Cornelius Gemma
Cornelius 'Gemma' was a Flemish physician, astronomer and astrologer, and the oldest son of cartographer and instrument-maker Gemma Frisius. He was a professor of medicine at the Catholic University of Leuven, and shared in his father's efforts to restore ancient Ptolemaic practice to astrology, drawing on the Tetrabiblos.
As an astronomer, Gemma is significant for his observations of a lunar eclipse in 1569 and of the 1572 supernova appearing in Cassiopeia, which he recorded on 9 November, two days before Tycho Brahe, calling it a "New Venus." With Brahe, he was one of the few astronomers to identify the Great Comet of 1577 as superlunary. Gemma is also credited with publishing the first scientific illustration of the aurora, in his 1575 book on the supernova.
Another milestone appears in his medical writings: in 1552, Gemma published the first illustration of a human tapeworm.
Gemma's two major works, De arte cyclognomica and De naturae divinis characterismis, have been called "true 'hidden gems' in early modern intellectual history," bringing together such topics as medicine, astronomy, astrology, teratology, divination, eschatology, and encyclopaedism.
Gemma also has the distinction of being called "the first true orchid hobbyist, in the modern sense."
Life
Cornelius Gemma was born on 28 February 1535 in Leuven, but attended the Latin school at Mechelen. He began studying with the arts faculty in Leuven at the age of 14, and continued at the medical faculty. In 1569, he succeeded professor Nicolas Biesius and obtained a doctorate in 1570.Gemma died in Leuven around 1578, during an epidemic of the plague to which a third of the city's population had also succumbed. Although he had already proven to be a prolific writer, he was only in his mid-forties. His epitaph consists of two elegiac couplets in Latin, punning on lapis and Gemma. He was survived by two sons: Raphael, who entered the priesthood, and Philip, who followed family tradition as a medical doctor.
Works
Gemma edited his father's posthumous work De astrolabo catholica . In 1560, he began publishing his own work in the annual series Ephemerides meteorologicae, printed by Joannes Withagen. The Ephemerides is the earliest known astrological work from the Low Countries to carry an official notice of approval from the Roman Catholic Church. Gemma moved away from judicial astrology and renounced astrological predictions about political events, and seems to have gradually confined himself to predictions about astronomical phenomena and meteorological astrology. His predictions for 1561, for example, provided detailed information on every lunar phase, and most planetary aspects and phases of fixed stars in relation to the sun, with a thoroughness that surpassed the predictions of his contemporaries. He remained committed to astrologic medicine, however, and believed that predictable atmospheric conditions, extending to astral conjunctions, generated disease.Gemma attempted to formulate a universal philosophy that brought together inferiors and celestials, nature, soul and intellect, numbers, ideas and external objects. In the three volumes De arte cyclognomica, he synthesized the teachings of Hippocrates, Plato, Galen, and Aristotle by a method perhaps derived from Lullius. This "cyclognomic art" is an arrangement of seven concentric circles, starting from the outermost:
- *substances;
- *accidents;
- *absolute predicates;
- *relatives;
- *virtues;
- *vices;
- *questions.
- *imaginatio ;
- *ratio ;
- *intellectus.
Gemma viewed the relation of prodigies and cosmology in light of his medical practice; that is, just as a physician could interpret a patient's symptoms to predict disease, a reading of prodigies in nature could provide insight into divine intention in the universe. He regarded this ars cosmocritica as a new science.