Vidyapati (1937 film)
Bidyapati is a 1937 Bengali biopic film directed by Debaki Bose for New Theatres. It starred Pahari Sanyal as Vidyapati. His costars in the film were Kanan Devi, Prithviraj Kapoor, Chhaya Devi, Leela Desai, K. C. Dey and Kidar Sharma. The music was by R. C. Boral and lyrics by Kidar Sharma. Debaki Bose and Qazi Nazrul Islam wrote the story, screenplay and dialogues. The story is about the Maithili poet and Vaishnava saint Vidyapati. The songs of the film became popular and the lyrics though encapsulating Vidyapati's poetry were considered bold for its time. This however ensured the film garnered crowds at the theatres making it a big success of 1937.
Plot
King Shiva Singha and His queen Lakshmi invite the poet Vidyapati to their palace. He arrives with his constant companion Anuradha. The queen finds herself getting attracted to Vidyapati’s poetry and falls in love with him. This causes great anguish to the king who in his distress abandons his responsibilities and turns to Anuradha. The troubled Queen decides to kill herself and when the Prime Minister gets to hear of it he encourages her as he feels that Vidyapati’s sensuous bold poetry has had a detrimental effect on the king. The king, in the end, sends for his queen through Anuradha. He notices that she is lying there in the same position and starts crying realizing the queen is dead. Anuradha and Shiva try getting Lakshmi to get up without success.Production
The film is thought to be Debaki Bose’s most adept directorial venture. The tight close-ups helped the narration of the story which focused on the poetry and songs. The films in those days tended to be heroine-centric and though the film was called Vidyapati the main star of the film was Kanan Devi. Her convincing performance became the main support of the film along with a strong script.Critical reception
Prithviraj Kapoor’s performance was rated high by Baburao Patel, the editor of Filmindia, while also appreciating the "newcomer" Mohammed Ishaq. He called Debaki Bose’s direction a "fine poem of art" and Bose "truly a great director".The film was used by Guru Dutt in his film Kaagaz Ke Phool as a tribute to the Studio Era by showing the character Suresh in the balcony of the theatre where Vidyapati is being watched by a packed audience.