Tom Trusky


Anthony Thomas Trusky was an American professor, writer, editor, film historian, and book artist. He was known for promoting poetry of the American West, recovering the films of Nell Shipman, and rediscovering and promoting the work of Idaho outsider artist James Castle. Trusky was a Professor of English at Boise State University and Director of the Hemingway Western Studies Center.

Early life and education

Trusky was born in Portland, Oregon, the oldest of four children. He attended high school in Newport, Oregon, then the University of Oregon and Northwestern University. In 1969, he attended Trinity College as a Rotary International Fellow in the Anglo-Irish Literature Program.

Career

Teaching

In 1970, Trusky began teaching at Boise State College. Trusky taught freshman composition, poetry writing, and book arts. He repudiated the role of imagination in poetry; one student remembers, "I was taking a poetry class and the first thing he said was, 'If anyone wants to write about unicorns, they should consider another class. Unicorns aren't real and shouldn't be read about in poetry," a claim which contradicts the long history of poets writing poems about things that "aren't real," such as Beowulf, The Epic of Gilgamesh, "Ozymandias," William Blake's The Book of Urizen, Milton's Paradise Lost, Rossetti's Goblin Market, Homer's The Odyssey, Keats' Endymion, Byron's Don Juan, and Anne Carson's Autobiography of Red.
The Council for Advancement and Support of Education named Trusky Idaho's Professor of the Year in 1990, 1991, and 1993.

''cold drill''

In 1970, Trusky founded cold drill, an annual literary journal published loose-leaf in a box, rather than bound. Cold drill was intended, in Trusky's mind, to "destroy the elitist, old-girl, old-boy networks." With student editors, Trusky produced scratch-and-sniff poetry, paper crafted from Idaho native plants, and a 1985 "All Idaho" edition which featured graphics inspired by graphics on burlap potato sacks. cold drill entered and won first place awards from elite institutions, including the Associated Collegiate Press/National Scholastic Press Association, the Columbia Scholastic Press Association, and the Rocky Mountain Collegiate Press Association.

Ahsahta Press

In 1974, Trusky, Orvis Burmaster, and Dale Boyer founded Ahsahta Press, which appropriated an indigenous word for bighorn sheep as its name. Under Trusky's editorship, Ahsahta published or reprinted texts by Peggy Pond Church, Genevieve Taggard, H.L. Davis, Hazel Hall, Gwendolen Haste, Haniel Long, David Baker, Katharine Coles, Wyn Cooper, Gretel Ehrlich, Cynthia Hogue, Grace Shuyi Liew, and Linda Bierds. Trusky edited the anthology Women Poets of the West. After Trusky's editorship and under the direction of Janet Holmes, the press' focus shifted from regional to national submissions, publishing poets such as Dan Beachy-Quick, Anne Boyer, Jonah Mixon-Webster, and Paige Ackerson-Kiely.

Poetry in Public Places

In 1975, Trusky began publishing Poetry in Public Places. Each year, nine poems by Boise State University students were printed on posters and distributed to schools, metro buses, and other public venues. Said Trusky: "My goal was to break the neck of rhymed poetry and slap sentimentality useless, and to bring diversity in all its senses: literary, social, political, philosophical, and nonsensical."

Nell Shipman

After learning that she had shot films at her Lionhead Lodge studio on Northern Idaho's Priest Lake, Trusky began researching the work and life of Canadian born silent screen actor, screenwriter, and producer Nell Shipman, spending over twenty years attempting to promote Shipman's work and recover her extant films. Shipman films began in the former Soviet Union. Trusky recovered and restored Shipman's 1919 film Back to God's Country. Trusky published Shipman's autobiography The Silent Screen and My Talking Heart as well as Letters from God's Country, a collection of Shipman's correspondence. Kay Armitage, professor of film studies at the University of Toronto and Shipman scholar, credits Trusky with bringing Shipman "back to life". Shipman's extant films are only available on DVD, though a few may be viewed online.

James Castle

In 1993, Trusky became interested in the life and work of James Castle, a self-taught artist born in Garden Valley. Trusky authored and self-published James Castle: His Life & Art, and contributed to the documentary film Dream House: The Art & Life of James Castle.

Hemingway Western Studies Center

In 1991 Trusky was named Director of Boise State University's Hemingway Western Studies Center and led a two-year effort that, in 1993, resulted in the Library of Congress designating the Hemingway Western Studies Center as the home of the Idaho Center for the Book and in Trusky's appointment as the ICB's director. Trusky published now out of print projects including Idaho by the Book and an Idaho Authors card game. He mounted exhibits on topics ranging from pop singer Madonna to zines to "refrigerator art," and published books including Some Zines: American Alternative & Underground Magazines, Newsletters and APAs and Missing P ges: Idaho & the Book.

Book arts

A collector of artists' books, Trusky attended courses on book arts, including a sabbatical in New York City spent studying at Columbia University and the Center for Book Arts. Beginning in the 1990s, Trusky taught book arts courses at Boise State University. Former student Andrea Scott recalls that Trusky "promoted my graduate thesis, 'I'm Not Perfect Anyway.' The book combined my interviews and photography of women who had facial scars and how it affected them. Tom saw my vision and said 'Go for it,' even though others thought the project was 'weird' and didn't fit the norm for a graduate thesis. Later, he secretly took my project to New York, where it appeared at an art gallery."

Personal life

Trusky was married to Tara Burt. After their divorce, he later lived with partner, Enver Sulejman.
Trusky died on November 27, 2009. He willed his collection of artists' books, including by James Castle, to Boise State University.

Selected bibliography

Books, DVDs, etc.

  • Dream House: The Art & Life of James Castle. Idaho Center for the Book September 2008.
  • James Castle: His Life & Art. Boise: Idaho Center for the Book, 2nd rev. ed., 2008.
  • michael b.— A Finding. Boise: Painted Smiles Press, 2007.
  • At Lionhead Lodge. . Boise and Coeur d’Alene: Idaho Film Collection/Pretty Good Productions, 2007.
  • James Castle. . Missoula Art Museum, 15 November 2006.
  • PolygamyLand. Boise: Painted Smiles Press, 2006.
  • James Castle & the Early Attic Mysteries. . Boise: 2005.
  • Virtual Tour: Evelyn Sooter: Finding Art Everywhere . Boise, 2005.
  • Postcard from Albania. Boise: Painted Smiles Press, 2005.
  • The Book of Everything . Boise:, 2005.
  • James Castle: His Life & Art. Boise: Idaho Center for the Book, 2004.
  • Tortillas: A Book of Miracles. Boise: Painted Smiles Press, 2002.
  • Dreamhouse: The Art & Life of James Castle. Boise: Painted Smiles Press. Aired, Idaho Public Television, 28 January 2000.
  • James Castle & the Book. Boise: Idaho Center for the Book, 1999.
  • James Castle Remembered: The Julia Poems. Boise: Painted Smiles, 1999.
  • Some Zines 2: Alternative & Underground Artists' & Eccentric Magazines & Micropresses. Boise: cold-drill books, 1996.
  • Missing P ges: Idaho & the Book. Boise: Idaho Center for the Book, 1994.
  • Guests. . Boise: Hemingway Western Studies Center, 1993.
  • Some Zines: American Alternative & Underground Magazines, Newsletters and APAs. Boise: cold drill books & Hemingway Western Studies Center, 1992.

Articles, booklets, maps

  • “To Burn A Book,” Idaho Librarian, 59, 2 1-10.
  • “Meats Royale,” Book Arts Newsletter, 51 28-30.
  • “Biblio Bullrushes, Biblio Briarpatch: The Search for Carl Maria Seyppel: An In-Progress Documentary in Ten Reels,” Bonefolder, 5, 2, 3–22.
  • The New U Writings: Boise State University Publications Catalog. Boise State University, 2009.
  • “Iraq in Idaho.” Idaho Landscapes: Premiere Issue..
  • “James Castle, Revisited.” The Blue Notebook. Bristol: Fall, 2008.
  • Before Sundance: How Nell Shipman Made Her “Little Dramas of the Big Places.” Booklet/lecture at Pacific Northwest Library Association Annual Conference. Post Falls, ID: August 9, 2008.
  • “Lady of Lionhead: Nell Shipman.” In 100 Years: The Idaho State Department of Parks & Recreation. Boise, 208.
  • “Book Arts at Boise State University/” Bonefolder, IV, 2 17-22. http://www.philobiblon.com/bonefolder.
  • “Nell Shipman, ‘The Girl from God’s Country,” “The Grub-Stake,” and “At Lionhead: Nell Shipman in Idaho, 1922–1925.” Le Giornate del Cinema Muto Catalog 2007. Pordenone, Italy. Italian and English, 158–160.
  • “Printer’s Devils,” http://www.poltroonpress.com.
  • “James Castle,” with Richard Goodman. Fine Books & Collections. 22-23.
  • “Wolf’s Brush.” 23rd Pordenone Silent Film Festival Catalogue. 161-162.
  • “Autism, Physiognomy & Letter Forms: The Faces of James Castle.” Journal of Artists’ Books 2-20.
  • “Reputedly Illiterate: The Art Books of James Castle.”.
  • “Gallery,” Making Journals. Notes for and illustrations of Castle Books.
  • “Found & Profound: The Art of James Castle.” Folk Art 38-47.
  • “Gumby & the Rotarian: James Castle & the Art of Reading.’ The Idaho Review 43-60.
  • “The Bookmaker from Garden Valley.” Latitudes, 1-2.
  • "Thomas Hornsby Ferril," In 20th Century American Western Writers, Dictionary of Literary Biography. Vol. 206. Detroit, MI: Gale Group, 1999.
  • "James Castle & the Burden of Art." Raw Vision 38-44.
  • "Gifts of Silence: The Art Books of James Castle." Biblio 32-37.
  • Idaho Biblio Treasures: Rare, Beautiful and Curious Volumes from Idaho Libraries, Archives and Private Collections. Boise: Idaho Center for the Book, 1997.
  • "Illiterates, Childishness, Artists & The Idaho Center for the Book." In Artist's Book Yearbook 1996–97. Stanmore, England: Magpie Press, 1996.
  • "In Medias Zines." Serials Review, 21, 2, 1996. Selected for reprinting in Alternative Library Literature.
  • Idaho by the Book. Tetrateraflexagon Literary Map of Idaho. Boise, ID: Idaho Center for the Book and Idaho Council of Teachers of English, 1996.
  • "James Castle & His Airways Coffee Book." High Ground 2 .
  • "Cranks, Ranters, Ravers." Chronicle of Higher Education, 22 March 1996, B64.
  • "James Castle: Idaho's Pioneer Book Artist." Rendezvous,, 29, 2, 43–48.
  • Booker's Dozen: 14 Contemporary Idaho Artist's & Eccentric Books.
  • "Western American Poetry." Encyclopedia of the American West. 4 vols. Macmillan, 1996.
  • "Animal Drives: Confessions of an Amateur Film Historian." Film History, 6, 1, 128–140.
  • Booker's Dozen: 14 Contemporary Idaho Artist's & Eccentric Books.
  • Artist's and Eccentric Books on HIV & AIDS.
  • Pop Up Books for Adults & Other Children. Boise, ID: cold drill books, 1992.
  • Triple A: Artist, Artifact & Audience. A Classroom Edition Display Catalogue. Boise, ID: cold drill books, 1991.
  • Retold in the Hills. Idaho Centennial Commission, 1990.
  • "Literary Magazine Marketing." Clifton Magazine Editor's Manual by Vicki Roland. Clifton College, Cincinnati, OH, 1990.
  • "The Only Tough Part About Having to Film in Idaho...": Silent & Talkie Feature Films Made in the Gem State. cold drill books, 1990.
  • "Marilyn Monroe, il capo indiano Giuseppe e il Gosfilmofond," trans. Piera Patat, and "Marilyn Monroe, Chief Joseph, and Gosfilmofond." Griffithiana 35/36 92 101 and 102 110.
  • "Nell Shipman. Eine kurze Biographie." Frauen und Film 47 46 55. Rpt. of "Nell Shipman: Una Breve Biografia."
  • “’Cold drill' Offers Innovations for the Literary Magazine." College Media Review, 28, 1, 13 15.
  • "The Woman from God's Country" . Films des Femmes/Festival International de Creteil et du Val du Marne.
  • Books To Burn 65 80 ; 252 258 .
  • Nell Shipman: The Girl From God's Country . Translator Christian Belaguye. Paris: Musee D'Orsay.
  • "Poets of the West, Circa 1850 1950" and "Thomas Hornsby Ferril" . In A Literary History of the American West 180 203, 887 895.
  • "Expatriate Idaho Writers & Artists," in cold drill EXTRA 1 28.
  • Idaho Films: Hollywood Feature Films Made in the Gem State .
  • "Ahsahta Press," Idaho English Journal, VI, 2 14.
  • "Censorship and Idaho Libraries," cold drill EXTRA 5 17, 18 21.
  • "Book Censorship in Idaho Public Libraries," Pacific Northwest Library Association Quarterly, IV, 4 5 13.
  • "Norman Wicklund Macleod: Poet from the West," Prairie Schooner 257 268. Reprinted in Pembroke Magazine, 12 32 39.
  • Thomas Hornsby Ferril'' . Boise, ID: BSC Western Writers Series, 1974.

Poetry

  • Two poems in Idaho's Poetry: A Centennial Anthology.
  • "Invitation, for the Idaho Commission on the Arts." Broadside .
  • "Orange & Purple." Boise Magazine.
  • "Atomic City." Redneck Review of Literature 37.
  • "Ficus, Coleus, On the." Boise Magazine 48.
  • "Idaho's Congressional Representative Speaks In Favor Of Televising Gary Gilmore's Execution By Riflesquad In Utah," "On Understanding Dow," "Ghost Dance." In The Literature of Idaho, ed. James Maguire 319 322.
  • "Yucca." Western Juried Poetry Exhibition, Utah Arts Council/Tour of the West, 1979 1980.
  • "The Cat Man Of Bella Street," "Idaho's Congressional Representative Speaks...," "On Understanding Dow," "Ghost Dance," Regeneration Through Violence," Authorities Are Baffled: The Boise, Idaho, North End Firebug Strikes Only In Summer," "Mohave," "Muzzy And Grey, The Hawk Man Returns," "Renewal, Or Poem Writ With The Modest Intention Of Saving The North End," "The Way To Enlo." In Eight Idaho Poets: An Anthology, ed. Ron McFarland 43 64.
  • "Wayne Rongey, 2714 Stewart Street, Climbs One Of Our Elms And Stops The City's Road Improvement Crew." The Slackwater Review 64.
  • "Idaho's Congressional...," "Ghost Dance," "Mohave," "The Way To Enlo." Beyond Baroque Magazine 7 50.
  • "Idaho Has Fifty Two Peaks Above 10,000 Feet," "Why, To This Day, My Father Does Not Like Pineapple," "'These Two Navajo Families Have Me Pull Over In The Desert Between Holbrook And Gallup The Middle Of Nowhere And Walk Off!' 66 69, 174 175.
  • "On Being Left To Fend For Oneself One Weekend And Suddenly Inspecting The Simplicity And/Or Diminution Of One's Philosophy," "Vacation." The Slackwater Review 1, 2 67 68.
  • "Why, To This Day, My Father Does Not Like Pineapple," South Dakota Review 14, 3 85 86.
  • "Advising Anna Doolittle The White Antelope Allusion Will Escape Her Readers." In Poets West: An Anthology of Contemporary Poets from the Eleven Western States, ed. Lawrence P. Spingarn 146.