George N. Kates
George Norbert Kates was an American exponent of classical Chinese culture and decorative arts. His memoir of life in 1930s Beijing—The Years That Were Fat, Peking 1933-1940 is a widely read memoir of pre-revolution China. He also wrote one of the first texts on Chinese classical furniture—Chinese Household Furniture and put together a significant private collection of Ming style hardwood furniture.
Kates graduated summa cum laude from Harvard in 1922 and was awarded a D.Phil. from Oxford University in 1930. An officer in the U.S. Army during World War I, he also served with the State Department in China during World War II. From 1947 to 1949 he was Asian Curator at the Brooklyn Museum.
Kates published articles about Chinese history and decorative arts and contributed to two books about author Willa Cather. Several authors associate him with Old Beijing, the first half of the 20th century and the traditional way of life. also as an important collector of Chinese antiques and for his contributions to the understanding of the Chinese decorative arts.
Early life
Kates was born in Avondale, a suburb of Cincinnati, Ohio on November 27, 1895. His father, Norbert, was an immigrant from the Ukrainian city of Brody. His mother was a second generation American, the child of German immigrants. Both parents were Jewish, although Kates was brought up in a secular household.In 1896 the family moved to New York City where Norbert Kates built a successful export business, selling manufacturing goods and equipment to Latin American buyers. His work took him on numerous voyages to countries throughout Central and South America. Sometimes the whole family travelled abroad together, two parents, George, his sister Beatrice, a nanny and governess, to Chile, Argentina, Cuba and Mexico. In Mexico City George briefly attended a German high school.
The Kates family lived in the fashionable and luxurious Ansonia Hotel on Broadway when it opened in 1905 until 1914. Kates attended middle and high school at Horace Mann preparatory school, then at Morningside Heights, New York, and graduated in 1913.
Kates spent two years studying at Columbia University School of Architecture, with an intervening year during which he sailed aboard a Belgian cadet training ship all the way from New York to Cape Town, Calcutta and Melbourne, and back again. In 1917 when America entered World War I, Kates enlisted and served as a medical orderly for a year, before being promoted to the rank of second lieutenant and serving as a translator . He did not return home until 1919.
Harvard, Oxford and Hollywood
After a year working in New York City, Kates enrolled at Harvard College in the fall of 1920 to study History and Fine Arts. There he was taught and mentored by Paul Sachs, Director of the Fogg Art Museum, as well as by Roger Merriman. Kates joined the Liberal Club and formed a close friendship with Henry Sayles Francis and a number of other prominent students of the arts. As Henry Francis notes in a letter to Fergus Bordewich: “We both belonged to the Liberal Club where we lunched continuously with a group whom we kept contact most of our lives…certainly for me my roommate Alexander Mackay-Smith, fellow art majors, Henry-Russell Hitchcock, and his roommate, George Kauf Keiser; Charles Poletti, later Lieutenant Governor of New York and John Caddington, today a distinguished genealogist; and among other members Virgil Thompson, his friend Briggs Buchanan, and Henry Wadsworth Longfellow Dana."Kates was a success personally and academically at Harvard, graduating summa cum laude in 1922. For a brief while he stayed on as a teaching assistant, and then in the fall of 1923 was accepted as a postgraduate student at Oxford University where he began a doctoral course in the development of French Renaissance Art. His studies, out of necessity, required more time spent on the continent than in Britain, and he spent several years in the Paris archives and on tours of Italian and French museums, castles, and churches, tracing the spread of new ideas in art from 15th century Italy to France. He had great trouble completing the written portion of his work and he returned to Harvard in 1926 with little to show for his efforts. Disillusioned by the prospect of a modestly paid university position and with having to teach, as opposed to do research, Kates sought better paying work. Through his Harvard connections Kates was introduced to Adolph Zukor, head of Paramount Pictures and was hired as a cultural consultant to assist with the accuracy of European movie productions.
In 1927 Hollywood California was geographically isolated and once there Kates felt the loss of his friends, the cultural world of Europe and the East Coast. His work there consisted of selection of settings for filming, props and costumes appropriate to European settings. Paramount was in the process of producing a number of French and German pieces in order to broaden their offerings. Kates worked closely with European actors brought over for some of the productions who spoke no English. He became familiar with many of the stars of the late 1920s and early 1930s such as Clara Bow, Ester Ralston, Olga Baclanova and Buddy Rodgers. Paramount’s Long Island studio in 1931, the East Coast operations were closed down and Kates was left jobless in the midst of the Depression.
Decision to go to China
With no work, and no career prospects, Kates was at a turning point in his life. Living back in New England, Kates began to read widely and found himself enjoying Chinese poetry and even teaching himself Chinese. He considered going back to school, but in the end was offered a scholarship by one of his Harvard professors to go to Beijing and learn the language and culture in situ. It was a strange twist in his life story and after all the work he had poured into the study of European history and the arts and his thorough understanding of European languages, now to begin in an entirely new field of work in which he knew nothing. It seemed to make no sense to Paul Sachs. It was a bold decision, but one that was to pay dividends.China 1933 - 1941
Kates’ China years were the most glorious and fulfilling of his life. He sailed the long voyage through the Panama Canal to Victoria, BC and onto Tokyo, before finally docking in Shanghai. Once in Beijing Kates enrolled in the Chinese language school and set about the difficult task of mastering both spoken and written Chinese. After a few months he moved out of the school accommodation and clear of the Foreign Legation Quarter which hosted most of the various expat officials and business people. He lived in a succession of Chinese accommodations inside the ‘Tartar City’ which was the central and most historic portion of the Chinese capital where housing was in a variety of courtyard houses or in Chinese siheyuan. He fell under the spell of the archaic Chinese lifestyle, which was a world removed from the West and became enchanted with the Chinese houses, their simple, taoistic courtyards, their beautiful furniture and dutiful servants. He spent his days learning Chinese with the help of a tutor who visited him every afternoon for his seven years in China. He delighted in the traders selling goods in the street, with their various ‘cries’, the Chinese food, and simpler lifestyle. He lived a very authentic Chinese existence, removed from his Western counterparts. According to the weather and his moods he would use his mornings to wander around the many Imperial parks and properties that, with the end of Empire in 1911, were now open to the viewing public. He delighted in the Forbidden City and its many courtyards and rich history. He spent many hours enjoying the Imperial Lakes west of the Palace and the various pleasures that came with each season. It was, for him, an idyllic existence.By dint of extraordinary talent and single-minded diligence, after several years of study Kates mastered the Chinese language. He then briefly attended classes at Beijing University. Then he began his own private studies at the Imperial Archives, delving into and re-discovering the world and the history of the city as it had been during the Qing Dynasty. He made that his purpose and through many hours studying ancient texts, time spent on the ground examining the streets and halls and temples, and interviews of aging princes and eunuchs, Kates built up a formidable, and perhaps unique, knowledge of the ancient capital and a very substantial body of research materials. He exhibited some of this knowledge in two scholarly and ground-breaking articles published at the end of his time in China. In Prince Kung’s Palace and Its Adjoining Garden,, Kates, who had come to know Prince Pu Ju who lived in the Kung palace, examined the history and the nature of this very impressive and important princely palace and garden. It is still considered the definitive work in the English language on the subject. In A New Date for the Origins of the Forbidden City, Kates challenged and disproved the accepted fact that the Forbidden City dated from the Ming Dynasty, and showed through his research that the palace was in fact founded in the Yuan. Kates demonstrated where the Yuan palace was located and what remained of it in his day.
Kates was not only scholarly, he also collected. He fell in love with Chinese classical hardwood furniture which had been the furniture of choice for princely and aristocratic families since the 16th century, but had not made its way to the West, and so was virtually unknown by American and European museums and collectors. Kates, and other expats of the period, were able to build collections of these pieces that were being sold off by families that had previously enjoyed Imperial patronage, but were now, in some cases, destitute. The simple, Taoist beauty of these pieces, as they were designed and made during the Ming and early Qing Dynasties was surreal. Made from the finest woods from India and Southeast Asia, they had a gorgeous patina and delectable grains and the craftsmanship was superb. Kates made a study of the pieces, the woods that were used, and how these pieces were used in Chinese everyday life. He built a modest, but fine collection of pieces he could afford, even though he was existing on very modest resources from various scholarships and awards. He contemplated making a business of importing these fine pieces to America with the help of his sister who was working for a leading New York designer.
In 1935 Kates settled into a Chinese courtyard house of his own. In the company of two faithful servants, he set about establishing a traditional style Chinese household. His three courtyard house became the heart of Kates' Beijing life, and legendary in his literature and among his followers. It was located on Laku Hutong in the northeast corner of the innermost Imperial City. The street and the house had once been part of the various cottage industries set up by Emperor Yong Le to serve the needs of the Palace.
In 1941 with the impending onset of war and the presence of Japanese forces in North China, Kates was forced to leave Beijing unless he was to be interned in a camp. He sailed back to the United States and was able to take his collection of furniture and other Chinese antiques with him.