Character (symbol)
A character is a semiotic sign, symbol, grapheme, or glyph – typically a letter, a numerical digit, an ideogram, a hieroglyph, a punctuation mark or another typographic mark.
History
The Ancient Greek word χαρακτήρ is an agent noun of the verb χαράσσω with a meaning "to sharpen, to whet", and also "to engrave, to carve", from a Proto-Indo-European root ǵʰer- "cut" also continued in Irish gearr and English gash, which is perhaps an early loan ultimately from the same Greek root.A χαρακτήρ is thus an "engraver", originally in the sense of a craftsman, but then also used for a tool used for engraving, and for a stamp for minting coins. From the stamp, the meaning was extended to the stamp impression, Plato using the noun in the sense of "engraved mark". In Plutarch, the word could refer to a figure or letter. Lucian uses it of hieroglyphs as opposed to Greek grammata.
Metaphorically, it could refer to a distinctive mark, Herodotus used it of a particular dialect, or of a characteristic mark of an individual. The collective noun χαρακτηριστικά "characteristics" appears later, in Dionysius Halicarnassensis.
Via Latin charactēr, Old French caracter, the word passed into Middle English as caracter in the 14th century. Wycliffe has "To a caracter in her " for the mark of the beast.
The word "character" was used in the sense of letter or grapheme by William Caxton, referring to the Phoenician alphabet:. As in Greek, the word was used especially for foreign or mysterious graphemes as opposed to the familiar letters; in particular of shorthand, and since 1949 in computing.
As a collective noun, the word can refer to writing or printing in general.
Graphemes, glyphs and hieroglyphs
A grapheme is a unifying identity for a number of different glyphs, called "allographs", that have the same meaning but have specific stylistic characteristics. For example, the letter "g" can be represented by either the serif glyph or the sans-serif glyph.The word hieroglyph dates from an early use in an English to Italian dictionary published by John Florio in 1598, referencing the complex and mysterious characters of the Egyptian alphabet. Egyptian hieroglyphs were the formal writing system used in Ancient Egypt. Hieroglyphs combined logographic, syllabic and alphabetic elements, with a total of some 1,000 distinct characters.
Esotericism and magic
The word in Renaissance magic came to refer to any astrological, kabbalistic or magical sign or symbol. John Dee, a mathematician and occultist, designed an esoteric symbol, which he described in his 1564 book, Monas Hieroglyphica: the word hieroglyph is a composite of hiero and glyph.In the 19th century, this sense of the word appears mainly in Romantic poetry, such as Sir Walter Scott's The Lay of the Last Minstrel, where "A hallow'd taper shed a glimmering light / On mystic implements of magic might; On cross, and character, and talisman,".
Semiotics and epistemology
From the esoteric or mystical meanings, learned authors of the Early Modern period abstracted a notion of character as a code or hierarchical system that embodied all knowledge or all of reality, or a written representation of a philosophical language that would recover the "true names" lost in the confusion of tongues.This idea had currency as a kind of epistemological philosophers' stone for about a century, from the mid 17th century, with Francis Lodwick and John Wilkins's Essay towards a Real Character, and a Philosophical Language, to the later 18th century and the Encyclopédie where in a long entry under the heading Charactère, D'Alembert critically reviewed such projects of the past century.