Chris Lord-Alge
Chris Lord-Alge is an American mix engineer. He is the brother of both Tom Lord-Alge and Jeff Lord-Alge, both of whom are also audio engineers. Chris and Tom are known for their abundant use of dynamic range compression for molding mixes that play well on small loudspeaker and FM broadcasting. Lord-Alge frequently collaborates with Howard Benson, who has produced the plurality of his mix discography.
Career
Lord-Alge worked at Unique Recording Studios in New York City in the 1980s. While there, he earned recognition for mixing James Brown's Gravity album, the Rocky IV soundtrack, Prince's Batman soundtrack, Joe Cocker's Unchain My Heart album, Chaka Khan's Destiny album, Carly Simon's Coming Around Again album, Tina Turner's Foreign Affair album and 12" remixes of Madonna's "La Isla Bonita", the Rolling Stones' "Too Much Blood", and Bruce Springsteen's "Dancing in the Dark", "Cover Me", and "Born in the U.S.A.". In 1989–1990, brothers Chris and Jeff Lord-Alge collaborated on the Oingo Boingo album Dark at the End of the Tunnel, with Jeff Lord-Alge and Bill Jackson recording and Chris Lord-Alge mixing.Lord-Alge continued to mix for Turner throughout the 90's. During this time he also provided mixing services for Neil Diamond's Tennessee Moon. In 1997, he mixed Green Day's Nimrod, marking the beginning of a continued relationship with the band, mixing the Grammy-winning albums American Idiot and 21st Century Breakdown.
In the 2000s, Lord-Alge worked with many pop-punk bands, mixing for Billy Talent, Simple Plan, and My Chemical Romance. In the 2010s, Lord-Alge mixed on Celine Dion's Loved Me Back to Life, her first album after a seven-year hiatus, as well as Muse's The 2nd Law, a foray into more electronic textures.