Bagdad Cafe
Bagdad Cafe is a 1987 English-language West German film directed by Percy Adlon. It is a comedy-drama set in a remote truck stop and motel in the Mojave Desert in the U.S. state of California.
Inspired by Carson McCullers' novella The Ballad of the Sad Café, the film centers on two women who have recently separated from their husbands, and the blossoming friendship that ensues.
It runs 108 minutes in the German version and a shorter 95 minutes in the U.S. version. The song "Calling You", sung by Jevetta Steele and written by Bob Telson, was nominated for the Academy Award for Best Original Song at the 61st Academy Awards.
Plot
German tourists Jasmin Münchgstettner from Rosenheim and her husband fight while driving through the Mojave Desert. She storms out of the car, taking a suitcase, and walks down the road, while he drives off in the opposite direction. When he comes back through, Jasmin quickly hides so he cannot find her.He barrels into the Bagdad Cafe, an isolated truck stop cafe, to look for Jasmin. Discovering they cannot sell beer, he asks for a coffee and finds out their coffee machine is on the fritz. The co-owner Sal offers coffee from a large yellow thermos he had just found on the roadside, which actually belongs to the Münchgstettners.
After he leaves, the tough-as-nails and short-tempered Brenda, finding out her husband Sal forgot both to bring the new coffee machine and something else the local Rudi Cox needed, chews him out. Arguing outside the café, she lists the many ways in which he does not do his part. Sal threatens to leave if she does not let up, so Brenda sends him packing.
Brenda, saddened by the argument, is sitting slumped in front of the café with a tear-stained face when Jasmin comes up, seeking a motel room. She also runs the adjacent motel, so checks her in. Initially suspicious of the foreigner, Brenda looks through her things and finds only mens clothes--most likely the German couple had inadvertently switched suitcases. Deciding Jasmin is a threat, she gets the sheriff to check her out. However, he finds no need for concern.
The cafe is regularly visited by an assortment of colorful characters, including strange ex-Hollywood set-painter Rudy Cox and glamorous tattoo artist Debby. Brenda's son Salome plays J. S. Bach preludes on the piano all day, and her teenaged daughter Phyllis is constantly coming and going with different guys.
With an ability to quietly empathize with everyone she meets at the cafe, and helped by a passion for cleaning and performing magic tricks, Jasmin gradually transforms the cafe and all the people in it. Brenda herself metamorphosizes from being an angry, embittered aggressor to a more relaxed, happier person.
Thanks to their love, Jasmin also is able to overcome her loneliness. Rudy sees her as a muse, and with each subsequent portrait she also transforms, becoming more relaxed and accepting of her body and herself.
There is a temporary setback when the sheriff, overhearing news of the café, stops by to see for himself. Finding Jasmin there, he reminds her that she has overstayed her tourist visa. She unhappily leaves, the café reverts to its former subdued self, staying that way until her return months later.
Jasmine has rejoined the motley 'family' of misfits, having found herself. The café expands its repertoire of entertainment to singing and dancing. Rudi proposes, ensuring she can stay, and Sal returns to Brenda.
Cast
- Marianne Sägebrecht as Jasmin Münchgstettner
- CCH Pounder as Brenda
- Jack Palance as Rudi Cox
- Christine Kaufmann as Debby
- Monica Calhoun as Phyllis
- Darron Flagg as Salomo
- George Aguilar as Cahuenga
- G. Smokey Campbell as Sal
- Hans Stadlbauer as Herr Münchgstettner
- Alan S. Craig as Eric
- Apesanahkwat as Sheriff Arnie
Production
Reception
Box office
The film was successful at the European box office, and was one of the most financially successful foreign productions in the U.S. at that time, grossing then $3.59 million.Critical reception
The film received positive reviews and critical acclaim. It holds an 85% approval rating on Rotten Tomatoes based on 20 reviews, with a weighted average of 6.8/10.Roger Ebert awarded the film 3½ stars in his review:
is saying something in this movie about Europe and America, about the old and the new, about the edge of the desert as the edge of the American Dream. I am not sure exactly what it is, but that is comforting; if a director could assemble these strange characters and then know for sure what they were doing in the same movie together, he would be too confident to find the humor in their situation. The charm of "Bagdad Cafe" is that every character and every moment is unanticipated, obscurely motivated, of uncertain meaning and vibrating with life.
Awards and nominations
- 1988: won Best Foreign Language Film at the 23rd Guldbagge Awards
- 1988: won Bavarian Film Award Best Screenplay
- 1988: won Ernst Lubitsch Award
- 1989: nominated for the Oscar for Best Music, Original Song for the song "Calling You"
- 1989: won Amanda Best Foreign Feature Film
- 1989: won Artios Best Casting for Feature Film, Comedy
- 1989: won César Award for Best Foreign Film
Television series
Location
The setting, Bagdad, California, is a former town on U.S. Route 66. After being bypassed by Interstate 40 in 1973, it was abandoned and eventually razed. While the town had a "Bagdad Cafe", the film was shot at the then Sidewinder Cafe in Newberry Springs, west of the site of Bagdad. The cafe became a European tourist destination; to capitalize on the film, in 1995, when it was purchased by new owners, they changed its name to Bagdad Cafe. A small noticeboard on the cafe wall features snapshots of the film's cast and crew.Soundtrack
The soundtrack features the songs "Calling You", written by Bob Telson and sung by Jevetta Steele, and "Brenda, Brenda" with lyrics by Lee Breuer and music by Bob Telson, sung by Jevetta's sister Jearlyn Steele, featuring the harmonica of William Galison, and also has a track in which the director narrates the story, including the film's missing scenes.The principal piano pieces, performed by Darron Flagg, are preludes from Book I of Bach's The Well-Tempered Clavier: the C major, no. 1, BWV 845; the C minor, BWV 846, no. 2; and the D major, no. 5, BWV 850.