Frances Burney
Frances Burney, also known as Fanny Burney and later Madame d'Arblay, was an English novelist, diarist and playwright. In 1786–1790 she held the post of "Keeper of the Robes" to Charlotte of Mecklenburg-Strelitz, George III's queen. In 1793, aged 41, she married a French exile, General Alexandre d'Arblay. After a long writing career that gained her a reputation as one of England's foremost literary authors, and after wartime travels that stranded her in France for over a decade, she settled in Bath, England, where she died on 6 January 1840. The first of her four novels, Evelina, was the most successful and remains her most highly regarded, followed by Cecilia. She also wrote a number of plays. She wrote a memoir of her father, and is perhaps best remembered as the author of letters and journals that have been gradually published since 1842, whose influence has overshadowed the reputation of her fiction, establishing her posthumously as a diarist more than as a novelist or playwright.
Overview of career
Frances Burney was a novelist, diarist and playwright. In all, she wrote four novels, eight plays, one biography and twenty-five volumes of journals and letters. She has gained critical respect in her own right, but she foreshadowed such novelists of manners with a satirical bent as Jane Austen and William Makepeace Thackeray.She published her first novel, Evelina, anonymously in 1778. Burney feared that her father would find what she called her "scribblings", so she only told her siblings and two trusted aunts about the work. Her closest sister, Susanna, helped with the cover-up. Eventually, her father read the novel and guessed that she was its author. News of her identity spread. The novel brought Burney almost immediate fame with its unique narrative and comic strengths. She followed it with Cecilia in 1782, Camilla in 1796 and The Wanderer in 1814.
All Burney's novels explore the lives of English aristocrats and satirise their social pretensions and personal foibles, with an eye to larger questions such as the politics of female identity. With one exception, Burney never succeeded in having her plays performed, largely due to objections from her father, who thought that publicity from such an effort would be damaging to her reputation. The exception was Edwy and Elgiva, which was not well received by the public and closed after the first night's performance despite having Sarah Siddons in the cast.
Although her novels were hugely popular during her lifetime, Burney's reputation as a writer of fiction suffered after her death at the hands of biographers and critics, who felt that the extensive diaries, published posthumously in 1842–1846, offer a more interesting and accurate portrait of 18th-century life. Today, critics are returning to her novels and plays with renewed interest in her outlook on the social lives and struggles of women in a predominantly male-oriented culture. Scholars continue to value Burney's diaries as well, for their candid depictions of English society.
Throughout her writing career, Burney's talent for satirical caricature was widely acknowledged: figures such as Dr Samuel Johnson, Edmund Burke, Hester Lynch Thrale, David Garrick and other members of the Blue Stockings Society to which she aligned herself were among her admirers. Her early novels were read and enjoyed by Jane Austen, whose own title Pride and Prejudice derives from the final pages of Cecilia. Thackeray is said to have drawn on the first-person account of the Battle of Waterloo recorded in her diaries while writing his Vanity Fair.
Burney's early career was strongly affected by her relations with her father and the critical attentions of a family friend, Samuel Crisp. Both encouraged her writing, but used their influence to dissuade her from publishing or performing her dramatic comedies, as they saw the genre as inappropriate for a lady. Many feminist critics see her as an author whose natural talent for satire was stifled by the social pressures on female authors. Burney persisted despite the setbacks. When her comedies were poorly received, she returned to novel writing, and later tried her hand at tragedy. She supported both herself and her family on the proceeds of her later novels, Camilla and The Wanderer.
Family life
Burney was born in Lynn Regis, now King's Lynn, England, on 13 June 1752, to the musician Dr Charles Burney and his first wife, Esther Sleepe Burney, as the third of her mother's six children. Her elder siblings were Esther and James ; those younger were Susanna Elizabeth, Charles and Charlotte Ann. Of her brothers, James became an admiral and sailed with Captain James Cook on his second and third voyages. The younger Charles Burney became a well-known classical scholar, after whom The Burney Collection of Newspapers is named.Her younger sister Susanna married, in 1781, Molesworth Phillips, an officer in the Royal Marines who had sailed in Captain Cook's last expedition; she left a journal that gives a principal eye-witness account of the Gordon Riots. Her younger half-sister Sarah Harriet Burney also became a novelist, publishing seven works of fiction. Esther Sleepe Burney also bore two other boys, both named Charles, who died in infancy in 1752 and 1754.
Frances Burney began composing small letters and stories almost as soon as she learnt the alphabet. She often joined with her brothers and sisters in writing and acting in plays. The Burney family had many close friends. "Daddy Crisp" was almost like a second father to Frances and a strong influence on her early writing years. Burney scholar Margaret Anne Doody has investigated conflicts within the Burney family that affected Burney's writing and her personal life. She alleged that one strain was an incestuous relationship between Burney's brother James and their half-sister Sarah in 1798–1803, but there is no direct evidence for this, and Burney was affectionate towards Sarah and provided her with financial assistance in later life.
Frances Burney's mother, Esther Sleepe, described by historians as a woman of "warmth and intelligence", was the daughter of a French refugee named Dubois and had been brought up a Catholic. This French heritage influenced Frances Burney's self-perception in later life, possibly contributing to her attraction and subsequent marriage to Alexandre d'Arblay. Esther Burney died in 1762 when Frances was ten years old.
Frances's father, Charles Burney, was noted for his personal charm, and for his talents as a musician, a musicologist, a composer and a man of letters. In 1760 he moved his family to London, a decision that improved their access to English high society and social standing. They lived amidst an artist social circle that gathered round Charles at their home in Poland Street, Soho.
In 1767, Charles Burney eloped to marry for a second time, to Elizabeth Allen, the wealthy widow of a King's Lynn wine merchant. Allen had three children of her own, and several years after the marriage the two families merged. This new domestic situation was fraught with tension. The Burney children found their new stepmother overbearing and quick to anger, and they made fun of her behind her back. However, their collective unhappiness may have also brought them closer to one another. In 1774 the family moved again, to what had been the house of Isaac Newton in St Martin's Street, Westminster.
Education
Burney's sisters Esther and Susanna were favoured by their father, for what he perceived as their superior attractiveness and intelligence. At the age of eight, Burney had yet to learn the alphabet; some scholars suggest she had a form of dyslexia. By the age of ten, however, she had begun to write for her own amusement. Esther and Susanna were sent by their father to be educated in Paris, while at home Burney educated herself by reading from the family collection, including Plutarch's Lives, works by Shakespeare, histories, sermons, poetry, plays, novels and courtesy books. She drew on this material, along with her journals, when writing her first novels. Scholars who have looked into the extent of Burney's reading and self-education find a child who was unusually precocious and ambitious, working hard to overcome an early disability.From the age of fifteen, Burney lived in the midst of a brilliant social circle, gathered round her father in Poland Street, and later in St Martin's Street. David Garrick was a frequent visitor, often arriving before eight o'clock in the morning. Burney left detailed accounts of people they entertained, notably of Omai, a young man from Raiatea, and of Alexis Orlov, a favourite of Catherine the Great. She first met Dr Samuel Johnson at her father's home in March 1777.
A critical aspect of Burney's literary education was her relationship with a family friend, the dramatist Samuel Crisp, who had met her father in about 1745 at the house of Charles Cavendish Fulke Greville. He encouraged Burney's writing by soliciting frequent journal-letters from her that recounted to him the goings-on in her family and social circle in London. Burney paid her first formal visit to Crisp at Chessington Hall in Surrey in 1766.
Journal-diaries and ''Caroline Evelyn''
The first entry in Frances Burney's journal was dated 27 March 1768 and addressed to "Nobody". The journal itself was to extend over 72 years. Burney kept the journal-diary as a form of correspondence with family and friends, recounting life events and her observations of them. The diary contains a record of her extensive reading in her father's library, as well as the visits and behaviour of notable people who visited their home. Burney and her sister Susanna were particularly close, and Burney continued to send journal-letters to Susanna throughout her adult life.Burney was 15 when her father married Elizabeth Allen in 1767. Her diary entries suggest that she had begun to feel pressure to abandon her writing as something "unladylike" that "might vex Mrs. Allen." Feeling that she had transgressed, the same year she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. Frances recorded in her diary an account of the emotions that led up to that dramatic act and eventually used it as a foundation for her first novel, Evelina, which follows the life of the fictional Caroline Evelyn's daughter.
In keeping with Burney's sense of propriety, in later life she heavily edited sections of her earlier diaries, destroying much of the material. Editors Lars Troide and Joyce Hemlow recovered some of this obscured material while researching their editions of Burney's journals and letters in the late twentieth century.