Dora Gerson
Dora Gerson was a German cabaret singer and stage and motion picture actress of the silent film era. She was murdered at Auschwitz during the Holocaust.
Life and career
Born Dorothea Gerson into a Jewish family in Berlin, Gerson began her career as a touring singer and actress in the Holtorf Tournee Truppe alongside actors Mathias Wieman and Ruth Hellberg in Germany, where she met and married her first husband, film director Veit Harlan. The couple married in 1922 and divorced in 1924. Harlan would later direct the anti-Semitic Nazi propaganda film Jud Süß, supposedly at the insistence of Nazi Propaganda Minister Joseph Goebbels.In 1920, Gerson was cast to appear in the film Auf den Trümmern des Paradieses , an adaptation of the Karl May-penned novel Von Bagdad nach Stambul, and later followed that same year in another May adaptation titled Die Todeskarawane . Both films included Hungarian actor Béla Lugosi in the cast and are now believed to be lost films. Gerson continued performing as a popular cabaret singer throughout the 1920s and acting in films.
By 1933, when the Nazi Party came to power in Germany, the German-Jewish population was systematically stripped of rights, and Gerson's career slowed dramatically. Blacklisted from performing in "Aryan" films, Gerson began recording music for a small Jewish record company. She also began recording in the Yiddish language during this time, and the 1936 song "Der Rebe Hot Geheysn Freylekh Zayn" became highly regarded by the Jews of Europe in the 1930s. Gerson's most memorable recordings from this era were the German-language songs "Backbord und Steuerbord", and "Vorbei", which was an emotional ballad memorializing pre-Nazi Germany:
In 1936, Gerson relocated with relatives to the Netherlands, fleeing Nazi persecution. She married her second husband Max Sluizer. In 1938, she dubbed the voice of the Evil Queen in the German language film release of the 1937 American animated Walt Disney Productions film Snow White and the Seven Dwarfs for the German theatrical release in Amsterdam. However, the film was not shown publicly in Germany until 1951.