Color scheme
In color theory, a color scheme is a combination of 2 or more colors used in aesthetic or practical design. Aesthetic color schemes are used to create style and appeal. Colors that create a harmonious feeling when viewed together are often used together in aesthetic color schemes. Practical color schemes are used to inhibit or facilitate color tasks, such as camouflage color schemes or high visibility color schemes. Qualitative and quantitative color schemes are used to encode unordered categorical data and ordered data, respectively. Color schemes are often described in terms of logical combinations of colors on a color wheel or within a color space.
Harmonious schemes
Harmonious color schemes are designed to accomplish an aesthetic color task and enhance color harmony. They do not represent any underlying variable. The color scheme of a logo is typically purely aesthetic. A color scheme in marketing is referred to as a trade dress and can sometimes be protected by trademark or trade dress laws, as is the pink color of Owens Corning fiberglass.Achromatic
Any color that lacks strong chromatic content is said to be unsaturated, achromatic, or near neutral. Pure achromatic colors include black, white, all grays and beiges; near neutrals include browns, tans, pastels, and darker colors. Near neutrals can be of any hue or lightness. For example, the "Achromatic" use of a white background with black text is an example of a basic and commonly default color scheme in web design.Neutrals are obtained by mixing pure colors with white, black or gray, or by mixing two complementary colors. In color theory, neutral colors are colors easily modified by adjacent more saturated colors and they appear to take on the hue complementary to the saturated color. Next to a bright red couch, a gray wall will appear distinctly greenish.
Black and white have long been known to combine well with almost any other colors; black decreases the apparent saturation or brightness of colors paired with it, and white shows off all hues to equal effect.
Monochromatic
Monochromatic color schemes may contain all the colors of a single hue, i.e. the base hue modified by the addition of black, gray and white. As a result, the energy is more subtle and peaceful due to a lack of contrast of hue.Complementary
A complementary color scheme comprises two colors that combine to form gray, i.e. they are on opposite sides of the color wheel. Fully saturated complementary colors maximize color contrast.A split-complementary color scheme comprises three colors, namely a base color and two colors that are 150 degrees and 210 degrees apart from the base color. The split-complementary color scheme has the same sharp visual contrast as the complementary color scheme but has less pressure.
Analogous
Analogous color schemes are groups of colors that are adjacent to each other on the color wheel, with one being the dominant color, which tends to be a primary or secondary color, and two on either side complementing, which tend to be tertiary. This usually translates to a three-color combination consisting of a base color and two colors that are 30 degrees and 330 degrees apart from the base color. A analogous color scheme tends to have a consistent temperature, comprising only warm or only cool colors. An analogous color scheme creates a rich, semi-monochromatic look. However, the scheme also lacks contrast and is less vibrant than complementary schemes. Red, reddish-orange, orange, yellow-orange is one example of a set of analogous colors.A near-analogous color scheme comprises three colors, namely a base color and two colors that are 60 degrees and 300 degrees apart from the base color. The near-analogous color scheme has the same consistency as the analogous color scheme but has more contrast in comparison. One example of a near-analogous color scheme would be red, yellow, and magenta.
An accented analogous color scheme adds the complementary color of an analogous color scheme as the accent color, used to create a dominant color grouping of three similar colors accented with the direct complement of one of them. The complementary accent color creates an interesting contrast against the dominant color grouping. This scheme is frequently used to put a warm accent color with a cool analogous color palette, or a cool accent color with a warm palette.
Evenly spaced hues
The triadic color scheme is a three-color combination consisting of base color and two colors that are 120 degrees and 240 degrees apart from the base color. This scheme is popular among artists because it provides sharp visual contrast while maintaining balance and color richness. The triadic scheme is not as contrasting as the complementary scheme, but it is easier to accomplish balance and harmony with these colors.The tetradic color scheme uses four colors arranged into two complementary color pairs. This scheme is hard to harmonize and requires a color to dominate or subdue the colors; if all four colors are used in equal amounts, the color scheme may look unbalanced.
- The rectangle color scheme is a four-color combination consisting of a base color and three colors that are 60 degrees, 180 degrees, and 240 degrees apart from the base color.
- The square color scheme is a four-color combination consisting of a base color and three colors that are 90 degrees apart from the base color.
Practical schemes
Practical color schemes combine colors outside typical aesthetic media and context for purely practical reasons, generally focusing on maximizing or minimizing contrast, instead of color harmony. The most common practical color scheme is black-and-white, which generally maximizes contrast. This may be used for black text on a white background or prison uniforms. Enhancing contrast against a background motivates some practical color schemes, such as high visibility color schemes, while inhibiting contrast against a background motivates others, as in camouflage.Qualitative schemes
Qualitative color schemes represent categorical variables, where the possible values of the variable are discrete and unordered. An example of a categorical variable is U.S. states, which has 50 unordered values. A qualitative color scheme is generally also called a color code. Generally, the number of colors in a qualitative color scheme is equal to the number of possible values for the categorical variable, where each value is encoded to one color. However, the number of total colors can be decreased by encoding each value with multiple colors, as in the 25-pair color code, which encodes 25 values using only 10 colors, by assigning each value a color each from group A and group B, each consisting of 5 colors.A qualitative color scheme can be designed similarly to a harmonious color scheme. However, the goal of a qualitative color scheme is to solve a comparative color task rather than an aesthetic color task, so enhancing color difference between the colors in the color scheme is generally more important than color harmony.
Quantitative schemes
Quantitative color schemes represent quantitative data, where the possible values of the variable are ordered, and may be discrete or continuous:- Continuous: Color schemes that have a smooth color gradient. Continuous color schemes are intended to display sets of continuous, ordered data and can represent both small and large data variations. Continuous color schemes generally use more than a hundred individual color values.
- Discrete: Color schemes that feature only a certain subset of a continuous color scheme, that are clearly distinguishable from each other. Color schemes in discrete form are intended to visualise a set or range of discrete data points, but are also often used with continuous datasets.
- Sequential schemes are typical color schemes that form a color gradient between a minimum and maximum value. The color gradient may be parallel to one of the axes of a 3D color space, such as hue/saturation/luminance, or may change two of these parameters at once. This yields some common sequential schemes:
- * Monochrome schemes use tints of a single hue or shades of gray. Studies have shown that while humans are capable of seeing hundreds of shades of most colors, they can only distinguish 5–8 for practical use.
- * Spectral schemes use a gradient along the spectral colors or along the full range of hues, generally with no variation in value. Spectral schemes can be difficult to interpret with most data because hues do not naturally look like "more" or "less" than other hues.
- * Part-spectral schemes use a subset of the spectral scheme, which reduces perceptual density, but tend to be more intuitive. They also often superimpose a luminosity gradient on to the hue gradient, with examples like light yellow to dark green or light orange to dark red.
- * Scientific schemes use perceptually uniform color gradients and maximize color blind accessibility by simultaneously adjusting the luminosity and blue-yellow channels of a color space like CIELAB along the gradient. More information on scientific schemes [|below].
- Diverging schemes represent data that has a minimum and maximum, as well as some meaningful center value, which may represent zero, the median, parity, etc. A diverging scheme comprises two different sequential schemes, sharing a common color, which represents the center value, and the darkest colors at the maximum and minimum. Their primary use is to emphasize the relationship to the center value.
- Cyclic schemes represent data that has no minimum or maximum, namely periodic data sets like angular data, terrain aspect, wind direction, seasonality, or data from Synthetic Aperture Radar interferometry, which is used to display Earth's surface displacement. Cyclic schemes use color gradients that have neither a beginning nor an end, so are often represented by a spectral scheme, which can map directly onto the hue dimension of the color wheel.