Avenue Q


Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and a book by Jeff Whitty. It won Best Musical, Book, and Score at the 2004 Tony Awards. The show's format is a parody of Sesame Street, but its content involves adult-oriented themes. It has been praised for its approach to themes of racism, homosexuality and internet pornography.
The musical premiered off-Broadway in 2003 at the Vineyard Theatre, co-produced by the Vineyard Theatre and The New Group. In July of that same year, the show moved to the John Golden Theatre on Broadway, where it ran until 2009, playing for over 2,500 performances. It transferred to the off-Broadway New World Stages within weeks of ending its Broadway run, where it played until 2019; together, the two productions played 6,569 performances. Major productions have been staged in Las Vegas and the West End, and the musical has been staged and toured in several countries around the world. A school-friendly script has been produced.
The principal cast includes four puppeteers and three human actors. The puppet characters, Princeton, Kate, Nicky, and others, are played by the unconcealed puppeteers as the costumed human actors interact with the puppets.

Background and structure

Avenue Qs cast consists of three human characters who interact with eleven puppet characters. The puppets are animated and voiced by puppeteers who appear on stage, unconcealed. The puppet and human characters ignore the puppeteers, creating the illusion that the puppets are alive. To assist with the illusion, the puppeteers wear plain gray clothing in contrast to the human and puppet characters' colorful costumes. The same puppet may be operated by different puppeteers in different scenes, and the actor voicing the puppet may be, at times, not the one animating it. One puppeteer sometimes voices two or more puppets simultaneously. Conversely, the so-called "live-hands" puppets require two puppeteers – again, in full view of the audience.
The show draws inspiration from and imitates the format of children's educational television show Sesame Street. Marx interned at the program early in his career, and all four of the original cast's principal puppeteers – John Tartaglia, Stephanie D'Abruzzo, Jennifer Barnhart and Rick Lyon – were Sesame Street performers. Three of the puppet characters are direct recognizable parodies of Sesame Street puppets: Roommates Rod and Nicky are a Bert and Ernie-like duo, while the reclusive Trekkie Monster's voice and disposition are similar to Cookie Monster's. The musical officially disclaims any connection with either Sesame Workshop or The Jim Henson Company.
All of the characters are young adults who face real-world problems with uncertain solutions, as opposed to the simplistic problems and invariably happy resolutions encountered by characters on children's television programming. Much of the show's ironic humor emerges from its contrasts with Sesame Street, including the differences between innocent childhood experiences and complex adulthood. The storyline presupposes the existence of "monsters" and talking animals, and human actors sing, dance and interact with puppets, both human and non-human, as if they were sentient beings, in a light-hearted, quasi-fantasy environment. However, the characters use a considerable amount of profanity, and puppet nudity and sex are portrayed. The show addresses adult themes, such as racism, pornography, coming out, and schadenfreude.
Three of the human characters are portrayed by human actors, while the other characters intended to be perceived as humans are puppets. One character played by a human actor is a fictionalized version of the real-life celebrity Gary Coleman, the juvenile actor who played Arnold Jackson in the 1980s American sitcom Diff'rent Strokes and later famously sued his parents and business advisers for stealing his earnings. Coleman is portrayed as an adult, who happens to be the building superintendent in the run-down Avenue Q neighborhood due to his dire financial situation. Marx and Lopez said that they originally intended to offer the Gary Coleman role to Coleman himself, and he expressed interest in accepting it, but did not show up for a meeting scheduled to discuss it. They stated that the character illustrates "one of the most important themes in Avenue Q... that life isn't as easy as we've been led to believe". Coleman threatened to sue Avenue Q producers for their depiction of him, but ultimately he did not.
When Coleman died on May 28, 2010, casts of both the off-Broadway production in New York City and the second national tour in Dallas dedicated that evening's performances to his memory. The Coleman character remains in the show with modified dialogue.

Synopsis

The show is set on a Sesame Street-like "outer-outer borough" of New York City.

Act I

Princeton, a recent college graduate, is anxious to discover his purpose in life; but first, he must find an apartment and a job, with no work experience and an English degree. Beginning his search on Avenue A, he finally finds an affordable apartment on Avenue Q. His new neighbors are Kate Monster, a kindergarten assistant teacher who longs for a boyfriend; Rod, an obsessively neat Republican investment banker; Nicky, Rod's slacker roommate; Brian, an aspiring comedian recently laid off from his catering job; Christmas Eve, Brian's Japanese fiancée and a therapist with no clients; Trekkie Monster, a surly recluse who surfs the Internet all day in search of pornography; and Gary Coleman, the former child actor who now serves as the apartment superintendent. Debates ensue over whose life is worst, and they conclude that it is Coleman's.
Nicky, who is straight, suspects that Rod is gay and assures Rod it is okay with him if he is, but Rod insists otherwise. While moving into his apartment, Princeton learns that he has been laid off from the job he had lined up. He finds a penny minted in his birth year, declaring it a sign that he will soon find his purpose in life. Kate Monster dreams of starting a "Monstersori" school for young "people of fur". Princeton innocently asks Kate if she and Trekkie are related, since they are both monsters, but Kate angrily pronounces his assumption racist. Princeton, taken aback, counters that Kate's Monstersori School would discriminate against non-monsters. Gary, Brian, and Christmas Eve join them in agreeing that racism, while problematic, is an adult reality.
Princeton receives money from his parents. The Bad Idea Bears, two charming troublemakers, convince him to spend it on beer. Kindergarten teacher Mrs. Thistletwat assigns Kate to teach the next morning's kindergarten class, her first solo teaching opportunity. She decides that her lesson will be about the Internet and all its educational attributes, but Trekkie Monster and the neighbors explain another reality of adulthood: many adults, even "normal people", use it to find pornography.
Princeton gives Kate a mixtape. His puzzling song selections make her question his intended message, but eventually, she decides that he must like her after he invites her on a date to the Around the Clock Café. Brian opens the show with his lame stand-up act, before introducing skanky chanteuse Lucy the Slut, who wows the guys, especially Princeton, with a seductive cabaret number. The Bad Idea Bears suggest that Kate and Princeton order some "harmless" Long Island Iced Teas, and once Kate is totally inebriated, Princeton takes her home to bed, where they have enthusiastic, high-decibel sex. Gary fields angry calls from other tenants but refuses to intercede.
Meanwhile, Rod hears Nicky say, "I love you, Rod," in his sleep, and is jubilant, but he eventually realizes he was dreaming. Kate and Princeton profess their mutual love, and he gives her his lucky penny.
The next morning, a hung-over Kate oversleeps and misses her teaching assignment. Mrs. Thistletwat berates her, and Kate angrily quits her job before she can be fired. Christmas Eve decides unilaterally that it is time she and Brian were married. At the wedding, Nicky blurts out his suspicion that Rod is gay. Rod, furious, insists he has a girlfriend none of them have ever met and tells Nicky he is no longer welcome in their apartment.
When Kate catches Christmas Eve's wedding bouquet, Princeton panics, confesses his fear of commitment, and asks Kate if they can just be friends. Kate retorts that she already has many friends, and ends their relationship.

Act II

A despondent Princeton has been holed up in his apartment after breaking up with Kate, but the neighbors coax him outside, where he once again runs into Lucy, who seduces the rebounding Princeton. Kate is angry, but Christmas Eve explains that it means she is in love with him. Kate writes a note to Princeton suggesting that they rendezvous at the Empire State Building and leaves it with Lucy, who promptly destroys it. Nicky, having been kicked off of all his friends' couches, laments his fate to Gary who confesses that he is deriving pleasure from Nicky's misfortune; they agree that this, while morally wrong, is yet another reality.
On the Empire State Building's viewing platform, Kate, thinking that Princeton has stood her up, throws his lucky penny away. A hundred stories below, Lucy, who had just dumped Princeton for lacking a job, plans or money, is knocked unconscious by the penny. At the hospital, Kate figures out that Lucy sabotaged the meeting, while Kate and Princeton unsuccessfully try to work out their problems over Lucy's comatose body. Rod is too proud to accept Nicky's repeated apologies, despite clearly missing him, and tearfully consults Christmas Eve. Princeton, Kate, and Nicky dream of returning to happier times.
Princeton gives a still-homeless panhandling Nicky a quarter, and marvels at how fantastic he feels. Since thinking only about himself has gotten him nowhere, he decides to raise money to build Kate's Monstersori School. He solicits everyone, even breaking the fourth wall to shake down the audience, but the results are disappointing. Then Trekkie Monster, recalling his own traumatic school experiences, donates ten million dollars and explains to the astonished cast that "in volatile market, only stable investment is porn!".
Kate joyfully opens her new school. Brian lands a consulting job, and Christmas Eve finally has a paying client, so the newlyweds move to a better neighborhood. Rod finally comes out, unsurprisingly, and takes Nicky back in. Nicky finds Rod a boyfriend – Ricky, a muscle-bound hunk who otherwise looks and sounds exactly like Nicky. The Bad Idea Bears discover Scientology. Lucy, having recovered from her head injury, becomes a born-again Christian and takes a vow of chastity. Kate and Princeton agree to give their relationship another go.
A new college graduate inquires about the vacancy in the building, and Princeton has an epiphany: he concludes that his purpose may be to put everything he has learned into a Broadway musical. Everybody, especially the newcomer, immediately ridicules him. The cast reminds Princeton that, in the real world, many people never find their purpose, but life goes on, and everything, both good and bad, is "only for now".