Baseball color line
The color line, also known as the color barrier, in American baseball excluded African American players from Major League Baseball and its affiliated Minor Leagues until 1947. Racial segregation in professional baseball was sometimes called a gentlemen's agreement, meaning a tacit understanding, as there was no written policy at the highest level of organized baseball, the major leagues. A high minor league's vote in 1887 against allowing new contracts with black players within its league sent a powerful signal that eventually led to the disappearance of black people from the sport's other minor leagues later that century, including the low minors.
After the line was in virtually full effect in the early 20th century, many black baseball clubs were established, especially from the 1920s to the 1940s when there were several Negro leagues. During this period, American Indians and native Hawaiians, including Prince Oana, were able to play in the Major Leagues. The color line was broken for good when Jackie Robinson signed with the Brooklyn Dodgers organization for the 1946 season. In 1947, both Robinson in the National League and Larry Doby with the American League's Cleveland Indians appeared in games for their teams.
Origins
Before the 1860s Civil War, black players participated in the highest levels of baseball. During the war, baseball rose to prominence as a way to bring soldiers from various regions of the country together. In the aftermath of the war, baseball became a tool for national reconciliation; due to the racial issues involved in the war, baseball's unifying potential was mainly pursued among white Americans.The formal beginning of segregation followed the baseball season of 1867. On October 16, the Pennsylvania State Convention of Baseball in Harrisburg denied admission to the "colored" Pythian Baseball Club.
Major League Baseball's National League, founded in 1876, had no black players in the 19th century, except for a recently discovered one, William Edward White, who played in a single game in 1879 and who apparently passed as white. The National League and the other main major league of the day, the American Association, had no written rules against having black players. In 1884, the American Association had two black players, Moses Fleetwood Walker and, for a few months of the season, his brother Weldy Walker, both of whom played for the Toledo Blue Stockings.File:Moses Fleetwood Walker.jpg|thumb|upright|left|Moses Fleetwood Walker of the Toledo Blue Stockings,
The year before, in 1883, prominent National League player Cap Anson had threatened to have his Chicago team sit out an exhibition game at then-minor league Toledo if Toledo's Fleetwood Walker played. Anson backed down, but not before uttering the word nigger on the field and vowing that his team would not play in such a game again. In 1884, the Chicago club made a successful threat months in advance of another exhibition game at Toledo, to have Fleet Walker sit out. In 1887, Anson made a successful threat by telegram before an exhibition game against the Newark Little Giants of the International League that it must not play its two black players, Fleet Walker and pitcher George Stovey. The influence of players such as Anson and the general racism in society led to segregation efforts in professional baseball.
On July 14, 1887, the high-minor International League voted to ban the signing of new contracts with black players. By a 6-to-4 vote, the league's entirely white teams voted in favor and those with at least one black player voted in the negative. The Binghamton team, which had just released its two black players, voted with the majority. Right after the vote, the sports weekly Sporting Life stated, "Several representatives declared that many of the best players in the league are anxious to leave on account of the colored element, and the board finally directed Secretary White to approve of no more contracts with colored men." On the afternoon of the International League vote, Anson's Chicago team played the game in Newark alluded to above, with Stovey and the apparently injured Walker sitting out. Anson biographer Howard W. Rosenberg, concluded that, "A fairer argument is that rather than being an architect , that he was a reinforcer of it, including in the National League – and that he had no demonstrable influence on changing the course of events apart from his team's exhibition-game schedule."
The year 1887 was also the high point of achievement of black players in the high minor leagues, and each National League team that year except for Chicago played exhibition games against teams with black players, including against Newark and other International League teams. Some of Anson's notoriety stems from a 1907 book on early black players in baseball by black minor league player and later black semi-professional team manager Sol White, who was elected to the Hall of Fame in 2006. White claimed that, "Were it not for this same man Anson, there would have been a colored player in the National League in 1887."
After the 1887 season, the International League retained just two black players for the 1888 season, both of whom were under contracts signed before the 1887 vote, Frank Grant of the Buffalo Bisons and Moses Fleetwood Walker of the Syracuse franchise, with Walker staying in the league for most of 1889. In September 1887, eight members of the St. Louis Browns of the then-major American Association staged a mutiny during a road trip, refusing to play a game against the New York Cuban Giants, the first all-black professional baseball club, and citing both racial and practical reasons: that the players were banged up and wanted to rest so as to not lose their hold on first place. At the time, the St. Louis team was in Philadelphia, and a story that ran in the Philadelphia Times stated that "for the first time in the history of base ball the color line has been drawn." Black players were gone from the high minors after 1889 and a trickle of them were left in the minor leagues within a decade. Besides White's single game in 1879, the only black players in major league baseball for around 75 years were Fleet Walker and his brother Weldy, both in 1884 with Toledo. A big change would take place starting in 1946, when Jackie Robinson played for the Montreal Royals in the International League.
Covert efforts at integration
While professional baseball was formally regarded as a strictly white-men-only affair, the racial color bar was primarily directed against black players. Other races were allowed to play in professional white baseball. One prominent example was Charles Albert Bender, a star pitcher for the Philadelphia Athletics in 1910. Bender was the son of a Chippewa mother and a German father and had the nickname "Chief" from the white players. As a result of this exclusive treatment of black players, deceptive tactics were used by managers to sign such players. This included several attempts, with the player's acquiescence, to sign black players and claim they were American Indian to circumvent the ban.In 1901, John McGraw, manager of the Baltimore Orioles, tried to add Charlie Grant to the roster as his second baseman. He tried to get around the Gentleman's Agreement by trying to pass him as a Cherokee named Charlie Tokohama. Grant went along with the charade. However, his tryout in Chicago was attended by his black friends, giving him away, and he never got an opportunity to play ball in the Major League. On May 28, 1916, Canadian-American Jimmy Claxton temporarily broke the professional baseball color barrier when he played two games for the Oakland Oaks of the Pacific Coast League. Claxton was introduced to the team owner by a part-American Indian friend as a fellow member of an Oklahoma tribe. The Zee-Nut candy company rushed out a baseball card for Claxton. However, within a week, a friend of Claxton revealed that he had both Negro and Indigenous Canadian ancestors, and Claxton was promptly fired. It would be nearly thirty more years before another black man, at least one known to be black, played organized white baseball.
There possibly were attempts to have people of African descent be signed as Hispanics. One possible attempt may have occurred in 1911 when the Cincinnati Reds signed two light-skinned players from Cuba, Armando Marsans and Rafael Almeida. Both of them had played "Negro Baseball", barnstorming as members of the integrated All Cubans. When questions arose about them playing the white man's game, the Cincinnati managers assured the public that "they were as pure white as Castile soap". Regarding the signing of the Cubans, the black newspaper New York Age said, "Now that the first shock is over, it will not be surprising to see a Cuban a few shades darker breaking into the professional ranks. It would then be easier for colored players who are citizens of this country to get into fast company."
Negro leagues
The Negro National League was founded in by Rube Foster, independent of the National Baseball Commission. The NNL survived through 1931, primarily in the midwest, accompanied by the major Eastern Colored League for several seasons to 1928. "National" and "American" Negro leagues were established in 1933 and 1937 which persisted until integration. The Negro Southern League operated consecutively from 1920, usually at a lower level. None of them, nor any integrated teams, were members of Organized Baseball, the system led by Commissioner Kenesaw Mountain Landis from 1921. Rather, until professional baseball in the United States was played in two racially segregated league systems, one on each side of the so-called color line. Much of that time there were two high-level "Negro major leagues" with a championship playoff or all-star game, as between the white major leagues.MLB influencers
Bill Veeck
The only serious attempt to break the color line during Landis's tenure came in, when Bill Veeck tried to buy the then-moribund Philadelphia Phillies and stock them with Negro league stars. However, when Landis got wind of his plans, he and National League president Ford Frick scuttled it in favor of another bid by William D. Cox. In his 1962 autobiography, Veeck, as in Wreck, in which he discussed his abortive attempt to buy the Phillies, Veeck also stated that he wanted to hire black players for the simple reason that in his opinion the best black athletes "can run faster and jump higher" than the best white athletes. The authors of an article in the 1998 issue of SABR's The National Pastime argued that Veeck invented the story of buying the Phillies, claiming Philadelphia's black press made no mention of a prospective sale to Veeck. The article was strongly challenged by the historian Jules Tygiel, who refuted it point-by-point in an article in the 2006 issue of SABR's The Baseball Research Journal, and in an appendix, entitled "Did Bill Veeck Lie About His Plan to Purchase the '43 Phillies?", published in Paul Dickson's 2012 biography, Bill Veeck: Baseball's Greatest Maverick. Joseph Thomas Moore wrote in his 1988 biography of Doby, "Bill Veeck planned to buy the Philadelphia Phillies with the as yet unannounced intention of breaking that color line."The Phillies ended up being the last National League team, and third-last team in the majors, to integrate, with John Kennedy debuting for the Phillies in 1957, 15 years after Veeck's attempted purchase.