| Award | Winner |
| Actress of the Year | Carol Smith in The Country |
| Actor of the Year | George Henare in Death of a Salesman |
| Costume Designer of the Year | Gillie Coxill for The Rivals |
| Director of the Year | Susan Wilson for Death of a Salesman |
| Lighting Designer of the Year | Martyn Roberts for Yours Truly |
| Mayor's Award for Significant Contribution to the Theatre | Grant Tilly |
| Most Original Production of the Year | Yours Truly |
| Most Promising Female Newcomer of the Year | Rachel Forman in Fool For Love |
| Most Promising Male Newcomer of the Year | James Ashcroft in The Brilliant Fassah |
| Most Promising New Director of the Year | Lyndee-Jane Rutherford for Lovepuke |
| Outstanding Composer of Original Music | Peter Daube for Stories Told To Me By Girls |
| Outstanding Performance | Jennifer Ludlam in Death of a Salesman |
| Outstanding Performance | Malcolm Murray in The Country |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Sonya Stewart for Wheel |
| Production of the Year | Yours Truly by Left of Centre Productions |
| Set Designer of the Year | John Hodgkins for Master Class |
| Sound Designer of the Year | Matthew Lambourn for Dr. Buller's Birds |
| Supporting Actor of the Year | Julian Wilson in The Underpants |
| Supporting Actress of the Year | Heather O'Carroll in The Country |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Yours Truly by Albert Belz |
| Award | Winner |
| Actress of the Year | Mel Dodge in Uncle Vanya |
| Actor of the Year | Grant Tilly in Home Land |
| Costume Designer of the Year | Gillie Coxill for Uncle Vanya |
| Director of the Year | Jane Waddell for Home Land |
| Lighting Designer of the Year | Martyn Roberts for Maui - One Man Against the Gods |
| Mayor's Award for Significant Contribution to the Theatre | Bill Guest, Associate Director and Head of Entertainment Technology & Performing Arts Management, Toi Whakaari: New Zealand Drama School |
| Most Original Production of the Year | Hotel |
| Most Promising Female Newcomer of the Year | Jodie Hillock in Home Land |
| Most Promising Male Newcomer of the Year | Michael Whalley in The Cape |
| Most Promising New Director of the Year | Willem Wassenaar for Angels in America Part 1: Millennium Approaches |
| Outstanding Composer of Original Music | Gareth Farr for Maui - One Man Against the Gods |
| Outstanding Performance | Rachel Forman in Blackbird |
| Outstanding Performance | Emmet Michael Kennedy in Shining City |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Rob Mokaraka and Paolo Rotondo for Strange Resting Places |
| Production of the Year | Home Land |
| Set Designer of the Year | Brian King for The Hollow Men |
| Sound Designer of the Year | Stephen Gallagher for Shining City |
| Supporting Actor of the Year | Gavin Rutherford in Uncle Vanya |
| Supporting Actress of the Year | Jennifer Ludlam in Othello |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Home Land by Gary Henderson |
| Award | Winner |
| Actress of the Year | Ali Harpur in Bombshells |
| Actor of the Year | Brian Hotter in Heat |
| Costume Designer of the Year | Kathyrn Tyree for The Kreutzer |
| Director of the Year | Tim Spite for Paua |
| Lighting Designer of the Year | Lisa Maule for The American Pilot |
| Mayor's Award for Significant Contribution to the Theatre | Sunny Amey |
| Most Original Production of the Year | Apollo 13: Mission Control, by HACKMAN and BATS Theatre |
| Most Promising Female Newcomer of the Year | Brooke Williams in Mr. Marmalade |
| Most Promising Male Newcomer of the Year | Arthur Meek in On the Conditions and Possibilities of Helen Clark Taking Me as Her Young Lover |
| Most Promising New Director of the Year | Sophie Roberts for Mr. Marmalade |
| Outstanding Composer of Original Music | Jonathan Crayford for Adagio |
| Outstanding Performance | Kip Chapman in The Little Dog Laughed |
| Outstanding Performance | Simon Vincent in Metamorphosis |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Eli Kent for Rubber Turkey |
| Production of the Year | Mr. Marmalade by The Moving Theatre Company |
| Set Designer of the Year | Daniel Williams for The Little Dog Laughed |
| Sound Designer of the Year | Gareth Ruck for Apollo 13: Mission Control |
| Supporting Actress of the Year | Michele Amas/Jane Waddell in Mammals |
| Supporting Actor of the Year | Felix Preval in Sensible Susan and the Queen's Merkin; A Morality Play |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Where We Once Belonged adapted by Dave Armstrong from the novel by Sia Figiel |
| Award | Winner |
| Actress of the Year | Erin Banks in A Brief History of Helen of Troy |
| Actor of the Year | Jed Brophy in The Blackening |
| Costume Designer of the Year | Dawa Devereux for A Most Outrageous Humbug |
| Director of the Year | Tim Spite for Biography of My Skin AND
Leo Gene Peters for Death and the Dreamlife of Elephants |
| Lighting Designer of the Year | Adam Walker for Death and the Dreamlife of Elephants |
| Mayor's Award for Significant Contribution to the Theatre | Bill Sheat |
| Most Original Production of the Year | The Intricate Art of Actually Caring, by The Playground Collective |
| Most Promising Female Newcomer of the Year | Sophie Roberts in Wolf's Lair |
| Most Promising Male Newcomer of the Year | Jack Shadbolt in The Intricate Art of Actually Caring |
| Most Promising New Director of the Year | Eleanor Bishop for The Intricate Art of Actually Caring |
| Outstanding Composer of Original Music | Erika Grant, Isaac Smith & Amanda Mclean for Bedlam |
| Outstanding Performance | Geraldine Brophy in Blood Wedding |
| Outstanding Performance | Miranda Harcourt in Biography of My Skin |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Arthur Meek for Collapsing Creation |
| Production of the Year | Collapsing Creation by Downstage Theatre and Conditional Productions |
| Set Designer of the Year | Tracey Monastra for Death and the Dreamlife of Elephants |
| Sound Designer of the Year | Stephen Gallagher for The Blackening |
| Supporting Actress of the Year | Michele Amas in Rock 'n' Roll |
| Supporting Actor of the Year | Christopher Brougham in Collapsing Creation |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Collapsing Creation by Arthur Meek |
| Award | Winner |
| Actress of the Year | Sophie Hambleton in Katydid |
| Actor of the Year | Jacob Rajan in The Guru of Chai |
| Costume Designer of the Year | Elizabeth Whiting for The Arrival |
| Director of the Year | Julie Nolan for The Arrival |
| Lighting Designer of the Year | Jennifer Lal for The December Brother |
| Mayor's Award for Significant Contribution to the Theatre | Richard Cathie |
| Most Original Production of the Year | The Arrival by Red Leap Theatre Company |
| Most Promising Female Newcomer of the Year | Ella Becroft in The Arrival |
| Most Promising Male Newcomer of the Year | Paul Waggott in Dog Sees God: Confessions of a Teenage Blockhead |
| Most Promising New Director of the Year | Charlotte Bradley for Katydid |
| Outstanding Composer of Original Music | David Ward for The Guru of Chai |
| Outstanding Performance | Peter Hambleton in The Letter Writer |
| Outstanding Performance | Christopher Brougham in Me and Robert McKee |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Lucy O'Brien for Katydid |
| Production of the Year | The Arrival by Red Leap Theatre Company |
| Set Designer of the Year | John Verryt for The Arrival |
| Sound Designer of the Year | Gill Eva Craig for The December Brother |
| Supporting Actress of the Year | Darlene Mohekey in Shipwrecked! An Entertainment |
| Supporting Actor of the Year | Christopher Brougham – Dead Man's Cell Phone |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | One of The Second Test by Jonathan Brugh, Katydid by Lucy O'Brien and The Guru of Chai by Jacob Rajan, Justin Lewis |
| Critics' Wild Card Award | Kenny King and Rebekah Sherratt, "for ‘animating the set’ in Capital E National Theatre for Children’s End Game." |
| Award | Winner |
| Actress of the Year | Jennifer Ludlam in August: Osage County |
| Actor of the Year | Jarod Rawiri in I, George Nepia |
| Costume Designer of the Year | Gillie Coxill for The Spy Who Wouldn't Die Again |
| Director of the Year | Jason Te Kare for I, George Nepia |
| Lighting Designer of the Year | Marcus McShane for When the Rain Stops Falling |
| Mayor's Award for Significant Contribution to the Theatre | Jim Moriarty |
| Most Original Production of the Year | Hear to See by Capital E National Theatre for Children |
| Most Promising Female Newcomer of the Year | Lauren Gibson in August: Osage County |
| Most Promising Male Newcomer of the Year | Simon K Leary in Mates & Lovers |
| Most Promising New Director of the Year | Jason Te Kare for I, George Nepia |
| Outstanding Composer of Original Music | Richard Nunns for Hear to See |
| Outstanding Performance | Michelle Amas in August: Osage County |
| Outstanding Performance | Phil Grieve in Slouching Toward Bethlehem |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Ralph McCubbin Howell for The Engine Room |
| Production of the Year | I, George Nepia by Tawata Productions |
| Set Designer of the Year | Andrew Foster for The Lead Wait |
| Sound Designer of the Year | Chris Ward for The Lead Wait |
| Supporting Actress of the Year | Erin Banks for The Engine Room |
| Supporting Actor of the Year | Christopher Brougham for When the Rain Stops Falling |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Slouching Toward Bethlehem by Dean Parker |
| Critics' Wild Card Award | Johann Nortje "for his body of work as an AV Designer on Hear to See, When the Rain Stops Falling, Wake Less" |
| Award | Winner |
| Actress of the Year | Elena Stejko in A Shortcut to Happiness |
| Actor of the Year | Tom Monckton in Moving Stationery |
| Costume Designer of the Year | Shona Tawhiao for The Māori Troilus and Cressida – Toroihi Rāua Ko Kāhira |
| Director of the Year | Rachel House for The Māori Troilus and Cressida – Toroihi Rāua Ko Kāhira |
| Lighting Designer of the Year | Jennifer Lal for Into the Uncanny Valley |
| Mayor's Award for Significant Contribution to the Theatre | Dawn Sanders, CEO of Shakespeare Globe Centre New Zealand |
| Most Original Production of the Year | Paper Sky by Red Leap Theatre |
| Most Promising Female Newcomer of the Year | Victoria Abbott in West End Girls |
| Most Promising Male Newcomer of the Year | Tim Carlsen in One Day Moko |
| Most Promising New Director of the Year | Tammy Davis for The Prospect |
| Outstanding Composer of Original Music | Laughton Pattrick for Around the World and Buck Again |
| Outstanding Performance | Richard Dey in All My Sons |
| Outstanding Performance | Te Kohe Tuhaka in Michael James Manaia |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Maraea Rakuraku for The Prospect |
| Production of the Year | The Māori Troilus and Cressida – Toroihi Rāua Ko Kāhira by Ngākau Toa |
| Set Designer of the Year | John Verryt for Paper Sky |
| Sound Designer of the Year | Chris Ward for Peninsula |
| Supporting Actress of the Year | Nancy Brunning in Clybourne Park |
| Supporting Actor of the Year | Rob Lloyd for The Prospect |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Peninsula by Gary Henderson |
| Critics' Wild Card Award | Vance Fontaine and his Peculiar Sensations: Greg Ellis, Thom McGrath, Tane Upjohn-Beatson, Takumi Motokawa, Matiu Whiting |
| Award | Winner |
| Actress of the Year | Erin Banks in Tribes |
| Actor of the Year | Byron Coll in Midsummer - A Play With Songs |
| Costume Designer of the Year | Kasia Pol for Sydney Bridge Upside Down |
| Director of the Year | Geoff Pinfield for The Magic Chicken |
| Lighting Designer of the Year | Marcus McShane for Broken River |
| Mayor's Award for Significant Contribution to the Theatre | The Founders of Playmarket: Robert Lord, Nonnita Rees, Judy Russell, Ian Fraser |
| Most Original Production of the Year | Squidboy by Theatre Beating |
| Most Promising Female Newcomer of the Year | Hayley Sproull in Outsider’s Guide |
| Most Promising Male Newcomer of the Year | Joe Dekkers-Reihana in Coriolanus |
| Most Promising New Director of the Year | Hannah Smith for The Road That Wasn’t There |
| Outstanding Composer of Original Music | Gareth Farr for Duck, Death and the Tulip |
| Outstanding Performance | Renee Lyons in Nick: An Accidental Hero |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Sarita Keo Kossamak So for Neang Neak’s Legacy |
| Production of the Year | The Road That Wasn’t There by Trick of the Light Theatre |
| Set Designer of the Year | Andrew Foster for Red |
| Sound Designer of the Year | Tane Upjohn-Beatson for Broken River |
| Supporting Actress of the Year | Nancy Brunning in Neang Neak’s Legacy |
| Supporting Actor of the Year | Aaron Cortesi in Sydney Bridge Upside Down |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | The Road That Wasn’t There by Ralph McCubbin Howell |
| Critics' Wild Card Award | The Bacchanals |
| Award | Winner |
| Actress of the Year | Erin Banks in Constellations |
| Actor of the Year | Gavin Rutherford in A View From the Bridge |
| Costume Designer of the Year | Donna Jefferis for Equivocation |
| Director of the Year | Peter Hambleton for Equivocation |
| Lighting Designer of the Year | Rowan McShane for A Play About Fear |
| Mayor's Award for Significant Contribution to the Theatre | Simon Bennett and Simon Elson "for their restructure of Bats Theatre in 1989" |
| Most Original Production of the Year | Dinner with Izzy and Simon by Isobel MacKinnon and Simon Haren |
| Most Promising Female Newcomer of the Year | Neenah Dekkers-Reihana in 4 Billion Likes |
| Most Promising Male Newcomer of the Year | Tom Eason in Equivocation |
| Most Promising New Director of the Year | Samuel Phillips for A Midsummer Night's Dream |
| Outstanding Composer of Original Music | David Ward for Kiss The Fish |
| Outstanding Performance | Hannah Banks in Watch |
| Peter Harcourt Award for Outstanding New Playwright of the Year | Chris Molloy for Putorino Hill |
| Production of the Year | Equivocation by Circa Theatre |
| Set Designer of the Year | Meg Rollandi for Watch |
| Sound Designer of the Year | Tane Upjohn-Beatson for Watch |
| Supporting Actress of the Year | Julia Croft in Kiss The Fish |
| Supporting Actor of the Year | Calum Gittins in Riding In Cars With Mostly Straight Boys |
| The Absolutely Positively Outstanding New New Zealand Play of the Year | Kiss The Fish by Jacob Rajan and Justin Lewis |
| Critics' Wild Card Award | Deb McGuire, "for technical operation and extraordinary support beyond the call of duty." |