George Reneau
George McKinley Reneau was an American blind street musician who became one of country music's earliest recording artists. Known as "The Blind Musician of the Smoky Mountains", Reneau recorded more than 50 songs on the Vocalion and Edison labels in the mid-1920s. While he is credited on his early recordings as a solo artist on vocals, guitar and harmonica, the singing on many if not most of his songs was by an uncredited Gene Austin, a vaudville performer and Tin Pan Alley composer who would become one of the most successful recording artists of the era.
Musical career
Reneau was born on May 18, 1902, in Dandridge, Jefferson County, Tennessee, between the Cumberland Plateau and the Smoky Mountains on the state's eastern border with North Carolina. While not much is known about his early life, Reneau is believed to have been born blind. At an early age, he attended the Nashville School for the Blind and eventually relocated from Dandridge to nearby Knoxville. Reneau, who began playing guitar and harmonica in his late teens or early 20s and later learned to play the banjo, became a street performer in the Market House area of the city's downtown.In early 1924, the manager of the phonograph and record department in a Knoxville furniture store recommended Reneau to Vocalion Records, which was looking for new talent to record. Traveling to the company's studios in New York City several times over the next two years, Reneau recorded 50 songs for the label. While he was given solo credit on his Vocalion recordings, scholars later determined the vocalist on many of the releases was actually Gene Austin, since Reneau's harmonica playing can often be heard during the singing.
By late 1925, when he recorded the last of his Vocalion releases, Reneau was doing all of his own singing. Over this period, he also re-recorded 10 of his songs for the Edison label as the Blue Ridge Duo with Austin as vocalist. After his contract with Vocalion ended, he teamed up with Lester McFarland, another blind musician from Knoxville and a championship fiddler, and in 1927, the two recorded several sides for minor labels as the Gentry Brothers.
Between recording sessions, Reneau continued to perform on the streets of Knoxville, supporting himself, his wife and two step-children. In the summer of 1925, he was arrested for violating the city's anti-begging law as well as for drunkenness. The latter charge was dismissed, and Reneau was found not guilty of begging by a magistrate who was sitting in for the regular judge. When the police arrested Reneau again for performing on the streets, the judge ruled in the musician's favor on the grounds he had not specifically asked for contributions from passers-by.