Dona Drake


Dona Drake was an American singer, dancer, and film actress in the 1930s and 1940s. She was typically cast in ethnic roles including Latin American and Middle Easterners. Drake often presented herself as Mexican and went by the names Una Novella and Rita Novella. As Rita Rio, she led a touring all-girl orchestra in the early 1940s, also known as "Dona Drake and her Girl Band", among other names for her musical and dance acts.

Early life

Drake was born Eunice Westmoreland in Miami, Florida on November 15, 1914 to Joseph Andrew Westmoreland, Sr. and Novella. She had four siblings.

Ethnicity

The 1910 United States census, taken in Florida, lists her father as black and her mother, taken in Alabama, as black. The 1920 United States census, taken in Florida, records her and her parents as being mulatto. The 1930 United States census, taken in Pennsylvania, records her and her parents as being negro. The 1950 United States census, taken in Pennsylvania, records her father and brother as negro and Drake, taken in California, as white. Drake was likely of mixed African American and white heritage. Drake often presented herself as Hispanic and reportedly spoke Spanish but had no documented Hispanic, Spanish, or Latin American heritage. Her father was from Arkansas and her mother was from Alabama.

Career

Entering show business in the 1930s, she used the names Una Velon, Rita Rio and Rita Shaw. The newspapers of the day ascribed her billed-name changes to “Rita Shaw,” and then to “Dona Drake,” as Paramount’s.

Una Villon

She began performing in 1932, working under the name Una Villon as a chorus girl and in nightclubs. As Una Villon, she appeared in Earl Carroll's Vanities in 1933, prompting Paul Harrison to write in a review printed in The Indiana Gazette: "Most noteworthy newcomer is Miss Una Villon who sings, dances and looks like a 16-year-old incarnation of Ann Pennington. Only a couple of days before the premiere she was hired away from a Broadway night club and already has proved her right to a place in the big-time spotlight."
In 1934, columnist Walter Winchell wrote about her performance in a night club: "Una Villon's torso shifting serves to synchronize the tempos instead of Berren's directing — this young lady directs the tooters with her wiggling."

Rita Rio and Rita Shaw

She began using the name Rita Rio in 1935, when she was featured at the Paradise cabaret on Broadway. Besides singing and dancing, she sometimes played piano, trumpet, clarinet, saxophone and drums and occasionally led the orchestra. In 1936, she and another woman formed an orchestra. After the group had financial problems in 1940, she went to Hollywood, where she had screen tests using the name Rita Shaw.
She settled on the stage name Dona Drake in the early 1940s. Studio publicity during her heyday incorrectly stated that Drake was of Mexican origin and was born Rita Novella.
She was sometimes cast as an ethnic character, such as a Latina, Middle Easterner, American Indian, or Gypsy. She is perhaps best known for playing the American Indian maid of Bette Davis in Beyond the Forest. She also appeared as the Arab girl Mihirmah, opposite Bob Hope and Bing Crosby in Road to Morocco in 1942. In 1944 she appeared as a lead role as a big band singer in a B-movie titled Hot Rhythm, which also featured Irene Ryan as a ditsy secretary.
Drake had a "non-ethnic", non-musical role as the second female lead in the 1949 comedy The Girl from Jones Beach, playing opposite Eddie Bracken. The year before, she gave a comic performance as the fortune-hunting sister in So This Is New York.

Personal life

In 1936, Drake was questioned by the FBI about the murder of her then-boyfriend and known mobster, Louis Amberg. She claimed to only know him as "Mr. Cohen" and had no idea what he did for a living.
Drake married Oscar and Emmy award-winning fashion designer William Travilla on August 19, 1944. They had one daughter: Nia Novella Travilla, who had no children. They remained a couple until her death. Travilla appeared on the March 24, 1960, episode of You Bet Your Life, hosted by Groucho Marx, and introduced his elegantly dressed wife to the audience.

Filmography

YearTitleRoleNotes
1935Moonlight and MelodyRitaShort, credited as Rita Rio
1936Strike Me PinkMademoiselle Fificredited as Rita Rio
1938Sweet ShoeRita RioShort, credited as Rita Rio
1938Beautiful, But DummiesModelShort, credited as Rita Ray
1939Gals and GallonsOrchestra Leadercredited as Rita Rio
1939Rita Rio and Her OrchestraRita RioShort, played self in this 10-minute short
1941Fresh as a FreshmanChicquitaShort
1941Aloma of the South SeasNeafirst film credit as Dona Drake
1941Louisiana PurchaseBeatrice
1941I Look at YouRita RioShort, With Alan Ladd.
1942Road to MoroccoMihirmahcredited as Dona Drake
1942Star Spangled RhythmHerselfperforms song "On the Swing Shift" with Marjorie Reynolds and Betty Jane Rhodes
1943Salute for ThreeDona Drake and Her Girl Bandcredited as Dona Drake
1943Let's Face ItMuriel
1944Hot RhythmMary Adams
1945Hollywood Victory CaravanHerselfVictory Bonds Short, performs song "Plain Jane Doe" with Betty Hutton
1946Without ReservationsDolores Ortega
1946Dangerous MillionsElena Valdez
1948Another Part of the ForestLaurette Sincee
1948So This Is New YorkKate Goff
1949The Doolins of OklahomaCattle Annie
1949The Girl from Jones BeachConnie Martin
1949Beyond the ForestJenny
1950Fortunes of Captain BloodPepita Maria Rosados
1951ValentinoMaria Torres
1952Kansas City ConfidentialTeresa
1953The Bandits of CorsicaZelda
1953Son of Belle StarrDolores
1953Down Laredo WayNarita
1953Adventures of SupermanJoyceEpisode 35: "The Dog Who Knew Superman" 9th episode of 1953; aired 14 November
1954Superman Flies AgainJoycetheatrical re-release of 3 episodes of the television series included episode 35
1954Princess of the NileMirva
1954The Lone WolfLeeEpisode: "Deadline"
1954City DetectiveFrancescaEpisode: "The Gift Shop"
1955Soldiers of FortuneCheuEpisode: "The Runaway King"

Preservation

Sweet Shoe was preserved and restored by the UCLA Film & Television Archive from 16mm prints. Restoration funding was provided by a grant from the GRAMMY Museum. The restoration had its world premiere at the 2024 UCLA Festival of Preservation.