Doom metal


Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre.

Characteristics

Instrumentation

The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal, but its structures are rooted in the same scales as in blues. Guitarists and bassists often down tune their instruments to very low notes and make use of large amounts of distortion, thus producing a very "thick" or "heavy" guitar tone, which is one of the defining characteristics of the genre. Along with the usual heavy metal compositional technique of guitars and bass playing the same riff in unison, this creates a loud and bass-heavy wall of sound. Another defining characteristic is the consistent focus on slow tempos, and minor tonality with much use of dissonance, employing the usage of repetitive rhythms with little regard to harmonic progression and musical structure.

Vocals

Traditional doom metal vocalists favor clean vocals, which are often performed with a sense of despair, desperation, or pain; imitating the high-tone wails of Ozzy Osbourne, Frank Ferrara, Bobby Liebling, and Zeeb Parkes. So-called "epic doom" vocalists often take it a step further, singing in an operatic style. Doom metal bands influenced by other extreme metal genres often use growled or screamed vocals, as is the case of death-doom, black-doom, and funeral doom.

Lyrical themes

Lyrics in doom metal play a key role. Influenced by notable blues musicians like Robert Johnson and Son House, normally they are gloomy and pessimistic, including themes such as suffering, depression, fear, grief, dread, death, and anger. While some bands write lyrics in introspective and personal ways, others convey their themes using symbolism – which may be inspired by occult arts and literature.
Some doom metal bands use religious themes in their music. Trouble, one of the genre's pioneers, were among the first to incorporate Christian imagery. Others have incorporated occult and pagan imagery. For many bands, the use of religious themes is for aesthetic and symbolic purposes only. Examples include lyrics/imagery about the Last Judgment to invoke dread, or the use of crucifixes and cross-shaped headstones to symbolize death.
Furthermore, some doom metal bands write lyrics about drugs or drug addiction. This is most common among stoner doom bands, who often describe hallucinogenic or psychedelic experiences.

History

Origins (late 1960s–1970s)

The first traces of doom in rock music could be heard as far back as the Beatles' 1969 track "I Want You ". Black Sabbath are generally regarded as the progenitors of doom metal. Black Sabbath's music is itself stylistically rooted in blues, but with the deliberately doomy and loud guitar playing of Tony Iommi, and the then-uncommon dark and pessimistic lyrics and atmosphere, they set the standards of early heavy metal and inspired various doom metal bands. In the early 1970s, both Black Sabbath and Pentagram composed and performed this heavy and dark music, which would in the 1980s begin to be known and referred to as doom metal by subsequent musicians, critics and fans. Joe Hasselvander, Pentagram's drummer also cited bands like Black Widow, Toe Fat, Iron Claw, Night Sun, and Zior as pioneers of the doom metal sound.
Aside from Pentagram and Black Sabbath, other groups from the 1970s would heavily influence the genre's development. Blue Cheer is often hailed as one of the first stoner metal bands. Through the use of loud amplifiers and guitar feedback, their debut Vincebus Eruptum created a template for other artists to follow. Uriah Heep released "Demons and Wizards" album include "Easy Living" in 1972. Though lacking the pessimistic lyrical content of their contemporaries, Welsh heavy metal band Budgie would also produce heavy songs which were amongst the loudest of their day, stylistically influencing various doom metal acts. Led Zeppelin's No Quarter is considered as one of the earliest examples of a doom metal song made by a rock band. Early doom metal was also influenced by Japanese psychedelic rock albums, such as Kuni Kawachi & Friends' Kirikyogen and Flower Travellin' Band's Satori. Bang's 1971 self-titled debut is considered an important forerunner to doom metal. Other notable groups include Sir Lord Baltimore, Buffalo, Necromandus, Lucifer's Friend, and Leaf Hound.

Development (1980s)

During the early-mid-1980s, bands from England and the United States contributed much to the formation of doom metal as a distinct genre. In 1982, English pioneers Witchfinder General released their debut album Death Penalty. During 1984, two American pioneers also released their debuts—Saint Vitus released their eponymous album and Trouble released Psalm 9. That same year, American band Cirith Ungol released their second studio album, King of the Dead—regarded by many as an early influence on doom. The following year, American band Pentagram would go on to release their debut, Relentless. The Swedish Candlemass would also prove influential with their first record Epicus Doomicus Metallicus in 1986, from which epic doom metal takes its name. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal".
Some doom metal bands were also influenced by the underground gothic rock and post-punk scene of the 1980s, showing similarities with the dark themes addressed through lyrics and the atmosphere both music styles deal with. A doom metal band like Mindrot was often described as a cross-over between death metal and gothic rock.

Regional scenes

Like other extreme metal genres, doom metal also has regionally based scenes, with their own particular characteristics:

Finnish doom metal

In one of the greatest doom metal outputs, Finnish groups focus more on the depressive mood of the genre, evoking an intense grieving feeling. The bands play with very slow tempos and melodic tones, creating an atmosphere of darkness and melancholia. This scene was kick-started by the band Rigor Mortis, which originated in 1987. Notable bands include Reverend Bizarre, Minotauri, Dolorian, Shape of Despair, Thergothon, Skepticism, and Unholy.

Louisiana doom metal

Regarded as sludge metal's birthplace by AllMusic, this scene originated in New Orleans in the late 1980s. The bands of this scene employ some punk influences, like harsh vocals, guitar distortion and downtuned sound. This scene was pioneered by Exhorder, who was the first band to combine doom metal with a punk-influenced metal sound. In the 90s, several sludge and stoner metal bands arose in the state, mainly influenced by bands like Black Sabbath and Melvins, also mixing their sound with genres like hardcore punk and Southern rock. Notable bands include Eyehategod, Down, Exhorder, Crowbar, and Acid Bath.

Washington D.C. doom metal

This scene formed in the early 1970s and was kickstarted by Pentagram and the Obsessed. Various doom/stoner bands, mostly from Washington, D.C. and its metropolitan area on Maryland and Virginia, formed in this region being heavily influenced by early hard rock and heavy metal bands, like UFO, Blue Cheer, Black Sabbath, Uriah Heep and Sir Lord Baltimore. This scene is also known as "Hellhound sound" for being closely related to the late Hellhound Records, who signed with many important bands of the scene like Saint Vitus, Internal Void, Iron Man, Revelation, Wretched and Unorthodox. Other notable bands include Evoken, Spirit Caravan, Earthride, and the Hidden Hand.

Pacific Northwest doom metal

The Pacific Northwest region – primarily Oregon, Washington, and British Columbia – has been host to a growing scene of doom, sludge, and stoner metal since the 1990s. It is influenced by the geographical origin of grunge music and a sound pioneered in part by the Washington band Melvins. Common visual themes include the region's cold, rainy, forested climate, and many bands utilize psychedelic imagery influenced by bands like Sleep, Karp and Harkonen. Musical styles often share crossover features with atmospheric/ambient black metal, drone metal, and post-metal as seen in Oregon's YOB, Agalloch, Witch Mountain, and Red Fang; Washington's Earth, and Sunn O))); and Vancouver's Anciients, Astrakhan, and Aaron Turner project Sumac, among various others.

Palm Desert Scene

, hosts a thriving desert rock and stoner metal scene, drawing heavy influences from psychedelia, blues and hardcore punk, often featuring distinctive repetitive drum beats, a propensity for free-form jamming, and "trance-like" or "sludgy" grooves. Because of their integration, the term "stoner rock" is sometimes used interchangeably with the term "desert rock". Notable bands include Kyuss, Queens of the Stone Age, Dali's Llama, Slo Burn, and Brant Bjork.

Stylistic divisions

Black-doom

Black-doom, also known as blackened doom, is a style that combines the slowness and thicker, bassier sound of doom metal with the shrieking vocals and heavily distorted guitar sound of black metal. Black-doom bands maintain the Satanic ideology associated with black metal, while melding it with moodier themes more related to doom metal, like depression, nihilism, and nature. They also use the slower pace of doom metal in order to emphasize the harsh atmosphere present in black metal. Examples of black-doom bands include Barathrum, Forgotten Tomb, Woods of Ypres, Deinonychus, Shining, Nortt, Bethlehem, early Katatonia, Tiamat, Dolorian, October Tide, and In the Woods...