Cave Sanctuaries of the Acropolis of Athens
The Cave Sanctuaries of the Acropolis of Athens are the natural fissures in the rock of the Acropolis hill that were used as sites of worship for deities of the Panhellenic pantheon in antiquity. Traditionally a sharp distinction has been drawn between the state religion practised on the summit of the Acropolis and the cult practice of the shrines on the lower slopes. Recently, however, interest has burgeoned in the individual religious experience or personal piety in Greek society of which these cult sites may be the expression. The proceeding description follows the order of the shrines from the Klepsydra at the northwest face of the Acropolis clockwise via the Peripatos round to the foot of the Nike bastion.
Terrace of Zeus, Apollo and Pan
The northwestern slope of the rock of the Acropolis is dominated by three cave openings dedicated to the worship of Pan, Zeus and Apollo respectively. The most westerly cave on the terrace is not a shrine but a sculpted cavity, called cave A in the archaeological literature, with a carved surface in the form of a podium was used as a viewing area for the Panathenaic procession. Moving easterly the next cave along, cave B, is that of the Apollo Hypoakraios / Hypo Makrois. Here, according to tradition, Apollo was united with Erechtheus' daughter Kreousa. From that liaison Ion, the Athenian hero, was born. The sanctuary was identified after finding marble plaques nearby which detail a crown and an inscription that they were a dedication to Apollo from the nine archons.The Middle Cave, also called cave C in the archaeological literature, is dated to the 5th century and attributed to Zeus Olympios or Zeus Keraunios, based on the interpretations of Thucydides and Strabo.
The excavation of Kavvadias in 1896–1897 uncovered a previously unknown cave system, this easternmost cave on the terrace was dedicated to the god Pan. According to tradition, the God contributed to the victory of the Greeks in the battle of Marathon in 490 BCE. by causing panic and fear amongst the Persians. The Athenians returned their gratitude to the God by establishing his worship in the city. The sanctuary was tripartite in form with carved niches for the reception of votives. The identification of the sanctuary was based on the testimonies of Euripides, Aristophanes and Pausanias as well as the finding of two votive reliefs on the site one of which depicts the God sitting on a rock playing the pipes while a nymph stands before him, and the other is the Pan Relief which shows the God amongst other deities. In the Christian period, the furthest eastern part of the Sanctuary was converted into a chapel dedicated to Saint Athanasius from which traces of frescoes in the niches are preserved today. Next to this cave is a narrow stairway that leads up to the Acropolis.
Terrace of Aphrodite and Eros
Further along the Peripatos, a narrow path leads up to a terrace 30m x 14m with an open air sanctuary. It was excavated by Oscar Broneer in 1932 who identified the site with Aphrodite and Eros. Also identified as the shrine of Aphrodite in the Gardens after the passage in Pausanias describing the rites of the. The cave is divided in two by a wall into the so-called eastern and middle sanctuaries. A number of votive niches are carved into the back wall which probably housed statues or other votive gifts the evidence of these mostly date from the 2nd or 3rd centuries BCE, oldest find is 5th century. Also found were small marble reliefs of male and female genitals, fragments of a marble relief of nine Erotes carrying cult paraphernalia from the late 4th century.Two inscriptions of circa 450–430 BCE were cut into the rock at the southwest corner of the site, One a dedication to Aphrodite, the other mentions a spring festival sacred to Eros. A marble thesaurus of the 4th century BCE was found 100m downslope of the shrine, inscribed “Treasury for prenuptial offerings to Aphrodite Ourania, it testifies to a private sacrifice rather than a public ritual. The connection to the passage in Pausanias already mentioned was made by Broneer who suggest that the might have descended from the Acropolis through the adjacent Mycenaean well, however there is no definite evidence of this still mysterious ceremony. The small area next to the Aphrodite, the so-called sanctuary, the purpose of which is unclear was the site of deposit of a large number of small vessels.