Antonio de Pereda
Antonio de Pereda y Salgado was a Spanish Baroque-era painter, best known for his still lifes.
Biography
Pereda was born in Valladolid, the eldest of three brothers from an artistic family. His father, mother and two brothers were all painters. He was educated in Madrid by Pedro de las Cuevas and was taken under the protective wing of the influential Giovanni Battista Crescenzi.As well as still lifes and religious paintings, Pereda was known for his historical paintings such as the Relief of Genoa, depicting a historical event of the 1620s. This was painted for the Salón de Reinos of the Buen Retiro Palace in Madrid as part of the same series as Velázquez's Surrender of Breda.
After Crescenzi's death in 1635, Pereda was expelled from the court and began to take commissions from religious institutions.
Works
- The Relief of Genoa, 1634Agila, 1635, painted for the collection of series of Gothic kings at the Palacio del Buen Retiro, Museo del Prado.Desengaño de la vida, around 1634Immaculate, several paintings now at several museums including the Prado, the Museo de Ponce, Puerto Rico, Hospital de la Venerable Orden Tercera in Madrid, Lyon, Budapest, etc.Annunciation, 1637, PradoLos desposorios de la Virgen con San José, 1640San Jerónimo penitente and San Pedro liberado por el ángel, 1643, Prado.Profesión de la infanta Margarita con San Agustín y la Virgen en gloria, 1650, Convento de la Encarnación, Madrid.Curación de Tobías, Barnard Castle, Bowes Museum, 1652.San José, Madrid, Royal Palace, 1654.El Salvador, 1655, now at the Capilla del Cristo and at San Ginés church, Madrid.Santo Domingo en Soriano, 1655, Museo Cerralbo.Elías y los profetas de Baal, 1659, Madrid, parroquia del Carmen y San LuisThe Sacrifice of Isaac, Dallas Museum of ArtSan Francisco de Asís en la Porciúncula, 1664, Museo de Valladolid.San Jerónimo y la visión del Juicio Final, 1668, private collection.San Guillermo de Aquitania, 1672, Real Academia de Bellas Artes de San Fernando.
- Several paintings of Bodegón including the Museo d'Arte Antiga, Lisbon, Helsinki and The Pushkin Museum, Moscow.Vanitas,, without date or signature, possibly corresponding to his final stageThe Knight's Dream, Museo de la Real Academia de Bellas Artes de San FernandoCanticle of Saint Simon, Musée Condé, Chantilly
- Saint Peter Repentant, Museo de la Real Academia de Bellas Artes de San Fernando.