Neoclassical architecture in Belgium
Neoclassical architecture appeared in Belgium during the period of Austrian occupation in the mid-18th century and enjoyed considerable longevity in the country, surviving through periods of French and Dutch occupation, and the birth of independent Belgium, surviving well into the 20th century.
Origins of neoclassical architecture
Neoclassicism in architecture was the result of renewed interest in the architectural forms of Greco-Roman antiquity discovered in the excavation of sites such as Pompeii and Herculaneum in the 18th century.Its spread in Europe was driven by:
- the writings of Johann Joachim Winckelmann, who can be regarded as the founder of art history and archaeology as modern disciplines;
- the practice of the Grand Tour, a trip made by young men of the upper classes of European society, which had the effect of bringing together northern European high society together with ancient art;
- visits to Italy by many young artists and architects.
Neoclassicism in the Austrian Netherlands
Growth of the neoclassical style in the Austrian Netherlands took place from 1759 during the reign of the Empress Maria Theresa of Austria and the governorship of her brother-in-law Charles Alexander of Lorraine.The growth of the style was aided by various elements including:
- The architect Laurent-Benoît Dewez's stay in Italy from 1754 to 1757;
- The decision in 1774 by the Governor Charles Alexander of Lorraine to redevelop the site of the old palace of Coudenberg, destroyed by fire in 1731 and left in ruins for more forty years, and to entrust the construction area of the Place Royale/Koningsplein and Brussels Park to two French neoclassical architects, Jean-Benoît-Vincent Barré, who designed the Place Royale and the Church of St. James on Coudenberg, and Gilles-Barnabé Guimard.
Theresian style
The neoclassical style is known as the Louis XVI style in France; however, the parallel development of the style in the Austrian Netherlands is sometimes called "Theresian style" in reference to the Empress Maria Theresa of Austria.Phases
It is possible to divide the architects and their major works according to the diverse phases of neoclassicism in Belgium and the distinct periods of political occupation.Pure neoclassicism (1759–1865)
Austrian period (1759–92)
- 1759 Laurent-Benoît Dewez
- 1760 Jean Faulte
- 1766 Jacques-Barthélemy Renoz
- 1774 Claude Fisco
- 1775 Jean-François Wincqz
- 1776 Jean-Benoît Vincent Barré
- 1776 Gilles-Barnabé Guimard
- 1779 Charles De Wailly
- 1782 Louis Montoyer
- 1786 Ghislain-Joseph Henry
- Anonymous
French period (1792–1815)
Since the period of French occupation was characterised by the long-running French Revolutionary and Napoleonic Wars, few outstanding neoclassical works were constructed.Ghislain Joseph Henry- 1791 L. Radelet
- 1805 A. Dubois
- 1806 J.F. Van Gierdegom
- 1807 '''J.J. Dutry'''
Dutch Period (1815–30)
In 1815, the Southern Netherlands were united by the Congress of Vienna with the Dutch United Provinces to form the new Dutch-led United Kingdom of the Netherlands.Under William I, many of the most significant neoclassical buildings were constructed in Brussels, including the Academy Palace, the Royal Theatre of La Monnaie, the Botanical Gardens, the Royal Observatory and the Royal Palace, precursor of the modern palace.Ghislain-Joseph Henry
- 1815 Charles Vander Straeten
- 1816 Louis Roelandt
- 1818 Louis Damesme
- 1824 Nicolas Roget
- 1825 Tilman-François Suys
- 1825 Bruno Renard
- 1826 Pierre Bruno Bourla
- 1827 '''Henri Partoes'''
Reign of Leopold I (1830–65)
; Architects already active under the United Kingdom of the NetherlandsLouis RoelandtCluysenaar familyCharles Vander Straeten Tilman-François SuysBruno Renard- Pierre Bruno Bourla
- 1835 Frans Drossaert
- 1836 Auguste Payen
- 1841 Louis Minard
- 1847 J.P.J. Peeters and G. Hansotte
- 1849 Joseph Poelaert
- 1855 '''Émile Coulon'''
Neoclassical Eclecticism (1865–1909)
King Leopold II was a prodigious builder, who launched various constructions of large buildings to demonstrate the prestige of the monarchy. However, during his reign, the Eclectic style, which appeared with Poelaert under Leopold I, became predominant, mixing various forms from neo-Romanesque, neo-Gothic, neo-Renaissance and neo-Baroque, as well as the neoclassical schools.Neoclassicism under Leopold II was no exception. Some buildings from this period, such as the Bourse Palace and the Palace of Justice were openly eclectic; others cited below, can be broadly considered as neoclassical, without exempting them, however, from the banner of characteristic decorative eclecticism.
Note that many of the buildings commissioned by Leopold II incorporated his monogram, consisting of two symmetrical "L" letters.
- 1867 Hendrik Beyaert
- 1875 Gédéon Bordiau
- 1892 Charles Thirion
- 1897 Albert-Philippe Aldophe
- 1902 Charles Girault
- 1904 '''Henri Maquet'''
Late Neoclascissism (1910–80)
In the 20th century, neoclassicism nearly disappeared from the Belgian architectural landscape, swept away by new waves of architectural styles including Art Nouveau, Art Deco, Modernism and Functionalism.In Brussels, the survival of the style is owed to the planning laws governing the construction of buildings in the vicinity of Brussels Park, as well as the desire to preserve the stylistic unity of the neighbourhood.
- 1910 François Malfait
- 1920 Oscar Van de Voorde
- 1930 Michel Polak
- 1950 André and Jean Polak
- 1966 Christian Housiaux, Hugo Van Kuyck, Pierre Guillissen
- 1972–74 '''Christian et Jean-Pierre Housiaux'''
Monumentalist Classical Architecture (1929–59)
During the Interwar period, a style developed in several European countries using neoclassical architecture on a much bigger scale.In the 1930s, this was often associated with totalitarian regimes like Nazi Germany, but the style is often wrongly labeled as Fascist architecture like Stalinist architecture, Nazi architecture or Soft Portuguese style. However, it was also found in democratic countries like Belgium, France, Great Britain and the United States.
Postmodernism (after 1980)
At the end of the 20th century, neoclassicism reappeared in a revitalised form incorporated in the Postmodern style. This postmodern neoclassicism is most commonly used in the construction of offices and municipal buildings.- 1989 Ricardo Bofill
- 1989 José Vanden Bossche
- 1993 Bureau d'architectes ASSAR
- 1994 Wolf et Conreur
- 1995 Jacques Cuisinier
- 1996 "Roosevelt Business Park", at 104, Avenue Roosevelt, in Genval)