Bengali–Assamese script
The Bengali–Assamese script, sometimes also known as Eastern Nagri, is an eastern Brahmic script, primarily used today for the Bengali and Assamese language spoken in eastern South Asia. It evolved from Gaudi script, also the common ancestor of the Odia and Tirhuta scripts. It is commonly referred to as the Bengali script by Bengalis and the Assamese script by the Assamese, while in academic discourse it is sometimes called Eastern-Nāgarī. The script was traditionally called Gauḍa as seen in the catalogue of books at the Radha-Damodara Mandir maintained by Jiva Goswami during the time of Akbar. Bengali is the official and national language of Bangladesh and three of the 22 official languages of the Indian Republic—Bengali, Assamese, and Meitei—commonly use this script in writing;
Besides, Bengali and Assamese languages, it is also used to write Bishnupriya Manipuri, Meitei, Chakma, Santali and numerous other smaller languages spoken in eastern South Asia. Historically, it was used to write various Old and Middle Indo-Aryan languages, and, like many other Brahmic scripts, is still used for writing Sanskrit. Other languages, such as Bodo, Karbi, Maithili and Mising were once written in this script. The two major alphabets in this script - Assamese and Bengali - are virtually identical, except for two characters — Assamese differs from Bengali in one letter for the /r/ sound, and an extra letter for the /w/ or /v/ sound.
History
The Bengali–Assamese script was originally not associated with any particular regional language, but was prevalent as the main script in the eastern regions of Medieval India for Old- and Middle-Indo-Aryan including Sanskrit. All of these eastern Magadhan scripts are based on a system of characters historically related to, but distinct from, Devanagari. Brahmi, an ancient Indian syllabary, is the source of most native Indian scripts including the South Indian languages and Devanagari, the script associated with classical Sanskrit and other Indo-Aryan languages.The modern eastern scripts became clearly differentiated around the 14th and 15th centuries from the predecessor Gaudi. While the scripts in Bengal, Assam and Mithila remained similar to each other the Odia script developed a curved top in the 13th–14th century and became increasingly different. Old Maithili also used a script similar to the Bengali–Assamese script, and Maithili scholars still write Sanskrit in that script.
According to manuscripts written in the 17th–18th century from eastern Bihar in the west to Manipur in the east followed related scripts, that could be classed largely into three on the basis of the letter ro: western - with the current Bengali ro; northern - with the current Assamese ro; and eastern - largely lost today with a ro not seen today.
Modern Bengali–Assamese script saw further standardisations following the introduction of printing.
Printing
Though there were early attempts to cut Bengali types it was the East India Company's interest in propagating the Bengali language that ultimately prevailed. It first commissioned William Bolts, a Dutch adventurer, to create a grammar for Bengali, but he had to leave India after he ran into trouble with the company. The first significant book with Bengali typography was Halhed's 1778 "A Grammar of the Bengal Language" which he compiled from a meagre set of six Bengali manuscripts. When Halhed turned to Warren Hastings for publishing, he was referred to Charles Wilkins, the type-founder at the Company press at Hoogly. Learned in Sanskrit and Persian, Wilkins singlehandedly cut the most complete set. He was assisted by the Bengali blacksmith, Panchanan Karmakar, who is often erroneously credited as the father of the Bengali type.Script
In this and other articles on Wikipedia dealing with the Assamese and Bengali languages, a Romanization scheme used by linguists specialising in Bengali phonology and a separate Assamese transliteration table used by linguists specialising in Assamese phonology are included along with IPA transcription.Alphabets
There are three major modern alphabets in this script: Bengali, Assamese, and Tirhuta. Modern Assamese is very similar to modern Bengali. Assamese has at least one extra letter, ৱ, that Bengali does not. It also uses a separate letter for the sound 'ro' ৰ different from the letter used for that sound in Bengali র and the letter ক্ষ is not a conjunct as in Bengali, but a letter by itself. The alphabetical orders of the two alphabets also differ, in the position of the letter ক্ষ, for example. Languages like Meitei and Bishnupriya use a hybrid of the two alphabets, with the Bengali র and the Assamese ৱ. Tirhuta is more different and carries forward some forms used in medieval Assamese.Vowels and diacritics
The script consists of two sets of letters, the Swarabarna,of a total of 11 vowel letters, used to represent the seven vowel sounds of Bengali and eight vowel sounds of Assamese, along with a number of vowel diphthongs creating the second set of 39 and 41 letters called Byanjanbarna. All of these vowel letters are used in both Assamese and Bengali. Some of the vowel letters have different sounds depending on the word, and a number of vowel distinctions preserved in the writing system are not pronounced as such in modern spoken Bengali or Assamese. For example, the script has two symbols for the vowel sound and two symbols for the vowel sound . This redundancy stems from the time when this script was used to write Sanskrit, a language that had a short and a long, and a short and a long. These letters are preserved in the script with their traditional names of "short i" and "long i", etc., despite the fact that they are no longer pronounced differently in ordinary speech.Some language-specific usages
In the Bengali alphabet, অ্যা is used when the intended pronunciation would otherwise be ambiguous. Some other languages use a vowel অৗ to denote // which is not found in either Bengali or Assamese; and though the vowel diacritic is found in Tirhuta the vowel letter itself is absent. Assamese alphabet uses an additional "matra" that is used to represent the phonemes অʼ and এʼ.| Vowels | Vowel Diacritic symbol | Assamese | Bengali | Meitei | Sylheti | Hajong | Rabha | Rajbongsi |
| অ | – | ô | ô/o | ô/a | o | o | ô | ô |
| অʼ | ʼ | o | – | – | – | – | – | – |
| আ | া | a | a | a꞉ | a | a | a | a |
| অ্যা/এ্যা | ্যা | – | æ | – | – | – | – | – |
| অৗ | ৗ | – | – | – | – | â | â | – |
| ই | ি | i | i | i | i | i | i | i |
| ইʼ | িʼ | – | – | – | – | – | î | – |
| ঈ | ী | i | i | – | ī | – | – | |
| উ | ু | u | u | u | u | u | u | u |
| উʼ | ুʼ | – | – | – | – | – | â | – |
| ঊ | ূ | u | u | – | ū | – | – | |
| ঋ | ৃ | ri | ri | – | ri | – | – | ri |
| ৠ | ৄ | rii | rii | – | – | – | – | – |
| ঌ | ৢ | li | li | – | – | – | – | – |
| ৡ | ৣ | lii | lii | – | – | – | – | – |
| এ | ে | ê | e/ê | e | ê | e | e | ê |
| এʼ | েʼ | e | – | – | – | – | – | – |
| ঐ | ৈ | ôi | ôi | ei | oi | oi | – | ôi |
| ও | ো | û | o | o/ô | – | ô | o | o |
| ঔ | ৌ | ôu | ôu | ou | ou | ôu | – | ôu |
Vowel signs can be used in conjunction with consonants to modify the pronunciation of the consonant. When no vowel Diacritic symbol is written, then the vowel "অ" is the default inherited vowel for the consonant. To specifically denote the absence of a vowel, a hôsôntô may be written underneath the consonant.
Consonants
The names of the consonant letters in Eastern Nagari are typically just the consonant's main pronunciation plus the inherent vowel "অ" ô. Since the inherent vowel is assumed and not written, most letters' names look identical to the letter itself. Some letters that have lost their distinctive pronunciation in Modern Assamese and Bengali are called by a more elaborate name. For example, since the consonant phoneme /n/ can be written ন, ণ, or ঞ, these letters are not simply called nô; instead, they are called "dental nô", "cerebral nô" and niô. Similarly, the phoneme in Bengali and in Assamese can be written as "palatal shô/xhô" শ, "cerebral shô/xhô" ষ, or "dental sô/xô" স, depending on the word.| Consonant | Assamese | Bengali | Meitei | Chittagonian | Sylheti | Hajong | Maithili |
| ক | kô | kô | kô | xô | xô | ko | ka |
| খ | khô | khô | khô | xô | xo | kho | kha |
| গ | gô | gô | gô | gô | go | go | ga |
| ঘ | ghô | ghô | ghô | gô | go | gho | gha |
| ঙ | umô | umô | ngô | ngô | – | ngo | nga |
| চ | sô | cô | cô | sô | so | co | ca |
| ছ | sô | chô | – | sô | so | so | - |
| ? | – | – | – | – | – | – | cha |
| জ | zô | jô | jô | zô | zo | jo | ja |
| ঝ | zhô | jhô | jhô | zô | zo | jho | - |
| ? | – | – | – | – | – | – | jha |
| ঞ | niô | nô | – | – | – | – | nia |
| ট | tô | ţô | – | tô | to | – | – |
| ? | – | – | – | – | – | – | ţa |
| ঠ | thô | ţhô | – | tô | to | – | ţha |
| ড | dô | đô | – | dô | do | – | da |
| ড় | rô | ŗô | – | rô | ŗo | – | – |
| ঢ | dhô | đhô | – | dô | do | - | da |
| ঢ় | rhô | ŗhô | – | rô | ro | – | – |
| ণ | nô | nô | – | nô | no | - | - |
| ত | tô | tô | tô | tô | ṭo | to | ta |
| থ | thô | thô | thô | tô | ṭo | tho | tha |
| দ | dô | dô | dô | dô | ḍo | do | da |
| ধ | dhô | dhô | dhô | dhô | ḍo | dho | dha |
| ন | nô | nô | nô | nô | no | no | na |
| প | pô | pô | pô | fô | fo | po | pa |
| ফ | phô | phô/fô | fô | fô | fo | fo | – |
| ? | – | – | – | – | – | – | pha |
| ব | bô | bô | bô | vô | vo | bo | ra |
| ভ | bhô | bhô | vô | vô | vo | vo | bha |
| ম | mô | mô | mô | mô | mo | mo | ma |
| য | zô | jô | – | zô | zo | - | ya |
| য় | yô | yô | yô | yô | – | yo | – |
| র | rô | rô | rô | ro | wõ | va | |
| ৰ | rô | ro | – | rô | – | ra | |
| ল | lô | lô | lô | lô | lo | – | – |
| ? | – | – | – | – | – | – | la |
| ৱ | wô | – | wo | wô | – | – | – |
| শ | xô | şô | – | shô | – | - | sha |
| ষ | xô | şşô | – | shô | – | - | ssha |
| স | xô | şô | sô | shô | şo | - | sa |
| হ | hô | hô | hô | ô | ho | ho | - |
| ? | – | – | – | – | – | – | ha |