Roscoe Arbuckle


Roscoe Conkling "Fatty" Arbuckle was an American silent film actor, director, and screenwriter. He started at the Selig Polyscope Company and eventually moved to Keystone Studios, where he worked with Mabel Normand and Harold Lloyd as well as with his nephew, Al St. John. He also mentored Charlie Chaplin, Monty Banks and Bob Hope, and brought vaudeville star Buster Keaton into the movie business. Arbuckle was one of the most popular silent stars of the 1910s and one of the highest-paid actors in Hollywood, signing a contract in 1920 with Paramount Pictures for $1 million a year.
Arbuckle was the defendant in three widely publicized trials between November 1921 and April 1922 for the rape and manslaughter of actress Virginia Rappe. Rappe had fallen ill at a party hosted by Arbuckle at San Francisco's St. Francis Hotel in September 1921, and died four days later. A friend of Rappe accused Arbuckle of raping and accidentally killing her. The first two trials resulted in hung juries, but the third trial acquitted Arbuckle. The third jury took the unusual step of giving Arbuckle a written statement of apology for his treatment by the justice system.
Despite Arbuckle's acquittal, the scandal has mostly overshadowed his legacy as a pioneering comedian. At the behest of Adolph Zukor, president of Famous Players–Lasky, his films were banned by motion picture industry censor Will H. Hays after the trial, and he was publicly ostracized. Zukor was faced with the moral outrage of various groups such as the Lord's Day Alliance, the powerful Federation of Women's Clubs and even the Federal Trade Commission to curb what they perceived as Hollywood debauchery run amok and its effect on the morals of the general public. While Arbuckle saw a resurgence in his popularity immediately after his acquittal, Zukor decided he had to be sacrificed to keep the movie industry out of the clutches of censors and moralists. Hays lifted the ban within a year, but Arbuckle only worked sparingly through the 1920s. In their deal, Keaton promised to give him 35% of the Buster Keaton Comedies Co. profits. He later worked as a film director under the pseudonym William Goodrich. He was finally able to return to acting, making short two-reel comedies in 1932–33 for Warner Bros.
Arbuckle died in his sleep of a heart attack in 1933 at age 46, reportedly on the day that he signed a contract with Warner Bros. to make a feature film.

Early life

Roscoe Arbuckle was born on March 24, 1887, in Smith Center, Kansas, one of nine children of Mary E. Gordon and William Goodrich Arbuckle. He weighed in excess of at birth and his father believed that he was illegitimate, as both parents had slim builds. Consequently, he named him after Senator Roscoe Conkling of New York, a notorious philanderer whom he despised. The birth was traumatic for Mary and resulted in chronic health problems that contributed to her death eleven years later.
Arbuckle was nearly two when his family moved to Santa Ana, California. He first performed on stage with Frank Bacon's company at age 8 during their performance in Santa Ana. Arbuckle enjoyed performing and continued on until his mother's death in 1898, when he was 11. Arbuckle's father had always treated him harshly and now refused to support him, so he got work doing odd jobs in a hotel. He was in the habit of singing while he worked, and a professional singer heard him and invited him to perform in an amateur talent show. The show consisted of the audience judging acts by clapping or jeering, with bad acts pulled off the stage by a shepherd's crook. Arbuckle sang, danced, and did some clowning around, but he did not impress the audience. He saw the crook emerging from the wings and somersaulted into the orchestra pit in obvious panic. The audience went wild, and he won the competition and began a career in vaudeville.

Career

In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two. He then joined the Pantages Theatre Group touring the West Coast and in 1906 played the Orpheum Theater in Portland, Oregon, in a vaudeville troupe organized by Leon Errol. Arbuckle became the main act and the group took their show on tour.
On August 6, 1908, Arbuckle married Minta Durfee, the daughter of Charles Warren Durfee and Flora Adkins. Durfee starred in many early comedy films, often with Arbuckle. As a couple, they appeared mismatched, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs. Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan, returning in early 1909.
Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid. He appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures, and became a star in producer-director Mack Sennett's Keystone Cops comedies. Although his large size was undoubtedly part of his comedic appeal, Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs like getting stuck in a doorway or chair.
Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "give up this nonsense you do for a living, with training you could become the second greatest singer in the world."

Screen comedian

Despite his physical size, Arbuckle was remarkably agile and acrobatic. Mack Sennett, when recounting his first meeting with Arbuckle, noted that he "skipped up the stairs as lightly as Fred Astaire" and that he "without warning went into a feather light step, clapped his hands and did a backward somersault as graceful as a girl tumbler". His comedies are noted as rollicking and fast-paced, have many chase scenes, and feature sight gags. Arbuckle was fond of the "pie in the face", a comedy cliché that has come to symbolize silent-film-era comedy itself. The earliest known pie thrown in film was in the June 1913 Keystone one-reeler A Noise from the Deep, starring Arbuckle and frequent screen partner Mabel Normand.
In 1914, Paramount Pictures made the then unheard-of offer of US$1,000 a day plus twenty-five percent of all profits and complete artistic control to make movies with Arbuckle and Normand. The movies were so lucrative and popular that in 1918 they offered Arbuckle a three-year, $3 million contract.
By 1916, Arbuckle was experiencing serious health problems. An infection that developed on his leg became a carbuncle so severe that doctors considered amputation. Although Arbuckle was able to keep his leg, he was prescribed morphine against the pain; he would later be accused of being addicted to it. Following his recovery, Arbuckle started his own film company, Comique, in partnership with Joseph Schenck. Although Comique produced some of the best short pictures of the silent era, Arbuckle transferred his controlling interest in the company to Buster Keaton in 1918 and accepted Paramount's $3 million offer to make up to 18 feature films over three years.
Arbuckle disliked his screen nickname. "Fatty" had also been Arbuckle's nickname since school; "It was inevitable", he said. Fans also called Roscoe "The Prince of Whales" and "The Balloonatic". However, the name Fatty identifies the character that Arbuckle portrayed on-screen, not Arbuckle himself. When Arbuckle portrayed a female, the character was named "Miss Fatty", as in the film Miss Fatty's Seaside Lovers. Arbuckle discouraged anyone from addressing him as "Fatty" off-screen, and when they did so his usual response was, "I've got a name, you know."

Scandal

On Monday, September 5, 1921, Arbuckle took a break from his hectic film schedule and, despite suffering second-degree burns to both buttocks from an on-set accident, drove to San Francisco with two friends, Lowell Sherman and Fred Fishback. The three checked into three rooms at the St. Francis Hotel: 1219 for Arbuckle and Fishback to share, 1221 for Sherman, and 1220 designated as a party room. Several women were invited to the suite. During the carousing, a 30-year-old aspiring actress named Virginia Rappe was found seriously ill in room 1219 and was examined by the hotel doctor, who concluded that her symptoms were mostly caused by intoxication and administered morphine to calm her. Rappe was not hospitalized until two days after the incident.
At the hospital, Rappe's companion at the party, Bambina Maude Delmont, told a doctor that Arbuckle had raped Rappe. The doctor examined Rappe but found no evidence of rape. She died Friday, September 9, 1921 from peritonitis caused by a ruptured bladder. Rappe suffered from chronic urinary tract infections, a condition that liquor can irritate dramatically.
The day after Rappe's death, Arbuckle was arrested and arraigned on charges of murder and held without bail. A grand jury also indicted him on manslaughter of the first degree on September 13, 1921.
Delmont told police that Arbuckle had raped Rappe. The police concluded that the impact of Arbuckle's overweight body on top of Rappe caused her bladder to rupture. At a press conference, Rappe's manager, Al Semnacher, accused Arbuckle of using a piece of ice to simulate sex with Rappe that led to her injuries. By the time that the story was reported in newspapers, the object had evolved into a Coca-Cola or champagne bottle rather than a piece of ice. In fact, witnesses testified that Arbuckle rubbed the ice on Rappe's stomach to ease her abdominal pain. Arbuckle denied any wrongdoing. Delmont later admitted to plotting to extort money from him.
File:Fatty's Chance Acquaintance - Roscoe Arbuckle - 1915, Keystone Film - EYE FLM20359 - OB 685589.webm|thumb|Fatty's Chance Acquaintance, with intertitles in Dutch. Runtime 00:14:39.
Arbuckle was regarded by those who knew him closely as a good-natured man who was shy around women, and he had been described as "the most chaste man in pictures." However, studio executives, fearing negative publicity by association, warned Arbuckle's industry friends and fellow actors not to publicly defend him. Charlie Chaplin told reporters that he could not believe that Arbuckle was guilty, having known him since they both worked at Keystone in 1914. Chaplin "knew Roscoe to be a genial, easy-going type who would not harm a fly." Buster Keaton issued a public statement in support of Arbuckle that resulted in a mild reprimand from Keaton's studio. Actor William S. Hart, who had never met or worked with Arbuckle, issued a number of damaging public statements presuming Arbuckle's guilt. Arbuckle later wrote a premise for a film parodying Hart as a thief, bully and wifebeater. Keaton purchased the premise, and the resulting film, The Frozen North, was released in 1922, almost a year after the scandal first emerged. Keaton cowrote, directed and starred in the film, and Hart refused to speak to Keaton for many years afterward.
The prosecutor, San Francisco district attorney Matthew Brady, an intensely ambitious man who planned to run for governor, made public pronouncements of Arbuckle's guilt and pressured witnesses to make false statements. Brady at first featured Delmont as his star witness during the indictment hearing. The defense obtained a letter from Delmont admitting to a plan to extort payment from Arbuckle. Delmont's constantly changing testimony effectively ended any chance of the case proceeding to trial. Ultimately, the judge found no evidence of rape. After hearing testimony from party guest Zey Prevon that Rappe said "Roscoe hurt me" on her deathbed, the judge decided that Arbuckle could be charged with first-degree murder. Brady had originally planned to seek the death penalty, but the charge was later reduced to manslaughter.
After nearly three weeks in jail he was released on bail of $5,000.