Anything but Love
Anything but Love is an American sitcom that aired on ABC from March 7, 1989, to June 3, 1992, spanning four seasons and 56 episodes. The show stars Richard Lewis as Marty Gold and Jamie Lee Curtis as Hannah Miller, coworkers at a Chicago magazine with a mutual romantic attraction who struggle to keep their relationship strictly professional. The series, from creator Wendy Kout and developers Dennis Koenig and Peter Noah, was produced by Adam Productions in association with 20th Television.
Synopsis
First season
Chicago native Hannah Miller returns to her hometown after quitting her teaching post out of state and breaking up with her long-term boyfriend. On the flight back, she meets Marty Gold, an eccentric magazine columnist for Chicago Monthly, a trendy publication with hard-hitting exposés and pop-culture pieces. Marty's fear of flying and frazzled nerves are calmed by Hannah, who then shares her story of change with him and her plans to launch a writing career upon returning home. It just so happens, according to Marty, that there is an opening at Chicago Monthly for a researcher, which Hannah jumps at. Once the two arrive home, Marty introduces Hannah to his boss, blustery magazine editor Norman Keil, who sees a lot in her and gives her a trial assignment—a 2,000-word article on "the tortilla wars: does Chicago prefer corn or flour?" for 9 o'clock the following morning. Hannah aces and delivers, becoming part of the team and coincidentally getting a desk opposite Marty's. It becomes clear that Marty got Hannah the job because he was instantly attracted to her. Still getting over her recent breakup, Hannah is not ready to consider anyone new yet, but feels a connection to Marty she cannot or does not want to consummate.Others at Chicago Monthly detect hints of attraction between Hannah and Marty, but are generally more occupied with the sensational and outrageous stories to which the two were assigned. Jules Kramer, affectionately known as "Julie", is Norman's fawning assistant, and Pamela Peyton-Finch a glamorous, cutthroat writer. The stories shift between the easygoing office camaraderie and Marty's and Hannah's personal lives. Hannah's gun-toting outdoorsman dad, Leo Miller, is also a character.
With each passing episode, as the two banter and form a friendship as well as a working relationship, they come closer to realizing the potential for romance. They would have realized this sooner if they were not so distracted. Marty is tentatively dating a girl named Alice while Hannah's recent ex, Jack, visits and turns out to be Marty's former college roommate. The reunion for the three is a bit strained. Finally, in the first-season finale, Alice dumps Marty, and Hannah, who is making strides in getting over Jack, accepts Marty's invitation to dinner—though both agree it is "not a date".
Second season
As the second season opened, there were new faces and adjustments in the series, along with further progress in Hannah and Marty's relationship. Each episode now began with a prologue scene in which Marty and Hannah had lunch at a diner while having a conversation which poked fun at life's trivial conventions. A sneak preview of these segments aired in ABC network promos for the show in August 1989, advertising the show's return in its original Tuesday night time slot after a three-month break. The following month, Anything but Love moved to Wednesday nights at 9:30/8:30c.In the season premiere, Hannah returned from vacation to find that the magazine had been taken over by new owners, becoming a weekly publication and being renamed the Chicago Weekly. Norman was replaced by a new editor, the ultra-hip Catherine Hughes, who instantly promoted Hannah to writer. Pamela was also gone, and arriving in her place was English TV critic Brian Allquist, whose reviews became one of the more popular features of the Weekly, but not without its fair share of controversy. Harold and Kelly were other new staff members. For unexplained reasons, Jules's last name changed to Bennett; however, under the new ownership, he remained as editor's assistant.
Hannah and Marty were now fighting off a stronger sexual attraction, and their close calls with intimacy and courtship intensified, which resulted in hilarious and comedically challenging situations. To give Hannah an outlet in which she could sort out her feelings for Marty, and her love life in general, the producers added her long-time best friend, Robin Dulitski, who also acted as Hannah's landlord. Hannah and Robin had an in-joke running back from their teenage years, in which they pictured themselves married by their thirties to dashing brothers named Schmenkman. For fun, they both regularly called each other "Mrs. Schmenkman". Robin was truly rooting for a Hannah/Marty relationship; at one point, however, she started feeling herself drawn to Marty, which resulted in them sharing a brief kiss. Marty was not as interested in dating Robin as she was in him, so after a brief disappointment, Robin re-channeled her energy in helping Hannah realize her feelings for Marty. Various members of Marty's family began making further guest appearances, as the emphasis on the character's Jewish culture became more prominent. While the two danced around their attraction, they continued to date others from time to time. Later in the season, Marty introduces Hannah to his ex-fiancée at his family's seder, upon which Hannah feels that the two may still have feelings for each other.
Hannah and Catherine became something of soul sisters both in and out of the office as well, providing support to each other through many twists and turns. Their friendship became similar to that of Hannah and Robin's. At one point in the season, Catherine hires Robin briefly to write a column featuring her "every woman" views on current events and social issues. Catherine, who prided herself on being very avant-garde in her editorial command and all-knowing of the ins and outs of pop culture, was crushed when a close companion and legendary artist snubbed her of mention in his recently published diaries. Feeling the onset of a nervous breakdown, she temporarily left Marty in charge of the Weekly. Brian also faced his first major public criticism at the magazine in this episode, in which fans of the latest Star Squad movie stormed down to the Weekly office to protest his scathing review. Fortunately for Brian and Marty, Catherine overcame her wounded pride and returned to work. Marty would get a chance to fill the editor's shoes again that season, when a troubleshooter from the Weekly's parent company arrived and decided to replace Catherine; again, Catherine's cutting-edge approach to journalism was underappreciated. Marty had to pull some clever blackmail in order to get her back. While Catherine in the end remained at the Weekly, it was Brian who ended up with a short stint. In the episode "The Days of Whine and..", a woman shows up to threaten Brian after an unfavorable review of her husband's work caused him to die. The woman stalks Brian ruthlessly. It escalates to the point where, out of rage and his attempt to avoid her watching his every move, Brian smashes all the TV sets on display at Marshall Field's department store, and is sent to jail.
In the season finale, Hannah celebrates her 30th birthday, a time which celebrated many joys but also some emptiness and regret. After looking back at her complicated romantic life, she realizes that the one missing aspect of her existence is right under her nose—Marty. After a year's worth of dodging the obvious chemistry between them, Hannah comes forward and shares her true feelings with Marty. As it turns out, Marty was on the cusp of revealing the same.
Third season
Anything but Love was renewed for a third season in the spring of 1990, but was omitted from ABC's 1990 fall schedule. In the wake of a ratings fall the previous season, the producers had called for further retooling of the show. The third-season premiere was moved to February 6, 1991, and the season itself only consisted of ten episodes. The opening storyline picked up straight from where the second-season finale left off, with Marty and Hannah admitting that they were indeed in love with each other. The two reveled in their newfound joy, and agreed to take things slowly and uncommitted. However, such an event was not to be complete without a monkey wrench thrown in. The breakthrough development was compounded by the arrival of guest star John Ritter, who signed on for a three-episode story arc. Ritter played Patrick Serrau, a renowned photographer swept into town when the Weekly hired him to work on a special series. Hannah and Patrick become well acquainted, and when the two are required to work together on her piece for the project, their association quickly gets to be more casual than professional.Marty catches on to Patrick's maneuverisms and spies on him and Hannah when they stop by his hotel suite. Hannah feels wooed by Patrick, but feels challenged by her standing love for Marty. Struggling to keep his composure, Marty lets Hannah know of his awareness of the whole situation, while Hannah decides to let her heart lead the way. Patrick and Hannah get intimate, and as their assignment progressed, Patrick asks Hannah to join him in West Africa—for both work and romance. After some consideration, Hannah says yes, and Marty is devastated. Rather than resort to drastic behavior, he nonchalantly challenges Patrick's views on many urban issues discussed in the magazine project, which bring out an arrogant, negative side of his personality. Hannah, who had seen these true colors appear at times through her partnership with Patrick, finally admitted to herself that he was not the right man to be with. She ultimately turned back to Marty as Patrick departed the country, and the two finally entered a committed relationship.
The couple fantasized how everyone in their life, who had constantly pondered "will they or won't they?" for nearly the last two years, would react to their dating. Once the word got out, everyone celebrated. The one person who was a little less keen on the idea was a new columnist at the office, Mike Urbanek, who thought Marty and Hannah's tendency to avoid full-out romance was nothing but silly game playing. No-nonsense Mike, a good friend of Marty's, was only weary of the pairing as a result of the experiences he had after many years of marriage. Just as Hannah got from Robin, Marty got the male counterpart of advice from Mike, albeit from the point of view of a husband. All the significant "firsts" of Hannah and Marty's courtship were then chronicled—the first fight, the first bout of jealousy, etc.