Annette Arkeketa


Annette Arkeketa is a writer, poet, and playwright, and a member of the Otoe-Missouria Tribe of Oklahoma. She has conducted professional workshops in these fields, in addition to the creative process, script consulting, and documentary film making. She directed Native American film studies at Comanche Nation College.

Career

Arkeketa also has Muscogee Creek ancestry. Her essay, "Repatriation: Religious Freedom, Equal Protection, Institutional Racism", was published in American Indian Thought, a philosophical reader anthology, edited by Anne Water.
Arkeketa says,

Plays

Arkeketa's play Hokti has been produced by the Tulsa Indian Actors' Workshop, Tulsa, Oklahoma and The Thunderbird Theatre, Haskell Indian Nations University, Lawrence, Kansas.
Hokti is published in Stories of Our Way: An Anthology of American Indian Plays, UCLA American Indian Studies Center, 1999.
Her play Ghost Dance has been performed at public readings at the Gilcrease Museum in Tulsa, Oklahoma; Tulsa University and American Indian Community House, New York, New York. It has been performed with acting workshops in Lawton, Oklahoma. In spring 2004 the full-length drama was produced by the Institute of American Indian Arts, Drama Department. Ghost Dance is published in Keepers of the Morning Star: An Anthology of Native Women's Theater, UCLA American Indian Studies Center, 2003.

Documentaries

More recently Arkeketa has worked as a documentary producer and has formed the production company Hokte Productions. Hokte means 'woman' in the Muscogee language.
Her first documentary production was about Jimmy Pena, a visual artist from Corpus Christi: it is titled Intrinsic Spirit: The Artway of Jimmy Pena. Pena's work is shown through his pieces as visual artist and muralist.
Her next work was Muh-Du Kee: Put Them Back, a 1-hour documentary that follows Jimmy Arterberry, Comanche Nation NAGPRA coordinator, through the consultation process with Colorado state and federal institutions to repatriate the remains of his people. This documentary explores Arterberry's views about the NAGPRA process, archaeologists, policies, and solutions to a controversial human rights issues for Native Americans.
Pahdopony: See how deep the water is is a 21-minute film about the life of Juanita Pahdopony, an artist, educator and activist.
Chief George examines Rev. George Akeen and his peacekeeping mission to the Middle East.

Awards

Work

Plays

  • , in Keepers of the Morning Star: An Anthology of Native Women's Theater, UCLA American Indian Studies Center.
  • Hokti, in , Hanay Geiogamah and Jaye T. Darby, UCLA American Indian Studies Center, 1999.

Poetry

  • The Terms of a Sister, self-published.

Anthologies

  • American Indian Thought: Philosophical Essays, Anne Waters, Blackwell Pub.
  • Gatherings, Volume X, A Retrospective of the First Decade, Greg Young-Ing & Florene Belmore, Penticton: Theytus Books
  • Windward Review, edited by Patricia Wimberly, Texas A & M University, 1998.
  • Gatherings, Volume VIII: Shaking the Belly, Releasing the Sacred Clown, Edited by Joyce B. Joe and Susan M. Beaver, Penticton: Theytus Books
  • The Indian Summer issue of phati'tude Literary Magazine
  • Gatherings, Volume VII, Standing Ground: Strength and Solidarity Amidst Dissolving Boundaries, co-edited by Kateri Akiwenzie Damm and Jeannette Armstrong, Penticton: Theytus Books
  • Returning the Gift: Poetry and Prose from the First North American Native Writers' Festival, Sun Tracks Books, No 29), University of Arizona Press.
  • Indian Market Magazine, Santa Fe, NM, 1994.
  • Durable Breath: Contemporary Native American Poetry, John E. Smelcer, D. L. Birchfield, Salmon Run Pub.
  • Plains Native American Literature, Simon and Schuster, 1993.
  • That's What She Said: Contemporary Poetry and Fiction by Native American Women, Rayna Green, Indiana University Press.
  • Oklahoma Indian Markings, edited by Francine Ringold, Nimrod, Arts and Humanities Council of Tulsa, 1989.

Writing available online