Francis Newbolt
Sir Francis George Newbolt KC FCS was a British barrister, judge, etcher and writer. He was the Recorder of Doncaster between 1916 and 1920, and the Official Referee for the Supreme Court between 1920 and 1936, as well as being Chancellor of the Diocese of Exeter and Bradford and Chairman of the Devon Quarter Session. He was the first honorary Professor of Law at the Royal Academy of Arts.
Early life
Newbolt was born in Bilston, Wolverhampton, son of the vicar of St Mary's Church, the Rev. Henry Francis Newbolt, and his second wife, Emily née Stubbs. He was the younger brother to poet Sir Henry Newbolt. He was educated at Clifton College, and later at Balliol College, Oxford where he read Natural Science obtaining honours in 1887.Legal career
Newbolt went on to read law with Sir Thomas Chitty, 1st Baronet, his brother-in-law. He was invited to join the Bar at Inner Temple in 1890 before taking silk in 1914. One of his first cases was representing the plaintiff, John William Phillips, landlord of Hoy and Helmet, South Benfleet against the Marquis of Queensberry in the High Court. During the First World War he was an honorary legal advisor to the British government. In 1916 he was appointed the Recorder of Doncaster, a position he held until 1920. In 1919 he was elected Chairman of the Devon Quarter Session. In 1920 he was made the Official Referee for the Supreme Court by the Lord Chancellor F. E. Smith, 1st Earl of Birkenhead. In 1923, Newbolt recommended that medical evidence should be used in paternity cases due to the issue of perjury. He stated that a defendant and thatHis recommendations were not taken forward at the time due to the limitations in medical science. However, Newbolt's innovation in micro caseflow management, now called Newbolt's Scheme, was at first rejected by the Lord Chancellor Birkenhead, before being seen more favourably by Lord Birkenhead's successor and continued by Newbolt's successors as Official Referee. Newbolt described the system, Newbolt retired from the post in 1936. In 1939, Newbolt represented Jacob Epstein at a military tribune as part of T. E. Hulme's campaign to stop him being called up.
The artist
Newbolt was a talented engraver. He was a regular exhibitor at the Royal Society of Painter-Etchers and Engravers, which he was an associate member and the society's historian, and various major art exhibitions. Newbolt regularly displayed his etchings at the Royal Academy of Art. His work exhibited included The Funeral in 1921, Barton Broad in 1923, Taormina in 1929 and Treworan Bridge in 1930. Newbolt was elected as a member of the Art Workers' Guild in 1907. The British Museum hold 36 of Newbolt's etchings.The writer
Newbolt was the first editor of the journal of the Land Agent's Society. Newbolt started writing under a pseudonym Bradnock Hall, with a novel Rough Mischance in 1896 and Fish Tales and Some True Ones in 1897.Newbolt first book under his own name was released
in 1897. The Sale of Goods Act 1893 was a review of the act and its use in law. He released the book Clifton College Twenty-Five Years Ago: The Diary of a Fag in 1904 and Clifton College Forty Years Ago in 1927 under the pseudonym Diary of a Praepostor. His next books were essays on the history of etchings, with Etchings of Van Dyck released in 1906, Etchings of William Strang, A.R.A. in 1907 and Catalogue Dressé in 1908, a catalogue of Frank Brangwyn's engraved work. He would go onto provide articles for publications on etchers, including The Etchings of E.M. Synge A.R.E. in 1914 and Etchings of Fred V.Burridge in 1908 for The Studio. Under Bradnock Hall he released the 1910 book Norwegian and Other Fish-Tales which included his own illustrations. His book Summary Procedure in the High Court was released in 1914. In 1915, he worked with his brother Sir Henry John Newbolt on the book The King's Highway.
In 1925 he wrote Out of Court where he attacked Anthony Trollope and his novel Orley Farm for his inaccuracies in the procedure of law. The book had come out of his lecture in 1923 at Grays Inn. His writings were challenged by American lawyer Henry Drinker, but he did not respond. Newbolt contributed articles to the Art Journal, to the Law Quarterly Review, and The Listener. In 1926 he released a book of his poetry along with a collection of his etchings called The Enchanted Wood. In 1930 he released The History of the Royal Society of Painter-Etchers & Engravers, 1880-1940, the official history at the time.