Abheri


Abheri is a raga in Carnatic music. It is a Janya raga, whose Melakarta raga is Kharaharapriya, 22nd in the 72 Melakarta raga system.
Bhimpalasi and Dhanashree of Hindustani music sounds close to Abheri.

Structure and Lakshana

Abheri is an audava-sampoorna Raga. Its structure is as follows :
  • Arohana| :
  • Avarohana| :
The swaras in this scale are Chathusruthi Rishabham, Sadharana Gandharam, Suddha Madhyamam, Chathusruthi Dhaivatham and Kaisiki Nishadham.
There are some differing views on swaras in the scale of Abheri. It is considered a Bhashanga raga, with introduction of Suddha Dhiavatham in some phrases of the raga. A different view is that this raga is a janya of Natabhairavi, with D2 being the anya swara.
The original Abheri had Shuddha Dhaivatam and not Chathushruthi Dhaivatham in the Avarohanam, making it a Janya of Natabhairavi and not Kharaharapriya but was changed due to influences of Hindustani Bhimpalasi into the present form. R. Vedavalli sings the version of Nagumomu with Shuddha Dhaivatam. Today only one Muthuswami Dikshitar Krithi called Veenabheri and Kandha Vandharul of Papanasam Sivan are sung in the original. In fact, all books published before 1960 classify it as a Natabhairavi Janya. Syama Sastri's Ninnuvina Marigalada rendered in Reethigowla was originally composed in the old Abheri with D1. This has been rendered by Vedavalli too. In the 1st half of the 20th century, Nagumomu was also sung with D1 till it changed. It makes sense to sing Nagumomu with D1 as Thyagarajaswami pleads to Rama to not torment him so it gives a more melancholic mood.
In fact, there are 2 separate versions of Abheri which possess D1:
1. The one used by Thyagarajaswami has N2 in Arohanam
Aro: S G2 M1 P N2 S
Av: S N2 D1 P M1 G2 R2 S
2. Dikshitar's version has no N2 in Arohanam. He also uses Vakra Prayoga S M1 G2 M1. S G2 M1 and P N2 S Prayogas are not allowed in his variant. N2 S is allowed, perhaps in a P S N2 S Prayoga.
Aro: S M1 G2 M1 P P S S
Av: S N2 D1 P M1 G2 R2 S
The current version of this Raga is closer to Bageshri as for Bageshri Gandharam is sung softly. Thus a subtle difference of Gandhara makes a listener to feel this raga as Bageshri.

Popular compositions

Language: Tamil">Tamil language">Tamil

Language: [Hindi]

Note that the following songs are tuned in Raag Bhimpalasi, the Hindustani equivalent of Abheri.
SongMovieComposerSingers
"Bina Madhur Madhur Kachhu Bol"Ram Rajya Shankar Rao VyasSaraswati Rane
"Duniya Se Ji Ghabra Gaya"Laila MajnuGhulam Mohammed Lata Mangeshkar & Talat Mahmood
Ye Na Thi Hamri KismatMirza Ghalib Ghulam Mohammed Suraiya
Khilte Hain Gul YahanSharmeeleeSachin Dev BurmanKishore Kumar & Lata Mangeshkar
Khoya Khoya ChandKala BazarSachin Dev BurmanMohammed Rafi
Man Mor Hua MatavalaAfsarS. D. BurmanSuraiya
Tumhi Ne Mujhko Prem SikhyaManmohan Ashok GhoshSurendra & Bibbo
Jhanakar Payala Ki Tose Binati KareNag DevataS. N. TripathiAsha Bhosle
Eri Main To PremdivaniNaubaharRoshan Lata Mangeshkar
Yeh Zindagi Usiki HaiAnarkaliC. RamchandraLata Mangeshkar
Mere Man Ka Bavara PanchhiAmardeep C. RamchandraLata Mangeshkar
O Nirdai PritamStree C. RamchandraLata Mangeshkar
Aaj Mere Man Sakhi Bansuri Bajaye KoiAanNaushadLata Mangeshkar & Chorus
Tere Sadke BalamaAmar NaushadLata Mangeshkar
Kuch Dil Ne KahaAnupama Hemant KumarLata Mangeshkar
Aa Neele Gagan Tale PyaBadshah Shankar–JaikishanLata Mangeshkar & Hemant Kumar
Masoom ChehraDil Tera Diwana Shankar–JaikishanLata Mangeshkar & Mohammed Rafi
Naino Me Badra ChhayeMera SaayaMadan MohanLata Mangeshkar
Naghma-O-Sher Ki SaughaatGazal Madan MohanLata Mangeshkar
"Samay O Dhire Chalo"RudaaliBhupen HazarikaAsha Bhosle
"Maine Chand Aur Sitaron Ki"ChandrakantaDatta NaikMohammed Rafi
Main Garibon Ka DilAbe-HayatSardar MalikHemant Kumar
Dil Ke Tukade TukkadeDada Usha KhannaK. J. Yesudas
Hum Katha Sunate Luv KushRavindra JainKavitha Krishnamurthy, Hemlatha
Kanha Re Thoda Sa Pyar De Shri KrishnaRavindra JainKavitha Krishnamurthy & Chorus
Dil Mein Tujhe BithakeFakiraRavindra JainLata Mangeshkar
Bole Mora KangnaBandishAnand-MilindAlka Yagnik & Kumar Sanu
Tu Cheez Badi Hai Mast MastMohraViju ShahUdit Narayan & Kavita Krishnamurthy
Eli Re EliYaadein Anu MalikHema Sardesai & Alka Yagnik & Kavita Krishnamurti
Tu mile Dil khileCriminalM.M.Keeravani Maragathamani M.M. KreemKumar Sanu, Alka Yagnik
Aye Ajnabi
Dil Se..A. R. RahmanUdit Narayan
Guzarish GhajiniA. R. RahmanJaved Ali
Jiya ReJab Tak Hain JaanA. R. RahmanNeeti Mohan
Kabhi Kabhi Aditi Jaane Tu... Ya Jaane NaA. R. RahmanRashid Ali
Shabba ShabbaDaud A. R. RahmanSonu Nigam & Swarnalatha
Kismat se TumPukarA. R. RahmanSonu Nigam & Anuradha Paudwal
Radha kaise na jaleLagaanA. R. RahmanUdit Narayan & Asha Bhosle
Mere Toh L Lag GayeJolly LLBKrsnaBappi Lahiri
Jiya
GundaySohail SenArijit Singh
Galti Se Mistake Jagga JasoosPritam ChakrabortyAmit Mishra, Arijit Singh, Shubhanshu Kesharwani
Ishq Jalakar - Karvaan DhurandharShashwat Sachdev, RoshanShashwat Sachdev, Shahzad Ali, Subhadeep Das Chaudhary, Armaan Khan

Language: [Kannada]

Album

Popular Classical Albums on this Raagam

An excellent rendition of this Raaga can be found in one of L. Shankar Albums Raga Aberi. He received a Grammy Nomination for this composition.

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.
Abheri's notes when shifted using Graha bhedam, yields 3 other janya rāgams, namely, Mohanakalyani, Kedaragaula and Arabhi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rāgam. In case of Janya ragams, only notes that occur in both ascending and descending scale are taken for this change. For further details and an illustration of Graha bhedam refer Graha bhedam on Sankarabharanam. Abheri has close resemblance to Karnataka—devagandhari and Bhimpalasi. Whether they are essentially same is a matter of debate among the musicologists.