Chaya Czernowin


Chaya Czernowin is an Israeli American composer and Walter Bigelow Rosen Professor of Music at Harvard University.
She is the lead composer at the Schloß Solitude Sommerakademie, a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany.
She is a 2011 Guggenheim Fellow.
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Education and early career

Czernowin was born in Haifa and raised in Israel. She studied in Israel, Germany, and the United States. She also received fellowships to compose in Japan and in Germany. Czernowin studied at the Rubin Academy of music at Tel-Aviv University, Bard College, and received her PhD from the University of California, San Diego in 1993. At UCSD, she studied with Brian Ferneyhough and Roger Reynolds.
Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States. She was awarded the Ernst von Siemens Composer Prize in 2003.
From 1997 to 2006, she was professor of composition at UCSD, and between 2006 and 2009 she was professor of composition at the University of Music and Performing Arts, Vienna.

Musical works

Source:

Early works

  • ''Dam Sheom Hachol''

Operas

Orchestra

  • Birds for string orchestra, 11'
  • The hour glass bleeds still for string orchestra
  • Amber for large orchestra, 18'
  • Afatsim for mixed ensemble, 10'
  • Shu Hai in an orchestral setting for orchestra, female voice, and live electronics, 30'
  • Dam Sheon Hachol version for string orchestra, 19'
  • Maim, triptych for large orchestra, tubax recorded and a quintet of soloists, 18';
  • * I: maim zarim maim gnuvim ;
  • * II: The memory of water ;
  • * III: mei mechaa

Ensemble

  • Afatsim for mixed ensemble. Appears twice
  • Winter Songs I: Pending Light for live electronics and seven instruments, 12'
  • Winter Songs II: Stones for seven instruments and three percussionists, 12'
  • Winter Songs III: Roots for live electronics, seven instruments and three percussionists, 14'
  • Excavated Dialogues Fragments for a mixed ensemble of Eastern and Western instruments, 8‘
  • Excavated Dialogues Fragments – Second version for a mixed ensemble of modern and Renaissance/Baroque instruments
  • Anea Crystal for Two String Quartets and an Octet
  • Sheva for seven players, for tpt b trb 2 percussionists pno contra guitar and vcl

Concerto

  • While Liquid Amber for three amplified piccolos and large orchestra, 18'

Chamber music

  • Ina for bass flute and pre-recorded flutes, 12' – ED 9680
  • LeArye for violin and 15 pre-recorded violins and violas, 14'
  • Dam Sheon Hachol for string sextet, 18' – ED 9663
  • A map of a recurrent dream for sho, u, live and pre-recorded Tape, 17'
  • Tris for percussion and pre recorded percussion, 13'
  • Die Kreuzung for accordion, alt saxsophone and bass, 10' – ED 9684
  • String Quartet, 14'
  • Drift for saxophone or clarinet, E-guitar, piano and percussion

Vocal music

  • Manoalchadiya for bass flute and two female voices, 13'
  • Shu Hai Mitamen Behatalat Kidon for solo female voice and recorded nine voices with live electronics, 30' – ED 9672
  • Six Miniatures and a Simultaneous Song for mixed ensemble and a singer, 13'
  • Pilgerfahrten for narrator, boy's choir, and instrumental ensemble

Recent works

  • ''Winter Songs, Maim Zarim, Main Gnuvim''