Directors Guild of America


The Directors Guild of America is an entertainment guild that represents the interests of film and television directors in the United States motion picture industry and abroad. Founded as the Screen Directors Guild in 1936, the group merged with the Radio and Television Directors Guild in 1960 to become the modern Directors Guild of America.

DGA Awards

The DGA hosts the annual DGA Awards, an important precursor to the Academy Awards. In its 69-year history, the DGA Award for Outstanding Directorial Achievement in Feature Film has been a near perfect barometer for both the Best Director, and in some cases, the Best Picture Academy Award. Only seven times has the DGA Award winner not won the corresponding Best Director Academy Award. Honorees are awarded with a statue manufactured by Society Awards.

Student Spotlight Awards

The inaugural DGA Student Film Awards were held in 1995. the DGA Student Spotlight Awards for Underrepresented Directors are awarded to a number of student filmmakers in an underrepresented group in the industry, such as African American, Asian American, Latino, women, and documentary film makers. Each winner receives a $2,500 cash prize.

Credits

The rule that a film can only have one single director was adopted to preserve the continuity of a director's vision and to avoid producers and actors lobbying for a director's credit, or studios hiring multiple directors for a single film or television episode.
The rule is waived only for directorial teams recognized by the DGA who have a history of working together and sharing a common vision. Examples include The Wachowskis, Jonathan Dayton and Valerie Faris, Hughes brothers, Russo brothers, Phil Lord and Christopher Miller and the Coen brothers. The Coens for years divided credit, with Ethan taking producing credit, Joel taking directing credit, and both of them sharing the writing credit until The Ladykillers in 2004.
An example of the DGA refusing to recognize a directorial team was Robert Rodriguez and Frank Miller for Sin City; they were rejected because they had never worked together before; Rodriguez quit the DGA so that Miller would share director's credit.
For the film Bohemian Rhapsody, director Bryan Singer was fired due to frequent absences and clashing on the set, with Dexter Fletcher replacing him with two weeks left of filming. Singer still received director credit and Fletcher received executive producer credit.
In the past, the DGA has also engaged in disputes with the Writers Guild of America over possessory credits, first used in the 1915 film The Birth of a Nation. The WGA tried to limit possessory credits to writers, but has always been successfully opposed by the DGA, leaving directors free to try to negotiate such credits if they wish.

Non-member directors

Not all Hollywood directors are DGA members. Notable exceptions include George Lucas and Robert Rodriguez. Quentin Tarantino directed six feature films before becoming a DGA member, in 2012. Those who are not members of the guild are unable to direct for the larger movie studios, which are signatories to the guild's agreements that all directors must be guild members.

Leadership

The following are the past Presidents of the Screen Directors Guild and the DGA:
TermPresidentNotesRef.
1936–1938King Vidor
1938–1941Frank Capra
1941–1943George Stevens
1943–1944Mark Sandrich
1944–1946John Cromwell
1946–1948George Stevens
1948–1950George Marshall
1950–1951Joseph L. Mankiewicz
1951–1959George Sidney
1959–1961Frank Capra
1961–1967George Sidney
1967–1971Delbert Mann
1971–1975Robert Wise
1975–1979Robert Aldrich
1979–1981George Schaefer
1981–1983Jud Taylor
1983–1987Gilbert Cates
1987–1989Franklin J. Schaffner
1989–1993Arthur Hiller
1993–1997Gene Reynolds
1997–2002Jack Shea
2002–2003Martha CoolidgeFirst female president
2003–2009Michael Apted
2009–2013Taylor Hackford
2013–2017Paris BarclayFirst black and first openly gay president
2017–2021Thomas Schlamme
2021–2025Lesli Linka Glatter
2025–presentChristopher Nolan

DGA Director's Finder Series

The Director's Finder Series, inaugurated in December 1998, provides for the screening of independent films with no U.S. distributor, and no previous TV or other distribution. Selected by a lottery, the films are screened in DGA theatres in Los Angeles and New York City to an audience of DGA members and invited potential distributors. Many films have been picked up by distributors via the series that may not otherwise have been spotted. The series was initiated by the DGA's Independent Directors' Committee, chaired by Steven Soderbergh, initially for U.S. films only, but later expanded to include Australian, Irish, British and New Zealand directors, via the International Association of English-Speaking Directors Organisation. By 2007, the series had screened more than 75 films. The DGA has collaborated with organisations such as the Screen Directors Guild of Ireland and the Australian Directors' Guild, which nominate one film to participate.
Australian entries, selected for the Finders Series Award by the ADG from a shortlist of four, include Boxing Day, directed by Kriv Stenders; and after a five-year lapse, Tony Krawitz's documentary The Tall Man, and in 2014 Catriona McKenzie's Satellite Boy was selected for the series.
Irish entries include Terry McMahon's Patrick's Day and Ross Whitaker's Katie.