Art Christmas
Art Christmas was a Canadian dance band and jazz musician. For many years during the exciting dance band and jazz era of the 1920s, 1930s and 1940s, Art Christmas was often said to be Britain's leading saxophone player and multi-instrumentalist. In the 1930s and 1940s, young musicians in their teens and early twenties would follow Art all over Britain listening to him play and trying to copy his style, especially on alto saxophone.
Beginning
Art's professional music career really started when he was 19 years old. He left Canada to play trumpet with the Orchestra, touring all over the United States and then on to Britain. While in Britain, he was given the opportunity to play trumpet with Paul Specht's Canadian Club Orchestra in 1926 and really never looked back. The Melody Maker Magazine detailed this orchestra's strengths by saying: "A ten-piece combination, its members, who are all Canadians, between them account for thirty-five different instruments. There are three vocalists in the outfit. Art Christmas, the first trumpet, is also a red-hot 'dirt' sax player."Still in Britain, Art went on to play with the New Prince's Toronto Band also in 1926. This band was the resident band at the New Prince's restaurant in Piccadilly. The band was made up of fellow Canadians and was directed by Hal Swain. It was when Hal Swain left the band, that at Alfie Noakes' behest, Art joined and took Hal Swain's place. The band was about to embark on a continental tour but first took some time fulfilling a recording contract again for Columbia. The publication British Dance Bands on Record shows Art playing tenor sax but he doubled on alto sax and trumpet. This band had recorded about 50 titles since November 1924, but just one more session took place on February 25, 1926, while Art was with them. The band actually left for the continent in August 1926 and by now consisted of Dave Caplan, Les Allen, Ken Kenney, Art Lousley, Jack Collins, John Whittaker, Laurie Day and of course Art Christmas who played mostly alto sax but doubled on tenor sax, clarinet, trombone and trumpet.. Eventually this band became known as "The Toronto Band from Canada, featuring Art Christmas" and from about the first week in September they played at the Faun des Westens in Berlin. During November they also appeared at The Scala Theatre, assisting the dance pair Annette Mills and Bobby, who were demonstrating the Charleston dance. While in Berlin, Germany, the band recorded about 56 titles for Deutsche Grammophon/Polydor. This band had a very strong jazz component thanks mainly to Art Christmas' style. The German discographer Horst Lange compared it to the California Ramblers in his "Jazz in Deutschland: die deutsche Jazz-Chronik", noting that Art Christmas and other members of the band were familiar with all styles and could play with this special 'American feeling' which pure European musicians and bands were lacking. One of this band's few surviving recordings "I'm Sitting On Top Of The World", is a vigorous effort in the "hot dance" genre and according to the book 'The Lost History Of Jazz In Canada by Mark Miller', ".......is distinguished by Art Christmas' alto saxophone solo." Horst Lange's book Discography Of German Dance Music shows the personnel of the band changing considerably, with only Art Christmas, Les Allen, Dave Caplan and Ken Kenney remaining from the band which left Britain. Art worked extensively in Britain and Europe during the late 1920s and led his own band in Budapest, Berlin and London. He was with the Savoy Orpheans for a brief time and then joined Billy Mason in 1930. Art played and recorded with Percival Mackey and Dave Frost during the latter half of 1931 and was now playing baritone sax as well as the other instruments with these groups.
Art's big break
Art's big break came when he joined the Roy Fox Band in February 1933, staying with this band until 1938. It was while he was with The Roy Fox Band, that Art Christmas became a household name around the music scene in both Britain and Europe. The British music magazine Melody Maker referred to Art as "...the most sought after musician in England" and Art soon became billed as Britain's 'Leading sax and multi-instrumentalist' as he not only played lead alto sax for Roy Fox but was often featured on trumpet, trombone, xylophone, drums, piano and even a routine with the bagpipes and sousaphone.....He didn't just play these other instruments but mastered them nearly to the same degree as he had the alto sax and clarinet."Art Christmas' alto sax playing is distinguished by a daringly virtuoso style and inventive technique that displays a harmonic and rhythmic sophistication well in advance of his time...................."
After Roy Fox was forced to disband due to health problems in 1938, Art worked with Arthur Rosebery from 1938 to 1939, Sid Millward's "Nitwits" and Joe Ferrie in 1939, before joining Jack Jackson. From 1940 until late 1946, Art played with his dear friend Jack Payne. The Jack Payne band was just too busy to do much recording between 1940 and 1944 but there was a session in 1945 that Art played.