Adrienne Fazan
Adrienne Fazan was an American film editor who first started cutting films in 1933. She worked on many MGM films, including The Tell-Tale Heart, Anchors Aweigh, Singin' in the Rain, and Kismet.
Biography
Fazan was born in Germany, to John Fazan and Magdalena Fremdling. She became a naturalized U.S. citizen in 1923, and by 1930 was living in Los Angeles and working as a film editor at a studio.Career
Adrienne Fazan started cutting and editing in films in 1933 and then she went to work at MGM, who were known for hiring the most qualified and talented people.Fazan worked with Dorothy Arzner on many of her films where she helped Fazan move from working on short films, to editing popular feature films. Fazan also collaborated with Vincente Minnelli on eleven films, including the Oscar winning film, Gigi.
Fazan was nominated for the Academy Award for Best Film Editing for An American in Paris, and received the award for Gigi. Both of these films were directed by Vincente Minnelli. She retired in 1970 after editing The Cheyenne Social Club''.
Personal life
Fazan was likely gay. According to actress Debbie Reynolds, "There was one woman at MGM Studios who was an editor called Adrienne, and she wore men's tailored suits and a skirt. She taught me how to cut and edit film. This was a very talented, very educated woman and she lived with another lady. Now that's going back to 1949 and the '50s and the '60s, when gay women were not out."Films edited
;Short documentaries| Year | Film | Director |
| 1939 | Prophet Without Honor | Felix E. Feist |
| 1940 | Utopia of Death | |
| 1941 | Triumph Without Drums | Joseph M. Newman |
| 1942 | Mr. Blabbermouth! | Basil Wrangell |
| 1943 | Portrait of a Genius | Sammy Lee |
;Shorts
| Year | Film | Director |
| 1936 | Little Boy Blue | Edwin Lawrence |
| 1939 | How to Eat | Roy Rowland |
| 1939 | The Day of Rest | Basil Wrangell |
| 1939 | See Your Doctor | Basil Wrangell |
| 1939 | Miracle at Lourdes | Henry K. Dunn |
| 1940 | Know Your Money | Joseph M. Newman |
| 1940 | A Door Will Open | George Sidney |
| 1940 | The Big Premiere | Edward L. Cahn |
| 1940 | All About Hash | Edward L. Cahn |
| 1940 | Women in Hiding | Joseph M. Newman |
| 1940 | A Failure at Fifty | Will Jason |
| 1940 | Buyer Beware | Joseph M. Newman |
| 1940 | Goin' Fishin' | Edward L. Cahn |
| 1941 | Respect the Law | Joseph M. Newman |
| 1941 | More About Nostradamus | David Miller |
| 1941 | More Trifles of Importance | Basil Wrangell |
| 1941 | Coffins on Wheels | Joseph M. Newman |
| 1941 | Of Pups and Puzzles | George Sidney |
| 1941 | The Tell-Tale Heart | Jules Dassin |
| 1941 | Strange Testament | Sammy Lee |
| 1942 | The Lady, or the Tiger? | Fred Zinnemann |
| 1942 | Further Prophecies of Nostradamus | David Miller |
| 1943 | Brief Interval | Sammy Lee |
| 1943 | Inca Gold | Will Jason |
| 1943 | Inflation | Cy Endfield |
| 1943 | Journey to Yesterday | Harold Daniels |
| 1943 | Ode to Victory | Edward L. Cahn |
| 1943 | My Tomato | Will Jason |
| 1943 | No News Is Good News | Will Jason |
| 1944 | Somewhere, U.S.A. | |
| 1944 | A Great Day's Coming | Robert Elwyn |