Gabriele Klein
Gabriele Klein is a sociologist, dance theorist and professor at the University of Hamburg.
Life
From 1977 to 1987 Gabriele Klein studied Sociology, History, Sports Sciences, Contemporary Dance and Education at the Universities of Bielefeld, Bochum and Essen, as well as at the Amsterdam School of the Arts. She completed her Doctorate in Social Sciences at the University of Bochum in 1990. Her dissertation was published in 1992 under the title: Women Bodies Dance. A Civilization Theory of Dance . She was habilitated in 1998 with the study, published in 1999: Electronic Vibration. Pop Culture Theory . In 2002 she was appointed professor at the University of Hamburg. She is also the head, since 2005, of the interdisciplinary Center for and the post-graduate course of the same name. She has occupied numerous international professorships. Since 2022 she also holds the professorship for ballet and dance at the University of Amsterdam.Since 1994 she has been the head of various research projects and has appeared as organizer of numerous national and international academic events. From 1997 to 2001 she was chair of the Society for Dance Research.
Research
Gabriele Klein's research is concentrated on body, human movement and dance studies, as well as on pop culture, performance studies, gender studies and urban studies. The social-anthropological and gender-theoretical perspectives that she has developed, and for which she has received international awards, were expanded in subsequent research, in particular in studies of popular dance forms in the youth scene and in popular culture, especially techno and hip-hop culture, Latin American dances and cultural performances, which she examined primarily in everyday life, sport and the arts.Her focus in recent research has lain in the globalization and transnationalization of dance cultures and the appropriation of dance and movement patterns and their contexts of meaning in different local and urban cultures. Gabriele Klein considers dance figurations to be a special manner of social interaction. In these social choreographies the social becomes apparent. Dance studies thus become on the one hand a research field for the sociology of the body and social choreography on the other an important aspect of social figurations. Gabriele Klein has influenced considerably the contours of this social-scientific discipline with her research and is member of the board of directors of the Society of Dance History Scholars.