Coxwold Pottery
The Coxwold Pottery was a pottery studio based in the village of Coxwold, North Yorkshire, England, launched by artist potters Peter and Jill Dick in 1965, and in operation until 2012.
The pottery produced slipware decorated pottery, including kitchenware, tableware, planters and commemorative pieces, mostly thrown on the wheel. Their methods varied over the years from low-fired earthenware to high-fired, the techniques changing somewhat when they largely changed over to electric kiln firing in the early 1980s.
William Alfred Ismay described their work as ".. practical and useful, and the overall impression is of warmth and generosity - a real 'country pottery' feeling".
The Potters
Peter Dick worked with Michael Cardew in Nigeria then with Ray Finch at the Winchcombe Pottery in the Cotswolds. An article by Peter, reminiscing on his experiences in Abuja with other background information, appeared in 'Interpreting Ceramics', Issue 3. A valuable 'family tree' of potters shows his relationship to these potters. His distinctive style of potting and decoration was well-recognised and shown in many exhibitions, for example the Craft Council Domestic Pottery year-long touring exhibition round the UK. As well, a number of Museums and public collections have Peter Dick pots. For example, the City of York Art Gallery 'Centre for Ceramic Art' records having 46 pieces of pottery by Peter Dick, 23 of these from the W. A. Ismay collection. A speciality became the making of large commemorative plates, these were often commissioned by customers to celebrate family events.As well as making pots, Dick participated in the studio pottery movement, being involved with the Crafts Council, the UK Craft Potters Association and the Northern Potters Association
Jill Frances Dick was an artist and noted potter in her own right. Having studied art at Gloucestershire College of Art, she established her own small pottery in Winchcombe. In the early years of the Coxwold Pottery, she actually produced more pottery than Peter, before family commitments reduced her activity. When she resumed her active potting, she developed an interest in raku ware. Her pottery was shown in various exhibitions and sold through outlets such as 'Contemporary Ceramics' and the 'Craftsmen Potters Shop and Gallery' in London. In recognition of her skills and standing she was made an Honorary Member of the Craft Potters Association.