Walt Whitman
Walter Whitman Jr. was an American poet, essayist, and journalist; he also wrote two novels. He is considered one of the most influential poets in American literature and world literature. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse. His work was controversial in his time, particularly his 1855 poetry collection Leaves of Grass, which was described by some as obscene for its overt sensuality.
Whitman was born in Huntington on Long Island and lived in Brooklyn as a child and through much of his career. At age 11, he left formal schooling to go to work. He worked as a journalist, a teacher, and a government clerk. Whitman's major poetry collection, Leaves of Grass, first published in 1855, was financed with his own money and became well known. The work was an attempt to reach out to the common person with an American epic. Whitman continued expanding and revising Leaves of Grass until his death in 1892.
During the American Civil War, he went to Washington, D.C., and worked in hospitals caring for the wounded. His poetry often focused on both loss and healing. On the assassination of Abraham Lincoln, whom Whitman greatly admired, he authored a number of poems, including "O Captain! My Captain!" and "When Lilacs Last in the Dooryard Bloom'd", and gave a series of lectures on Lincoln. After suffering a stroke towards the end of his life, Whitman moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral was a public event.
Whitman's influence on poetry remains strong. Art historian Mary Berenson wrote, "You cannot really understand America without Walt Whitman, without Leaves of Grass.... He has expressed that civilization, 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called Whitman "America's poet.... He America." According to the Poetry Foundation, he is "America's world poet—a latter-day successor to Homer, Virgil, Dante, and Shakespeare."
Life and work
Early life
Whitman was born on May 31, 1819, in West Hills, New York, the second of nine children of Quaker parents Walter and Louisa Van Velsor Whitman, of English and Dutch descent respectively. He was immediately nicknamed "Walt" to distinguish him from his father. At the age of four, Whitman moved with his family from Huntington to Brooklyn, living in a series of homes, in part due to bad investments. Whitman looked back on his childhood as generally restless and unhappy, given his family's difficult financial struggles. One happy moment that he later recalled was when he was lifted in the air and kissed on the cheek by the Marquis de Lafayette during a celebration of the setting of the Brooklyn Apprentices' Library's cornerstone by Lafayette in Brooklyn on July 4, 1825. Whitman later worked as a librarian at that institution.At the age of 11, Whitman ended his formal schooling and sought employment to assist his family, which was struggling financially. He was an office boy for two lawyers and later was an apprentice and printer's devil for the weekly Long Island newspaper the Patriot, edited by Samuel E. Clements. There, Whitman learned about the printing press and typesetting. He may have written "sentimental bits" of filler material for occasional issues. Clements aroused controversy when he and two friends attempted to dig up the corpse of the Quaker minister Elias Hicks to create a plaster mold of his head. Clements left the Patriot shortly afterward, possibly as a result of the controversy.
Career
The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn. His family moved back to West Hills, New York, on Long Island in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star. While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New-York Mirror. At the age of 16 in May 1835, Whitman left the Star and Brooklyn. He moved to New York City to work as a compositor though, in later years, Whitman could not remember where. He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837. In May 1836, he rejoined his family, now living in Hempstead, Long Island. Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.After his teaching attempts, Whitman returned to Huntington, New York, to found his own newspaper, the Long-Islander. Whitman served as publisher, editor, pressman, and distributor and even provided home delivery. After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839. There are no known surviving copies of the Long-Islander published under Whitman. By the summer of 1839, he found a job as a typesetter in Jamaica, Queens, with the Long Island Democrat, edited by James J. Brenton. He left shortly thereafter, and made another attempt at teaching from the winter of 1840 to the spring of 1841. One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840. After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered. Biographer Justin Kaplan notes that the story is likely untrue, because Whitman regularly vacationed in the town thereafter. Biographer Jerome Loving calls the incident a "myth". During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career.
Whitman moved to New York City in May, initially working a low-level job at the New World, working under Park Benjamin Sr. and Rufus Wilmot Griswold. He continued working for short periods of time for various newspapers; in 1842 he was editor of the Aurora and from 1846 to 1848 he was editor of the Brooklyn Eagle. While working for the latter institution, many of his publications were in the area of music criticism, and it is during this time that he became a devoted lover of Italian opera through reviewing performances of works by Bellini, Donizetti, and Verdi. This new interest had an impact on his writing in free verse. He later said, "But for the opera, I could never have written Leaves of Grass."
Throughout the 1840s, Whitman contributed freelance fiction and poetry to various periodicals, including Brother Jonathan magazine edited by John Neal. Whitman lost his position at the Brooklyn Eagle in 1848 after siding with the free-soil "Barnburner" wing of the Democratic party against the newspaper's owner, Isaac Van Anden, who belonged to the conservative, or "Hunker", wing of the party. Whitman was a delegate to the 1848 founding convention of the Free Soil Party, which was concerned about the threat slavery would pose to free white labor and northern businessmen moving into the newly colonized western territories. Abolitionist William Lloyd Garrison derided the party philosophy as "white manism".
Having previously published two novellas — Franklin Evans and The Half-Breed — in 1852, he serialized another, Life and Adventures of Jack Engle, in six installments of New York's The Sunday Dispatch. In 1858, Whitman published a 47,000-word series, Manly Health and Training, under the pen name Mose Velsor. Apparently he drew the name Velsor from Van Velsor, his mother's family name. This self-help guide recommends beards, nude sunbathing, comfortable shoes, bathing daily in cold water, eating meat almost exclusively, plenty of fresh air, and getting up early each morning. Present-day writers have called Manly Health and Training "quirky", "so over the top", "a pseudoscientific tract", and "wacky".
''Leaves of Grass''
Whitman claimed that after years of competing for "the usual rewards", he determined to become a poet. He first experimented with a variety of popular literary genres that appealed to the cultural tastes of the period. As early as 1850, he began writing what would become Leaves of Grass, a collection of poetry that he would continue editing and revising until his death. Whitman intended to write a distinctly American epic and used free verse with a cadence based on the Bible. At the end of June 1855, Whitman surprised his brothers with the already-printed first edition of Leaves of Grass. George "didn't think it worth reading".Whitman paid for the publication of the first edition of Leaves of Grass himself and had it printed at a local print shop during its employees' breaks from commercial jobs. A total of 795 copies were printed. No author is named; instead, facing the title page was an engraved portrait done by Samuel Hollyer, but 500 lines into the body of the text he calls himself "Walt Whitman, an American, one of the roughs, a kosmos, disorderly, fleshly, and sensual, no sentimentalist, no stander above men or women or apart from them, no more modest than immodest". The inaugural volume of poetry was preceded by a prose preface of 827 lines. The succeeding untitled twelve poems totaled 2315 lines with 1336 lines belonging to the first untitled poem, later called "Song of Myself". The book received its strongest praise from Ralph Waldo Emerson, who wrote a flattering five-page letter to Whitman and spoke highly of the book to friends. Emerson called it "the most extraordinary piece of wit and wisdom that America has yet contributed." Emerson had called for the first truly American poet, saying that aspects of America "are yet unsung. Yet America is a poem in our eyes."
The first edition of Leaves of Grass was widely distributed and stirred up significant interest, in part due to Emerson's praise, but was occasionally criticized for the seemingly "obscene" nature of the poetry. Geologist Peter Lesley wrote to Emerson, calling the book "trashy, profane & obscene" and the author "a pretentious ass". Whitman embossed a quote from Emerson's letter, "I greet you at the beginning of a great career", in gold leaf on the spine of the second edition. Of this action, Laura Dassow Walls, professor emerita of English at the University of Notre Dame, wrote: "In one stroke, Whitman had given birth to the modern cover blurb, quite without Emerson's permission."
On July 11, 1855, a few days after Leaves of Grass was published, Whitman's father died at the age of 65. In the months following the first edition of Leaves of Grass, critical responses began focusing on what some found offensive sexual themes. Though the second edition was already printed and bound, the publisher almost did not release it. In the end, the edition went to retail, with 20 additional poems, in August 1856. Leaves of Grass was revised and re-released in 1860, again in 1867, and several more times throughout the remainder of Whitman's life. Several well-known writers admired the work enough to visit Whitman, including Amos Bronson Alcott and Henry David Thoreau.
During the first publications of Leaves of Grass, Whitman had financial difficulties and was forced to work as a journalist again, specifically with Brooklyn's Daily Times starting in May 1857. As an editor, he oversaw the paper's contents, contributed book reviews, and wrote editorials. He left the job in 1859, though it is unclear whether he was fired or chose to leave. Whitman, who typically kept detailed notebooks and journals, left very little information about himself in the late 1850s.