Carl Bissuti


Carl Bissuti was an Austrian operatic bass.

Life and career

Born in, Ardagger, Lower Austria, Bissuti originally aspired to the career of a railway official. In Asten he founded a youth choir. At a concert his voice caught the attention and the famous Salzburg Festival singer Richard Mayr campaigned for him to be accepted as a student at the Mozarteum. His singing teacher was Bianca Bianchi. In the 1922–23 season, he was engaged as chorister at the Salzburger Landestheater. This was followed by engagements as an actor, first for three seasons in Salzburg, then for two seasons in Linz. In 1928, he was engaged as a singer in Trier. This was followed by engagements in Troppau., Bielefeld and Darmstadt.
In 1934, he was invited by Clemens Krauss for a guest performance at the Vienna State Opera as Sarastro in The Magic Flute. Thereupon he was engaged there from 1935, where he sang almost everything that belonged to his subject, from Mozart to Kienzl, from Verdi to Wagner. The Austrian Theatre Museum features role models from Jaromír Weinberger's Wallenstein' and Lehár's The Land of Smiles'. From 1936 to 1939, he was engaged every summer at the Salzburg Festival. He there sang first under the musical direction of Arturo Toscanini, by Bruno Walter and by Felix von Weingartner. After the annexation of Austria to Nazi Germany, he was given the title of "The Corregidor" by the conductors Wilhelm Furtwängler, and Hans Knappertsbusch to Salzburg.
The singer remained a member of the Vienna State Opera ensemble until 1942, when he received a permanent engagement at the Salzburger Landestheater. In 1944, he was seriously injured during an air raid on Vienna. He had to give up his profession and later moved to Graz.
He was married with the soprano Josefine Stelzer. The couple had at least one son, Kristian Bissuti, born 1940, who became a photographer.
Bissuti died in Graz age 75.

Roles

Premiere

Recordings

There are relatively few sound documents from Bissuti. In Salzburg, performances of The Magic Flute and Die Meistersinger von Nürnberg remain. Koch has published archive recordings from the Vienna State Opera, for example Aida and Der Freischütz.