65th Tony Awards


The 65th Annual Tony Awards was held on June 12, 2011, to recognize achievement in Broadway productions during the 2010–2011 season. The ceremony was held at the Beacon Theatre, ending a fourteen-year tradition of hosting the event at Radio City Music Hall. The Awards ceremony was broadcast live on CBS and was hosted by Neil Patrick Harris. The award nominations were announced on May 3, 2011.
The ceremony received highly positive reviews from critics, with many citing it as a major improvement over the previous year. Numerous critics credited host Neil Patrick Harris with the success of the production, with one critic calling him "America's next great awards host."
Neil Patrick Harris opened the show with a comedic and musical number "Broadway's Not Just for Gays Anymore". The song was written by David Javerbaum and Adam Schlesinger. Harris and Hugh Jackman performed another comic number, a revised version of "Anything You Can Do (I Can Do Better)," as rival awards-show hosts. This was Harris' second time hosting previously in 2009. He went on to host again in 2012 and 2013.
The smash hit musical The Book of Mormon was nominated for 14 Tony Awards winning 9 including the Tony Award's for Best Musical, Best Original Score, and Best Book of a Musical. The musical The Scottsboro Boys was nominated for 12 awards winning none.

Eligibility

Shows that opened during the 2010–11 Broadway season before April 28, 2011, were eligible. The category of "Lead Actress in a Musical" has only four nominees. According to Tony Award rules, "Because only six actresses are eligible for nomination in the Best Performance by an Actress in a Leading Role in a Musical category, only four of those actors can be nominated."
;Original playsBengal Tiger at the Baghdad ZooBrief EncounterColin Quinn's Long Story ShortEllingA Free Man of ColorJohn Leguizamo's Ghetto KlownGood PeopleHighJerusalemLombardiThe Motherf**ker with the HatThe Pee-wee Herman ShowThe Pitmen PaintersWar Horse
;Original MusicalsBaby It's You!Bloody Bloody Andrew JacksonThe Book of MormonCatch Me If You CanElfThe People in the PicturePriscilla Queen of the DesertRain: A Tribute to the BeatlesThe Scottsboro BoysSister ActWomen on the Verge of a Nervous BreakdownWonderland
;Play RevivalsArcadiaBorn YesterdayDriving Miss DaisyThe House of Blue LeavesThe Importance of Being EarnestLa BêteA Life in the TheatreThe Merchant of VeniceMrs. Warren's ProfessionThe Normal HeartThat Championship Season
;Musical RevivalsAnything Goes

Ceremony

In addition to the CBS television broadcast, the ceremony was simulcast live to Times Square and included the Tony Awards Red Carpet and the complete Tony Awards show, including the Creative Arts Awards.

Presenters

The creative arts awards presentation was hosted by Laura Benanti and Katie Finneran and were presented prior to the network broadcast of the rest of the awards and the entertainment. The awards in this portion of the ceremony included those for Best Original Score, Choreography, Best Orchestrations, and others.
Presenters at the ceremony included:

Hosting

Neil Patrick Harris, with costumed dancers and singers, opened the show with a comic and edgy number "arguing that Broadway, with its con artists, Mormons and nuns this season, is 'not just for gays anymore.'" The song was written by David Javerbaum and Adam Schlesinger. Harris and Hugh Jackman performed another comic number as rival awards-show hosts. Performances from nominated musicals included: Catch Me If You Can with Norbert Leo Butz and Aaron Tveit; Sister Act with Patina Miller; The Book of Mormon with Andrew Rannells; The Scottsboro Boys with Joshua Henry; Anything Goes with Sutton Foster; and How to Succeed in Business Without Really Trying with Daniel Radcliffe and John Laroquette. Other musical numbers were performed from Memphis, Spider-Man: Turn Off the Dark, Priscilla Queen of the Desert and Company.
Harris ended the broadcast with a rap-style recap of the show. The rap was notable because Lin-Manuel Miranda and Thomas Kail wrote the lyrics during the show—in 80 minutes while writing backstage, Miranda and Kail created all the lyrics, and Harris, aided by a teleprompter, learned and performed the rap without rehearsal.

Special awards

The Tony Awards Administration Committee announced special non-competitive awards prior to the ceremony. The Tony Award for Lifetime Achievement in the Theatre is given to Athol Fugard and Philip J. Smith, Chairman of The Shubert Organization. The Isabelle Stevenson Award is awarded to Eve Ensler, founder of V-Day. The Tony Honors for Excellence in Theatre is given to animal trainer William Berloni, The Drama Book Shop, and Sharon Jensen and Alliance for Inclusion in the Arts. The Special Tony Award is given to Handspring Puppet Company, "for creating lifelike horses ". The Regional Theatre Tony Award is presented to Lookingglass Theatre Company.

Competitive awards

Source: Tony Awards

Summary

The Book of Mormon received 14 nominations, the most of any production, and won nine, including Best Musical; The Scottsboro Boys received 12 nominations, winning none. The revival of Anything Goes won three awards, including Best Revival of a Musical. War Horse won five awards, including Best Play. The Normal Heart won three awards, including Best Revival of a Play. Several director-choreographers were double-nominated: Rob Ashford, Kathleen Marshall, Casey Nicholaw and Susan Stroman were nominated for both Best Director and Best Choreographer. Marshall and Nicholaw won. The revival of The Merchant of Venice received seven nominations, the most for any play, but won none, followed by Jerusalem with six, winning one, for Best Actor, for the performance of Mark Rylance.

Awards

Winners are listed first and highlighted in boldface.
Best PlayBest Musical
War Horse – Nick Stafford
The Book of Mormon
  • * Catch Me If You Can
  • * The Scottsboro Boys
  • * Sister Act
  • Best Revival of a PlayBest Revival of a Musical
    The Normal Heart
  • * Arcadia
  • * The Importance of Being Earnest
  • * The Merchant of Venice
  • Anything Goes
  • * How to Succeed in Business Without Really Trying
  • Best Performance by a Leading Actor in a PlayBest Performance by a Leading Actress in a Play
    Mark Rylance – Jerusalem as Johnny "Rooster" Byron
  • * Brian Bedford – The Importance of Being Earnest as Lady Bracknell
  • * Bobby Cannavale – The Motherfucker with the Hat as Jackie
  • * Joe Mantello – The Normal Heart as Ned Weeks
  • * Al Pacino – The Merchant of Venice as Shylock
  • Frances McDormand – Good People as Margie Walsh
  • * Nina Arianda – Born Yesterday as Emma 'Billie' Dawn
  • * Lily Rabe – The Merchant of Venice as Portia
  • * Vanessa Redgrave – Driving Miss Daisy as Daisy Werthan
  • * Hannah Yelland – Brief Encounter as Laura Jesson
  • Best Performance by a Leading Actor in a MusicalBest Performance by a Leading Actress in a Musical
    Norbert Leo Butz – Catch Me If You Can as Carl Hanratty
  • * Josh Gad – The Book of Mormon as Elder Cunningham
  • * Joshua Henry – The Scottsboro Boys as Haywood Patterson
  • * Andrew Rannells – The Book of Mormon as Elder Price
  • * Tony Sheldon – Priscilla, Queen of the Desert as Bernadette
  • Sutton Foster – Anything Goes as Reno Sweeney
  • * Beth Leavel – Baby It's You! as Florence Greenberg
  • * Patina Miller – Sister Act as Deloris Van Cartier
  • * Donna Murphy – The People in the Picture as Bubbie/Raisel
  • Best Performance by a Featured Actor in a PlayBest Performance by a Featured Actress in a Play
    John Benjamin Hickey – The Normal Heart as Felix Turner
  • * Mackenzie Crook – Jerusalem as Ginger
  • * Billy Crudup – Arcadia as Bernard Nightingale
  • * Arian Moayed – Bengal Tiger at the Baghdad Zoo as Musa
  • * Yul Vázquez – The Motherfucker with the Hat as Cousin Julio
  • Ellen Barkin – The Normal Heart as Dr. Emma Brookner
  • * Edie Falco – The House of Blue Leaves as Bananas
  • * Judith Light – Lombardi as Marie Lombardi
  • * Joanna Lumley – La Bête as The Princess
  • * Elizabeth Rodriguez – The Motherfucker with the Hat as Veronica
  • Best Performance by a Featured Actor in a MusicalBest Performance by a Featured Actress in a Musical
    John Larroquette – How to Succeed in Business Without Really Trying as J.B. Biggley
  • * Colman Domingo – The Scottsboro Boys as Mr. Bones
  • * Adam Godley – Anything Goes as Lord Evelyn Oakleigh
  • * Forrest McClendon – The Scottsboro Boys as Mr. Tambo
  • * Rory O'Malley – The Book of Mormon as Elder McKinley
  • Nikki M. James – The Book of Mormon as Nabulungi Hatimbi
  • * Laura Benanti – Women on the Verge of a Nervous Breakdown as Candela
  • * Tammy Blanchard – How to Succeed in Business Without Really Trying as Hedy La Rue
  • * Victoria Clark – Sister Act as Mother Superior
  • * Patti LuPone – Women on the Verge of a Nervous Breakdown as Lucia
  • Best Book of a MusicalBest Original Score (Music and/or Lyrics) Written for the Theatre
    Trey Parker, Robert Lopez and Matt Stone – The Book of Mormon
  • * Alex Timbers – Bloody Bloody Andrew Jackson
  • * David Thompson – The Scottsboro Boys
  • * Cheri Steinkellner, Bill Steinkellner and Douglas Carter Beane – Sister Act
  • The Book of Mormon – Trey Parker, Robert Lopez and Matt Stone
  • * The Scottsboro Boys – John Kander and Fred Ebb
  • * Sister Act – Alan Menken and Glenn Slater
  • * Women on the Verge of a Nervous Breakdown – David Yazbek
  • Best Scenic Design of a PlayBest Scenic Design of a Musical
    Rae Smith – War Horse
  • * Todd Rosenthal – The Motherfucker with the Hat
  • * Ultz – Jerusalem
  • * Mark Wendland – The Merchant of Venice
  • Scott Pask – The Book of Mormon
  • * Beowulf Boritt – The Scottsboro Boys
  • * Derek McLane – Anything Goes
  • * Donyale Werle – Bloody Bloody Andrew Jackson
  • Best Costume Design of a PlayBest Costume Design of a Musical
    Desmond Heeley – The Importance of Being Earnest
  • * Jess Goldstein – The Merchant of Venice
  • * Mark Thompson – La Bête
  • * Catherine Zuber – Born Yesterday
  • Tim Chappel and Lizzy Gardiner – Priscilla, Queen of the Desert
  • * Martin Pakledinaz – Anything Goes
  • * Ann Roth – The Book of Mormon
  • * Catherine Zuber – How to Succeed in Business Without Really Trying
  • Best Lighting Design of a PlayBest Lighting Design of a Musical
    Paule Constable – War Horse
  • * David Lander – Bengal Tiger at the Baghdad Zoo
  • * Kenneth Posner – The Merchant of Venice
  • * Mimi Jordan Sherin – Jerusalem
  • Brian MacDevitt – The Book of Mormon
  • * Ken Billington – The Scottsboro Boys
  • * Howell Binkley – How to Succeed in Business Without Really Trying
  • * Peter Kaczorowski – Anything Goes
  • Best Sound Design of a PlayBest Sound Design of a Musical
    Christopher Shutt – War Horse
  • * Acme Sound Partners and Cricket S. Myers – Bengal Tiger at the Baghdad Zoo
  • * Simon Baker – Brief Encounter
  • * Ian Dickinson for Autograph – Jerusalem
  • Brian Ronan – The Book of Mormon
  • * Peter Hylenski – The Scottsboro Boys
  • * Steve Canyon Kennedy – Catch Me If You Can
  • * Brian Ronan – Anything Goes
  • Best Direction of a PlayBest Direction of a Musical
    Marianne Elliott and Tom Morris – War Horse
  • * Joel Grey and George C. Wolfe – The Normal Heart
  • * Anna D. Shapiro – The Motherfucker with the Hat
  • * Daniel J. Sullivan – The Merchant of Venice
  • Casey Nicholaw and Trey Parker – The Book of Mormon
  • * Rob Ashford – How to Succeed in Business Without Really Trying
  • * Kathleen Marshall – Anything Goes
  • * Susan Stroman – The Scottsboro Boys
  • Best ChoreographyBest Orchestrations
    Kathleen Marshall – Anything Goes
  • * Rob Ashford – How to Succeed in Business Without Really Trying
  • * Casey Nicholaw – The Book of Mormon
  • * Susan Stroman – The Scottsboro Boys
  • Larry Hochman and Stephen Oremus – The Book of Mormon
  • * Doug Besterman – How to Succeed in Business Without Really Trying
  • * Larry Hochman – The Scottsboro Boys
  • * Marc Shaiman and Larry Blank – Catch Me If You Can
  • Productions with multiple nominations and awards

    The following 21 productions received multiple nominations :
    The following four productions received multiple awards :

    ''In Memoriam''