Wife–sister narratives in the Book of Genesis
In biblical studies, the term wife–sister narratives in Genesis refers to three strikingly similar stories in chapters 12, 20, and 26 of the Book of Genesis. At the core of each is the story of a biblical patriarch who has come to be in the land of a powerful foreign overlord who misidentifies the Patriarch's wife as the Patriarch's sister, and consequently attempts to wed her himself. The overlord later finds out his error. Two of the three stories are similar in many other details, including the ruler's name, Abimelech.
Synopsis of the three narratives
Abram and Pharaoh
The first episode appears in. Abram moves to ancient Egypt in order to evade a famine. Because his wife, Sarai, is very beautiful, Abram asks her to say that she is only his sister lest the Egyptians kill him so that they can take her. On arriving before the Pharaoh, the Egyptians recognise Sarai's beauty, and the Egyptian princes shower Abram with gifts of livestock and servants to gain her hand in marriage. Sarai thus becomes part of "Pharaoh's house", but God sends a plague. Pharaoh restores Sarai to Abram and orders them to leave Egypt with all the possessions Abram had acquired in Egypt.Abraham and Abimelech
narrates the story of Abraham emigrating to the southern region of Gerar, whose king is named Abimelech. Abraham states that Sarah, his wife, is really his sister, leading Abimelech to try to take Sarah as a wife; however, God intervened before Abimelech touched Sarah. Abimelech complains to Abraham, who states that Sarah is his half-sister.Abimelech then restores Sarah to Abraham, and gives him gifts of livestock and servants by way of apology, and also allows Abraham to reside anywhere in Gerar. Abimelech also gives 1000 pieces of silver to Abraham to reprove Sarah by a "covering of the eyes". Abraham then prays for Abimelech and the king and his wife and concubines are able to conceive children; they previously could not.
Isaac and Abimelech
The third episode appears in. Here it is Isaac who, in order to avoid a famine, emigrates to the southern region of Gerar, whose king is named Abimelech. Isaac has been told to do so by God, who also orders him to avoid Egypt, and promises to him the fulfillment of the oath made with Abraham. Isaac states that Rebekah, his wife, is really his sister, as he is worried that the Philistines will otherwise kill him in order to marry Rebekah. After a while, Abimelech sees Isaac sporting with Rebekah and states that she must be Isaac's wife rather than his sister.Abimelech then orders that Rebekah be left alone by the denizens of Gerar, on pain of death. Isaac goes on to spend a year in the area, and becomes wealthy, leading the Philistines in Gerar to envy him, so Abimelech sends Isaac away.
Historical-critical analysis of the narratives
The Jewish Encyclopedia's article "Sarah" notes thatAccording to the Jewish Encyclopedia, the recurring story has a unified purpose:
Comparison to other cultures
Political marriages were common occurrences in the Ancient Near East, which typically meant that a resident alien would offer one of his daughters to the monarch as a diplomatic action and to protect himself and his family. James Hoffmeier interprets the wife-sister narratives found in the Book of Genesis as reflecting that practice; in his view Abraham and Isaac were traveling in foreign territory without any daughters to offer the local ruler and attempted to create similar diplomatic relationships by presenting their wives as potential gifts.Literary analysis
Scholars have also argued that the three tales are not true historic occurrences, rather purposeful tales. According to Susan Niditch, there is one wife-sister story that has many different versions, but there are inconsistencies and they all refer back to the same story. Niditch associates the wife-sister entries as potential folklore written to target a particular audience and in hopes of conveying a message regarding the sinful nature of deception and adultery.The three wife-sister narratives are all related to each other in some way, according to George Coats, sharing common content, structure and genre for communicating the content. In all three stories a promise for progeny is not a factor in the content and the structure rather the narratives have a focus on blessing.