92 in the Shade
92 in the Shade is a 1975 American drama film written and directed by Thomas McGuane, based on his 1973 novel of the same name. It stars Peter Fonda, Warren Oates, Elizabeth Ashley, Harry Dean Stanton, and Margot Kidder.
Plot
In Key West, Florida, Tom Skelton is a local young man who would like to become a professional fishing guide. When guide Nichol Dance gets himself arrested, Tom volunteers to cover his charters until he gets out of jail.While on a charter with a couple, Tom wades into mangroves to free an entangled fish. When he returns to the boat, the couple have disappeared. After a fruitless search, he returns to find the charter was a prank that Dance and another captain named Carter orchestrated. Skelton retaliates by burning Dance's brand-new boat.
Tom's grandfather, a lawyer named Goldsboro, keeps Tom out of jail and Dance from suing him. He agrees to stake Tom the money to commission a custom motorized skiff for his own charter business.
Cast
- Peter Fonda as Tom Skelton
- Warren Oates as Nicholas Dance
- Margot Kidder as Miranda
- Harry Dean Stanton as Faron Carter
- Elizabeth Ashley as Jeannie Carter
- Burgess Meredith as Goldsboro
- John Heffernan as Myron
- William Hickey as Mr. Skelton, Tom's father
- Louise Latham as Mrs. Skelton, Tom's mother
- Sylvia Miles as Bella
- John Quade as Roy
- Joe Spinell as Ollie Slatt
Production
The film is known for having two different versions, each with different endings. One has a happy ending in which Dance and Skelton fight while they're in the boat and Dance's gun gets thrown in the water, and then they both agree to stop their fight and become friends, but other version has darker ending in which Dance shoots and kills Skelton. In the book Warren Oates: A Wild Life by Susan Compo, Peter Fonda said there was another third ending which was filmed, but which was never used in any version of the film:
Fonda said he was "not exactly thrilled with" the film saying "I hoped it would turn out to be a better film. I like it in some ways... I'm not happy with the editing and some of the music. You know, it was a film I very much wanted to produce myself, but Eliot Kastner got his hands on the property and produced it. I'm not crazy about Kastner. You see, after he gets a project off the ground, he usually doesn't give a rat's ass about it".