Ecce Homo (García Martínez and Giménez)
The Ecce Homo in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style were typical of traditional Catholic art.
While press accounts agree that the original painting was artistically unremarkable, its current fame derives from a partial attempt to restore the fresco by Cecilia Giménez, then an 81-year-old untrained amateur artist in 2012. Her restoration became at first a local and then international sensation. The intervention transformed the painting and made it look similar to a monkey, and for this reason it is sometimes referred to as Ecce Mono. The work has not been re-restored, instead it became an educational and tourist attraction.
Original mural
The artist, a professor at the School of Art of Zaragoza, donated the painting to the village where he used to spend his holidays, painting it directly on the wall of the church in about 1930. He commented that "this is the result of two hours of devotion to the Virgin of Mercy". His descendants still live in Zaragoza and were aware that the painting had deteriorated seriously; his granddaughter had made a donation toward its restoration shortly before they discovered that the work had been radically altered in an incompetent attempt to restore it.Restoration attempt and internet phenomenon
The authorities in Borja said they had suspected vandalism at first, but then determined that the alterations had been made by a parishioner, Cecilia Giménez, who was 81 years old at the time. She said on Spanish national television that she started to restore the fresco because she was upset that parts of it had flaked off due to excessive moisture on the church's walls. Giménez defended herself, saying she could not understand the uproar because she had worked in broad daylight and had tried to salvage the fresco with the approval of the local clergyman. "The priest knew it," she told Spanish television. "I've never tried to do anything hidden."Giménez said that the attempted restoration was actually an incomplete work in progress. "I left it to dry and went on holiday for two weeks, thinking I would finish the restoration when I returned", she said. "When I came back, everybody in the world had heard about Ecce Homo. The way people reacted still hurts me, because I wasn't finished with the restoration." She argued, "I still think about how if I hadn't gone on holiday, none of this would have ever happened."
News of the painting spread around the globe in August 2012 on mainstream and social media, which promptly rose to the status of an internet phenomenon. BBC Europe correspondent Christian Fraser said that the result resembled a "crayon sketch of a very hairy monkey in an ill-fitting tunic". The restored version has been jokingly dubbed Ecce Mono in an "online rush of global hilarity", and the incident was compared to the plot of the 1997 film Bean. Because of the negative attention, the priest of the church, Father Florencio Garces, thought the painting should be covered up. The notoriety caused Giménez humilation, anxiety and panic, during which period she refused to eat and lost 6 kilograms.
Giménez later warmed to the attention brought by her restoration attempt. Speaking publicly in 2015, she said, "everyone here sees what I did in a different light. The restoration has put Borja on the world map, meaning I've done something for my village that nobody else was able to do. So many people have come here — and to our beautiful church — to see the painting... they tell me more than 130,000 people."
Artistic significance
Tongue-in-cheek critiques have interpreted the piece as a multifaceted comment on both sacred and secular themes. A Forbes commentator suggested that the "inept restoration" represented "one woman's vision of her savior, uncompromised by schooling". In September 2012, the artistic group Wallpeople presented hundreds of reworked versions of the new image on a wall near the Centre de Cultura Contemporània de Barcelona. An organizer commented that "Cecilia has created a pop icon".Later on, Spanish actress Assumpta Serna co-produced with Wildcard UK a documentary called Fresco Fiasco and acted in the movie Behold the Monkey, two films about the restoration. Both projects were seen in February 2016 on the Sky Arts network in the UK.