Helen Lewis's review in The Atlantic described the book as a "tell-nothing memoir", criticizing it as being written in haste and for displaying a fundamentallack of honesty; Lewis contends that Nuzzi avoids directly confronting the "sheer desperation of her love for Kennedy" and instead attempts to elevate the scandal into mythic or literary significance: "The language seems tortured by Nuzzi's efforts to rewrite her life-upending crush into a mutual whirlwind of passion, to turn herself from Ophelia into Juliet." Lewis also criticizes Nuzzi as having "no real, believable regret" and dubbedAmerican Canto a "portrait of losing your soul", and a bid to gain favorable media coverage and revive her career.