Sakamoto: Keyboards
  • Minako Yoshida: Background Vocals

This Could Be the Night

  • Tatsuro Yamashita: Drums, Bass, Electric Guitar, Acoustic Piano, Glockenspiel, Percussion, & Background Vocals
  • Chuei Yoshikawa: Acoustic Guitar
  • Ryuichi Sakamoto: Poly Moog Synthesizer
  • Motoya Hamaguchi: Percussion

2000トンの雨 (2000t Of Rain)

  • Tatsuro Yamashita: Electric Guitar, Percussion & Background Vocals
  • Yutaka Uehara: Drums
  • Akihiro Tanaka: Bass
  • Ryuichi Sakamoto: Acoustic Piano
  • Motoo Okazaki: Alto Sax Solo
  • Ryuzo Kosugi: Percussion
  • Minako Yoshida: Background Vocals
  • Tadaaki Ohno: Strings Concert Master

Credits

From the inner sleeve notes of the album.
  • Produced by Tatsuro Yamashita
  • All songs arranged by Tatsuro Yamashita
  • Directed by Ryuzo "Junior" Kosugi
  • Engineered by Tamotsu Yoshida
  • Session co-ordinator – Ryuzo Kosugi
  • Disk mastering engineer – Tohru Kotetsu
  • Assistant engineer – Toshihiro Itoh
  • Art direction – Kenkichi Satoh
  • Cover design – Kenkichi Satoh, Akira Sugiyama
  • Recording studios: Onkio Haus 1st, 2nd, & 3rd; Media 2nd, RCA 1st
  • Mastering studio: Nihon Victor Yokohama Mastering Studio