Ancient Carthage
Ancient Carthage was an ancient Semitic civilization based in North Africa. Initially a settlement in present-day Tunisia, it later became a city-state, and then an empire. Founded by the Phoenicians in the 9th century BC, Carthage reached its height in the 4th century BC as one of the largest metropolises in the world. It was the centre of the Carthaginian Empire, a major power led by the Punic people who dominated the ancient western and central Mediterranean Sea. Following the Punic Wars, Carthage was destroyed by the Romans in 146 BC, who later rebuilt the city lavishly.
Carthage was settled around 814 BC by colonists from Tyre, a leading Phoenician city-state located in present-day Lebanon. In the 7th century BC, following Phoenicia's conquest by the Neo-Assyrian Empire, Carthage became independent, gradually expanding its economic and political hegemony across the western Mediterranean. By 300 BC, through its vast patchwork of colonies, vassals, and satellite states, held together by its naval dominance of the western and central Mediterranean Sea, Carthage controlled the largest territory in the region, including the coast of northwestern Africa, southern and eastern Iberia, and the islands of Sicily, Sardinia, Corsica, Malta, and the Balearic Islands. Tripoli remained autonomous under the authority of local Libyco-Phoenicians, who paid nominal tribute.
Among the ancient world's largest and richest cities, Carthage's strategic location provided access to abundant fertile land and major maritime trade routes that reached West Asia and Northern Europe, providing commodities from all over the ancient world, in addition to lucrative exports of agricultural products and manufactured goods. This commercial empire was secured by one of the largest and most powerful navies in classical antiquity, and an army composed heavily of foreign mercenaries and auxiliaries, particularly Iberians, Balearics, Gauls, Britons, Sicilians, Italians, Greeks, Numidians, and Libyans.
As the dominant power in the western Mediterranean, Carthage inevitably came into conflict with many neighbours and rivals, from the Berbers of North Africa to the nascent Roman Republic. Following centuries of conflict with the Sicilian Greeks, its growing competition with Rome culminated in the Punic Wars, which saw some of the largest and most sophisticated battles in antiquity. Carthage narrowly avoided destruction after the Second Punic War, but was destroyed by the Romans in 146 BC after the Third Punic War. The Romans later founded a new city in its place. All remnants of Carthaginian civilization came under Roman rule by the 1st century AD, and Rome subsequently became the dominant Mediterranean power, paving the way for the Roman Empire.
Despite the cosmopolitan character of its empire, Carthage's culture and identity remained rooted in its Canaanite heritage, albeit a localised variety known as Punic. Like other Phoenician peoples, its society was urban, commercial, and oriented towards seafaring and trade; this is reflected in part by its notable innovations, including serial production, uncolored glass, the threshing board, and the cothon harbor. Carthaginians were renowned for their commercial prowess, ambitious explorations, and unique system of government, which combined elements of democracy, oligarchy, and republicanism, including modern examples of the separation of powers.
Despite having been one of the most influential civilizations of antiquity, Carthage is mostly remembered for its long and bitter conflict with Rome, which threatened the rise of the Roman Republic and almost changed the course of Western civilization. Due to the destruction of virtually all Carthaginian texts after the Third Punic War, much of what is known about its civilization comes from Roman and Greek sources, many of whom wrote during or after the Punic Wars, and to varying degrees were influenced by the hostilities. Popular and scholarly attitudes towards Carthage historically reflected the prevailing Greco-Roman view, though archaeological research since the late 19th century has helped shed more light and nuance on Carthaginian civilization.
Etymology
The name Carthage is the Early Modern anglicisation of Middle French Carthage, from Latin Carthāgō and Karthāgō from the Punic qrt-ḥdšt, vocalised by Brett Mulligan as Qart-Ḥadašt.Punic, which is sometimes used synonymously with Carthaginian, derives from the Latin and, based on the Ancient Greek word Φοῖνιξ, Φοίνικες, an exonym used to describe the Canaanite port towns with which the Greeks traded. Latin later borrowed the Greek term a second time as phoenix, phoenices. Both Punic and Phoenician were used by the Romans and Greeks to refer to Phoenicians across the Mediterranean; modern scholars use the term Punic exclusively for Phoenicians in the western Mediterranean, such as the Carthaginians. Specific Punic groups are often referred to with hyphenated terms, like "Siculo-Punic" for Phoenicians in Sicily or "Sardo-Punic" for those in Sardinia. Ancient Greek authors sometimes referred to the mixed Punic inhabitants of North Africa as 'Liby-Phoenicians'.
It is unclear what term, if any, the Carthaginians used to refer to themselves. The Phoenician homeland in the Levant was natively known as ?? and its people as the ???? . Ancient Egyptian accounts suggest the people from the region identified as Kenaani or Kinaani, equivalent to Canaanite. A passage from Augustine has often been interpreted as indicating that the Punic-speakers in North Africa called themselves Chanani, but it has recently been argued that this is a misreading. Numismatic evidence from Sicily shows that some western Phoenicians made use of the term ''Phoinix.''
History
Foundation
The specific date, circumstances, and motivations concerning Carthage's founding are unknown. Most surviving accounts of the city's origins come from Latin and Greek literature, which are generally legendary in nature and reflect Greco-Roman culture values.The official Carthaginian foundation account as reported by the Phoenician prophet Cleodemus Malchus and transmitted by the Judean Flavius Joseph is that Carthaginians and other Tyrian migrants in North Africa were the descendants of Epher, a son of Midian and also a grandson of Abraham.
The eldest known Greco-Roman foundation myth of Carthage was that the city was founded by Tyrians, led by two brothers called Azoros and Karkhedon. Another, and more widely known, Greco-Roman account tells that King Pygmalion murdered Sycharbas, the high priest of Melqart and also the husband of his sister Elissa, known to the Greeks as Dido. Elissa and her allies then fled his reign and established Carthage, which flourished under her rule as queen. Several scholars have identified Baʿli-maanzer, the king of Tyre who paid tribute to Shalmaneser III in 841 BC, with Balazeros, who is regarded as Dido's grandfather.
The Nora Stone, found on Sardinia and dated to the 9th century BC, has been interpreted by Frank Moore Cross as naming Pygmalion as the king of the general who was using the stone to record his victory over the local populace.
The Roman historian Justin, writing in the second century AD, provides an account of the city's founding based on the earlier work of Trogus. Princess Dido is the daughter of King Belus II of Tyre, who upon his death bequeaths the throne jointly to her and her brother Pygmalion. After cheating his sister out of her share of political power, Pygmalion murders her husband Acerbas, also known as Sychaeus, the High Priest of Melqart, whose wealth and power he covets. Before her tyrannical brother can take her late husband's wealth, Dido immediately flees with her followers to establish a new city abroad.
Upon landing in North Africa, she is greeted by the local Berber chieftain, Iarbas who promises to cede as much land as could be covered by a single ox hide. With her characteristic cleverness, Dido cuts the hide into very thin strips and lays them end to end until they encircle the entire hill of Byrsa. While digging to set the foundation of their new settlement, the Tyrians discover the head of an ox, an omen that the city would be wealthy "but laborious and always enslaved". In response they move the site of the city elsewhere, where the head of a horse is found, which in Phoenician culture is a symbol of courage and conquest. The horse foretells where Dido's new city will rise, becoming the emblem of Carthage, derived from the Phoenician Qart-Hadasht, meaning "New City". The city's wealth and prosperity attracts both Phoenicians from nearby Utica and the indigenous Libyans, whose king Iarbas now seeks Dido's hand in marriage. Threatened with war should she refuse, and also loyal to the memory of her deceased husband, the queen orders a funeral pyre to be built, where she commits suicide by stabbing herself with a sword. She is thereafter worshiped as a goddess by the people of Carthage, who are described as brave in battle but prone to the "cruel religious ceremony" of human sacrifice, even of children, whenever they seek divine relief from troubles of any kind.
Virgil's epic poem the Aeneid—written over a century after the Third Punic War—tells the mythical story of the Trojan hero Aeneas and his journey towards founding Rome, inextricably tying together the founding myths, and ultimate fates, of both Rome and Carthage. Its introduction begins by mentioning "an ancient city" that many readers likely assumed was Rome or Troy, but goes on to describe it as a place "held by colonists from Tyre, opposite Italy... a city of great wealth and ruthless in the pursuit of war. Its name was Carthage, and Juno is said to have loved it more than any other place... But she had heard that there was rising from the blood of Troy a race of men who in days to come would overthrow this Tyrian citadel... sack the land of Libya."
Virgil describes Queen Elissa—for whom he uses the ancient Greek name, Dido, meaning "beloved"—as an esteemed, clever, but ultimately tragic character. As in other legends, the impetus for her escape is her tyrannical brother Pygmalion, whose secret murder of her husband is revealed to her in a dream. Cleverly exploiting her brother's greed, Dido tricks Pygmalion into supporting her journey to find and bring back riches for him. Through this ruse she sets sail with gold and allies secretly in search of a new home.
As in Justin's account, upon landing in North Africa, Dido is greeted by Iarbas, and after he offers as much land as could be covered by a single ox hide, she cuts the hide into very thin strips and encircles all of Byrsa. While digging to set the foundation of their new settlement, the Tyrians discover the head of a horse, which in Phoenician culture is a symbol of courage and conquest. The horse foretells where Dido's new city will rise, becoming the emblem of the "New City" Carthage. In just seven years since their exodus from Tyre, the Carthaginians build a successful kingdom under Dido's rule. She is adored by her subjects and presented with a festival of praise. Virgil portrays her character as even more noble when she offers asylum to Aeneas and his men, who had recently escaped from Troy. The two fall in love during a hunting expedition, and Dido comes to believe they will marry. Jupiter sends a spirit in the form of the messenger god, Mercury, to remind Aeneas that his mission is not to stay in Carthage with his new-found love Dido, but to sail to Italy to found Rome. The Trojan departs, leaving Dido so heartbroken that she commits suicide by stabbing herself upon a funeral pyre with his sword. As she lies dying, she predicts eternal strife between Aeneas' people and her own, proclaiming "rise up from my bones, avenging spirit" in an invocation of Hannibal. Aeneas sees the smoke from the pyre as he sails away, and though he does not know the fate of Dido, he identifies it as a bad omen. Ultimately, his descendants go on to found the Roman Kingdom, the predecessor of the Roman Empire.
Like Justin, Virgil's story essentially conveys Rome's attitude towards Carthage, as exemplified by Cato the Elder's famous utterance, "Carthago delenda est"—"Carthage must be destroyed". In essence, Rome and Carthage were fated for conflict: Aeneas chose Rome over Dido, eliciting her dying curse upon his Roman descendants, and thus providing a mythical, fatalistic backdrop for a century of bitter conflict between Rome and Carthage.