Cupid Complaining to Venus
Cupid Complaining to Venus is an oil painting by Lucas Cranach the Elder. Nearly 20 similar works by Cranach and his workshop are known, from the earliest dated version in Güstrow Palace of 1527 to one in the Burrell Collection, Glasgow, dated to 1545, with the figures in a variety of poses and differing in other details. The Metropolitan Museum of Art notes that the number of extant versions suggests that this was one of Cranach's most successful compositions.
A version acquired by the National Gallery, London in 1963 is perhaps the earliest example. Although undated, experts have dated it to c.1526-7. It is more elaborate than the others, and in a larger format than most, except for the similarly sized Güstrow version and a larger version at the Galleria Borghese, Rome dated to 1531. Cranach had painted Venus and Cupid together since at least his 1509 painting now held by the Hermitage Museum, St Petersburg.
Literary sources
The subject is inspired by Idyll XIX "Keriokleptes" attributed to the Ancient Greek poet Theocritus, in which Cupid complains of the painful stings inflicted by the small insects, and Venus laughingly compares them to the bittersweet darts of love shot by Cupid himself. The text was first translated into German in the 1520s, and the subject may have been suggested to Cranach by a German patron. To the top right is a Latin inscription painted with black words directly on the blue sky, making it difficult to read, but also suggesting this may be the earliest version of the painting, as later versions place the inscription on a white panel. The four line inscription is taken from Latin translations of Theocritus, variously attributed to Ercole Strozzi and Philip Melanchthon or to Georg Sabinus, which reads:History
The provenance of the National Gallery version is not known for nearly four centuries after its execution in the early 16th century until it was sold from the collection of the Frankfurt art collector Emil Goldschmidt after his death in 1909.At the 1909 sale, it may have been acquired by a Chemnitz businessman Hans Hermann Vogel, and later sold by his widow in 1935 to, president of the Reichsverbandes der deutschen Automobilindustrie, when it was described as a work by Lucas Cranach depicting Venus und Amor als Honigdieb. It may have been acquired by Adolf Hitler c.1937: indeed, it may be the Cranach that Hitler bought using royalties from his 1925 autobiographical book Mein Kampf. It appears to be the work by Cranach photographed in Hitler's private collection in Berchtesgaden.
The painting was acquired in somewhat unclear circumstances by the American war correspondent Patricia Lochridge Hartwell in 1945. According to later accounts, Americans soldiers guarding a warehouse in southern Germany allowed her to select a work and take it away. The painting was sold through E. & A. Silberman in New York in 1962, and bought by the National Gallery the following year.
The provenance of the painting from 1909 to 1945 remains uncertain. In 2006 it was identified as possibly being expropriated Nazi plunder. The heirs of the original owners might have a claim for restoration of the painting; if there are any, their identity is not known.