Chapelle Sainte-Radegonde
The Chapelle Sainte-Radegonde or Sainte-Radegonde Chapel is an underground structure, a former oratory converted into a chapel, on the slope of the Sainte-Radegonde hill, east of the historic town center of Chinon, in the French department of Indre-et-Loire in the Centre-Val de Loire region.
The site has probably been known since antiquity as a well whose waters were reputed to be miraculous; tradition has it that the hermit Jean le Reclus was buried there; the main developments leading to the creation of a proper chapel, however, date back to the 11th or 12th century. The chapel owes its name to Radegonde de Poitiers, who is said to have met Jean on several occasions. The walls are decorated with several murals from different periods and in varying states of preservation; one of them, probably depicting a hunting scene, dates from the end of the 11th century. The precise identity of the figures in this painting is still debated, but it seems likely that they are several members of the House of Plantagenet.
The abandoned chapel was sold as bien national during the French Revolution. After being used as a home, along with the adjoining caves, and having had several successive owners, it has belonged to the town of Chinon since 1957. The Musée des Arts et Traditions Populaires du Chinonais has been housed here since 1966. The "Royal Hunt" mural was discovered by chance in 1964, leading to its classification as a monument historique in 1967, along with the rest of the chapel.
Location
The underground site is located on the hillside overlooking the Vienne valley on its right bank, to the east of the town of Chinon, at an altitude of around ; the top of the hillside and the bed of the Vienne are at altitudes of and respectively. The various cavities are dug into the Upper Turonian yellow tuffeau, a sedimentary rock that has been widely exploited in the middle Loire Valley and its tributaries for construction since Antiquity.The chapel is served by Rue du Pitoche and Rue du Coteau de Sainte-Radegonde, which rise gradually eastward on the hillside from Chinon's Collegiate Church of Saint-Mexme, just over as the crow flies from the chapel. This succession of streets, perhaps an ancient medieval or even ancient road leading to the Chinon forest, runs alongside the eaves wall of the monument; it also provides access to the many underground dwellings on its edge.
History
Ancient occupation site
The Sainte-Radegonde site in Chinon appears to have been occupied as early as the Hallstatt period, as evidenced by the remains of "surface" settlements and pottery shards found on the hillside above the chapel.During Antiquity and the Paleo-Christian period, tradition has it that the site was a place of pagan worship around a well dug into the rock behind the present-day chapel; this well and its fittings, which still exist, may indeed have been built in Antiquity or in Merovingian times. Curative virtues were attributed to the water drawn from the well on the night of St. John's Day, but this reference probably came later, in connection with the occupation of the site by a hermit named Jean.
Christian hermitage
According to the tradition reported by Grégoire de Tours, the site was Christianized in the 5th century, perhaps around 530, when Jean le Reclus, a hermit from the British Isles also known as the priest Jean, settled in a cave after having spent some time with the monks of Saint-Mexme. The exact location of his hermitage, on the site of the future chapel or in another place, probably nearby, is not known with certainty - there are many caves in this part of the hillside, whose morphology has changed considerably over the centuries, as a result of development and landslides; historians in favor of the first hypothesis base themselves on the topography of the site, in line with the eremitical lifestyle of the time, while those in favor of the second solution rely on the writings of Gregory of Tours, whose account suggests a distinction between the two sites, the hermit's cell being located to the west of the chapel housing his burial site.According to chronicles, the hermit Jean acquired a great reputation for wisdom; he was even consulted by Saint Radegonde, who stopped off in Chinon to visit him on several occasions, notably on her way to Poitiers to found the Sainte-Croix de Poitiers abbey, which explains the chapel's dedication. Tradition has it that, from the time of Jean's death, the oratory became a burial place for other hermits who followed her example and retreated to the same spot. Among the burials found in the floor of the southern nave, those that can be dated with certainty date back to the late Middle Ages, and are characterized by the presence of cephalic alveoli designed to hold the head of the deceased, an arrangement that developed during this period.
During the Late Roman Empire and the High Middle Ages, many pagan cult sites, including those associated with springs, were Christianized within or near churches or chapels, if they were not destroyed. The Sainte-Radegonde chapel, which incorporates a pagan cult site into a Christian building, could be yet another example of these "appropriations".
Furnished chapel
It's not clear when the building changed from a simple oratory to a chapel welcoming pilgrims: Gregory of Tours mentions miracles, but makes no mention of pilgrimages. Sainte-Radegonde took on its "modern" configuration in the 11th or early 12th century. A nave was dug directly into the rock, and reinforced by two monolithic columns when the vault was raised.Perhaps at the end of the 11th or beginning of the 13th century, the vault partially collapsed on the south side, leaving the building unable to accommodate the large number of worshippers and pilgrims. A second nave was then built, bricked up on the south side and partially on the west and east, covered by a frame and a single-pitch roof, which disappeared during the Revolution: this space has since been transformed into a garden; a medieval colonnade and a modern gate separate it from the troglodytic nave. The paintings discovered in the 20th century on the northern wall of the troglodytic nave probably date from this major renovation campaign.
The Sainte-Radegonde chapel is first mentioned in written sources in 1269 as an ecclesia, but it was Rabelais who, in Le Tiers Livre, first linked the existence of the chapel to the tradition of Jean le Reclus.
In 1388–1402, chronicles record the burial of local personalities in the chapel, including two nuns and a notable Chinonite who became a hermit after a pilgrimage to Jerusalem.
Despoiling, restoring, protecting
In 1563, during the Wars of Religion, the chapel was plundered, the graves desecrated and the relics of Saint John destroyed. Twenty years later, it was used as lodgings for carers and the families of patients suffering from an epidemic of plague or typhoid fever then raging in Touraine. The chapel was restored in the seventeenth century: around 1643, during the time of Canon Louis Breton, who lived in the underground presbytery near the chapel, a new altar was inaugurated in the southern apse and a new cycle of paintings, recounting the story of Saint Radegonde and whose scenes are accompanied by a legend, was created on the walls and vault of the eastern chapel.Disused during the French Revolution, the chapel was sold as bien national in 1793 and transformed, along with adjoining cavities to the west, into four different dwellings. The chapel itself retains traces of chimney flues dug into the corners of its vault. This situation, punctuated by various changes of ownership, lasted for almost a century; during this period, and on the initiative of the owners, excavations took place in an attempt to recover bones and furniture from the various tombs.
In the winter of 1878, the site was bought by Élisabeth Charre, a wealthy woman from Chinon, who set herself the goal of restoring the site and returning it to religious use, which she did the following year. The following year saw the completion of the recumbent statue of hermit Jean, the furnishings and the paintings in the apse depicting Christ in glory surrounded by the tetramorph, as well as the restoration of other paintings, including those dating from the 17th century. In the nineteenth century, as part of the various restructuring and restoration work carried out on the building, an ossuary was built in the troglodytic nave to house the ashes of previous burials.
At the beginning of the 20th century, two masses were celebrated annually in the chapel, on the feast of Saint-Jean and Sainte-Radegonde. In 1956, the last private owner of the site put it up for sale. The following year, the site was bought by the town of Chinon, which entrusted its management to the local learned society, Les Amis du Vieux Chinon. In the course of the clearing, cleaning and restoration work carried out by this society from 1960 onwards, in 1964 they discovered the painting of the "Royal Hunt" hidden under several layers of whitewash, and the well filled in with 19th-century garbage. In 1966, the Musée des Arts et Traditions Populaires du Chinonais was set up on the site. The chapel and all its murals were listed as a monument historique in 1967. The painting of the "Royal Hunt" was restored for the first time in 1969. Following surveys of all the paintings in 2006, the "Royal Hunt" was cleaned and consolidated in 2008, while the paintings in the two chapels were restored in 2011. In 2019, studies will be carried out to determine when the "chasse royale" was painted and the technique used, including carbon 14. In the 21st century, the chapel is open to the public during the summer months and on European Heritage Days.
Architecture
Chapel proper
The chapel itself has two naves. It is linked by an ambulatory to the staircase leading to the well, as well as to other cavities to the north and west.The northernmost of the aisles, entirely troglodytic, is supported by two monolithic pillars surmounted by Corinthian capitals. In its western section, at the presumed site of his tomb, is a recumbent statue of Saint Jean-le-Reclus with the inscription "Il s'est endormi dans le Seigneur" ; the painting of the "Royal Hunt" can be found on the part of the north wall adjacent to this monument. To the east, an apse with a semi-dome vault painted in the 19th century houses an altar. Two chapels open onto the north wall, one to the west near the tomb and the other to the east near the apse. Both feature a small altar against the eastern wall.
The southern nave, now open to the sky, is separated from the previous one by a colonnade and a grid. Like the troglodytic nave, it has a semicircular apse at its eastern end - temporarily walled up in the 17th century - but does not appear to be decorated with paintings. In its south-western corner, two burials dug side-by-side into the rock are visible, in which the bodies were placed head to the west and feet to the east. The chapel's eastern and western walls are almost exclusively carved in rock; only the south wall and the half-gables supporting the single-pitch roof are built in large tufa stone units.
Access to the chapel from the outside is via a Romanesque centring portal in the middle of the south gutter wall, acting as a façade. This portal is framed by two massive buttresses that reinforce the wall structure. On the western gable, a door and a walled Romanesque bay are still discernible.
Access to the well and adjoining cavities from inside the chapel is via a vaulted ambulatory in the northeast corner of the troglodytic nave at the back of the east chapel. Merovingian sarcophagi and statues from the collections of the Société d'histoire de Chinon Vienne et Loire are on display in the underground nave.