While visiting Frances and Liz, spinster Camilla becomes entangled with a vaguely sinister man she met on the train journey. Liz is struggling with motherhood and the demands of her marriage to a clergyman. Camilla feels her life is dull and uninteresting and the aged Frances has radically changed her painting style due to her increasinglycynical outlook on the world. Camilla finds herself infatuated with the man in spite of her initial mistrust. Her involvement proves unwise and eventually chilling.
Reception
In a 1949 book review in Kirkus Reviews the review summarised; "Affecting in its drama, expert in its execution, this is for the discerning reader." In reviewing the 2011 reissue, Jane Houshman of the Guardian called it a "marvellous, dark novel" and "The writing is so perfectly pitched that one almost resents becoming aware of the novel's elegant structure unfolding itself towards completion."