Bara culture
Bara Culture was a culture that emerged in the eastern region of the Indus Valley civilization around 2000 BCE. It developed in the doab between the Yamuna and Sutlej rivers, hemmed on its eastern periphery by the Shivalik ranges of the lower Himalayas. This territory corresponds to modern-day Punjab, Haryana and Western Uttar Pradesh in North India. Older publications regard the Baran pottery to have initially developed independently of the Harappan culture branch of the Indus Valley Civilization from a pre-Harappan tradition, although the two cultures later intermingled in locations such as Kotla Nihang Khan and Bara, Punjab. According to Akinori Uesugi and Vivek Dangi, Bara pottery is a stylistic development of Late Harappan pottery. In the conventional timeline demarcations of the Indus Valley Tradition, the Bara culture is usually placed in the Late Harappan period.
Bara culture is so-named because initial evidence for its existence was discovered from archeological digs at the site in Bara, Punjab. Dher Majra and Sanghol are other important Bara culture sites that have been excavated.
Bara pottery
Bara culture is based on the Pottery found here, it is classified as a separate archaeological culture and subculture. Older publications regard the Baran culture to have initially developed independently of the Harappan culture branch of the Indus Valley Civilization from a pre-Harappan tradition, although the two cultures later intermingled in locations such as Kotla Nihang Khan and Bara, Punjab.Pottery remnants of the Bara culture reveal a style that is consistently differentiable from that of the Harappan culture, though there are some shared features as well. Specific forms quintessentially associated with the Harappans, such as "perforated jar, S-shaped jar, tall dish-on-stand with drum, goblet, beaker and handled-cup" are absent. Instead, other forms unique to the Barans are found, including jars and vessels "incised on shoulder and rusticated at the bottom", jars with bulbous bodies, long necks and flaring rims, and collared-rim jars.
Harappan dishes-on-stand have long and slender necks, whereas Baran dishes-on-stand have short and thick ones. Harappan wares tend to be plain, while Baran ware is usually embellished with painted patterns and decorative incisions, often on the interior side of vessels and jars.
According to Akinori Uesugi and Vivek Dangi, Bara pottery is a stylistic development of Late Harappan pottery.