Constrained writing


Constrained writing is a literary technique in which the writer is bound by some condition that forbids certain things or imposes a pattern.
Constraints are very common in poetry, which often requires the writer to use a particular verse form.

Description

Constraints on writing are common and can serve a variety of purposes. For example, a text may place restrictions on its vocabulary, e.g. Basic English, copula-free text, defining vocabulary for dictionaries, and other limited vocabularies for teaching English as a second language or to children.
In poetry, formal constraints abound in both mainstream and experimental work. Familiar elements of poetry like rhyme and meter are often applied as constraints. Well-established verse forms like the sonnet, sestina, villanelle, limerick, and haiku are variously constrained by meter, rhyme, repetition, length, and other characteristics.
Outside of established traditions, particularly in the avant-garde, writers have produced a variety of work under more severe constraints; this is often what the term "constrained writing" is specifically applied to. For example:
  • Lipogram: a letter is outlawed.
  • Reverse-lipograms: each word must contain a particular letter, the opposite concept of a standard lipogram.
  • Univocalic poetry, using only one vowel.
  • Mandated vocabulary, where the writer must include specific words.
  • Bilingual homophonous poetry, where the poem makes sense in two different languages at the same time, constituting two simultaneous homophonous poems.
  • Alliteratives or tautograms, in which every word must start with the same letter.
  • Acrostics: first letter of each word/sentence/paragraph forms a word or sentence.
  • Abecedarius: first letter of each word/verse/section goes through the alphabet.
  • Palindromes, such as the word "radar", read the same forwards and backwards.
  • Anglish, favouring Anglo-Saxon words over Greek and Roman/Latin words.
  • Pilish, where the lengths of consecutive words match the digits of the number π.
  • Anagrams, words or sentences formed by rearranging the letters of another.
  • Limitations in punctuation, such as Peter Carey's book True History of the Kelly Gang, which features no commas.
  • One-syllable article, a form unique to Chinese literature, using homophonic characters, usually in the form of Literary Chinese. The result looks sensible as writing, but is very confusing when read in modern Chinese varieties.
  • Chaterism, where the length of words in a phrase or sentence increases or decreases in a uniform, mathematical way.
  • Aleatory, where the reader supplies a random input.
  • Erasure, which involves erasing words from an existing text and framing the result on the page as a poem.
The Oulipo group is a gathering of writers who use such techniques. The Outrapo group uses theatrical constraints.
There are a number of constrained writing forms that are restricted by length, including:
  • Six-Word Memoirs: 6 words
  • Haiku: ~ 3 lines
  • Minisaga: 50 words, +15 for title
  • Drabble: 100 words
  • Twiction: espoused as a specifically constrained form of microfiction where a story or poem is exactly 140 characters long.
  • Sijo: three lines average 14–16 syllables, for a total of 44–46: theme ; elaboration ; counter-theme and completion.

Notable examples

Comics

Notable examples of constrained comics:
  • Gustave Verbeek's The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, a weekly 6-panel comic strip in which the first half of the story was illustrated and captioned right-side-up, then the reader would turn the page up-side-down, and the inverted illustrations with additional captions describing the scenes told the second half of the story, for a total of 12 panels.The Angriest Dog in the World a comic strip by David Lynch. Each four-panel comic has identical artwork. The only change between each comic is the dialogue in the first three panels.Dinosaur Comics which uses the same artwork, with only dialogue changing.Watchmen is created with a number of formal constraints; issue #5 in particular, entitled "Fearful Symmetry", follows a palindromic structure.Partially Clips which uses three identical panels based on clipart.
  • The many works of the Oubapo group.
  • Matt Madden's 99 Ways to Tell a Story.