Gwar
Gwar, often stylized as GWAR, is an American heavy metal band formed in Richmond, Virginia, in 1984, composed of and operated by a frequently rotating line-up of musicians, artists, and filmmakers collectively known as Slave Pit Inc. Since the death of frontman Dave Brockie in 2014, the collective has continued recording and performing without any of its founding artists or musicians.
Identified by their distinctively grotesque costumes, Gwar's core thematic and visual concept revolves around an elaborate science fiction-themed mythology which portrays the band members as barbaric medieval Nordic, mythological, biblical or interplanetary warriors, a narrative which serves as the basis for all of the band's albums, live shows and media. With over-the-top violent, sexual, and scatological humor typically incorporating social and political satire, Gwar has attracted both acclaim and controversy for its music and stage shows, the latter of which notoriously showcase enactments of graphic violence that result in the audience being sprayed with fake blood, urine, and semen. Such stagecraft regularly leads Gwar to be labeled a "shock rock" band by the media.
Since its formation, Gwar has released 15 studio albums, two live albums, and numerous singles among other recordings, and has sold over 820,000 records in the United States. Fueled largely by the controversies surrounding their concerts, Gwar experienced brief mainstream notoriety during the first half of the 1990s, receiving regular airplay on MTV as well as frequent in-character guest appearances on daytime talk shows, satirizing the topics of censorship and media violence. Though the band's mainstream popularity declined by the end of the 1990s, Gwar has retained a dedicated cult following. The band's extensive videography consists of both live recordings and long-form feature films, most notably 1992's Phallus in Wonderland, which earned a Grammy Award nomination for Best Long Form Music Video. Gwar has also expanded its brand into other areas such as books, comic books board games, beer, whisky, barbecue sauce, CBD, e-liquids, toy collectibles, and sex toys.
In 2016, the staff of Loudwire named them the 46th-best metal band of all time.
History
Formation and debut (1984–1989)
Gwar is the result of two separate projects merged into one. Dave Brockie was the vocalist and bassist for a punk band named Death Piggy that staged mini-plays and used crude props to punctuate its music. Bands would occasionally practice in a room at the Richmond Dairy, a deserted bottling plant that had been taken over by hippies. The hippies rented out interior areas to various artists and musicians. It was at the Richmond Dairy that Death Piggy met Hunter Jackson and Chuck Varga, both attendees of Virginia Commonwealth University who had set up "The Slave Pit", a production space for Scumdogs of the Universe, a movie they intended to make.Jackson created props for Death Piggy to use on stage. Brockie had an idea to use the costumes made for Scumdogs of the Universe and have Death Piggy open for itself as a barbaric band from Antarctica, playing nonsense songs while sacrificing fake animals. The name of the joke group was "Gwaaarrrgghhlllgh". The members of Death Piggy began noticing that more people were coming to see Gwaaarrrgghhlllgh and leaving immediately after the set. After several refinements, including shortening the band's name, Death Piggy was phased out in favor of the band now named Gwar.
File:Gwar-george-bush.jpg|upright=0.8|thumb|Abuse of an Arnold Schwarzenegger character – live at Reds, Edmonton
The first known line-up for Gwar consisted of Ben Eubanks, Brockie, Steve Douglas, Chris Bopst, Jim Thomson and Jackson. However, this line-up was short-lived and would suffer multiple changes in the following months, with Eubanks quitting after just one or two shows and being replaced by Joe Annaruma, who went on to record several demo tracks with the band. Annaruma quit soon after this, and Brockie became the main vocalist for the band. The band solidified into a line-up consisting of Jackson, Don Drakulich, Varga, Mike Delaney, Mike Bonner, Scott Krahl, Dave Musel and Brockie.
Mike Delaney left in 1987. Dewey Rowell, Michael Bishop and Rob Mosby were recruited in 1987, along with Steve Douglas, who rejoined the band after having previously left. Danielle Stampe joined in 1988 as the first full-time female member of Gwar for the first U.S. tour supporting Gwar's debut album Hell-O and toured consistently with the band until 2000. The band has also recruited, and lost, three other female members: The Temptress, Heather Broome ; Amazina, Colette Miller ; and Gwar Woman, Lisa Harrelson.
The band's debut album, Hell-O, a crossover thrash metal-punk rock album, was released in 1988 under Shimmy Disc. The band started touring in support of the album, with Steve Douglas leaving that same year, later to form the alternative band Log, and being replaced by current rhythm guitarist Michael Derks, who took over Douglas' alias as Balsac the Jaws of Death.
However, the band's line-up underwent further changes before 1990. In 1988, the Slave Pit saw the joining of Bob Gorman, a young, new artist who would help with the art design and fabrication aspects of the band. One year later, in 1989, Rob Mobsy left the band and was replaced by Pete Luchter, who also quit to be replaced temporarily by Jim Thompson, who had been in the band prior to the release of Hell-O. Thompson later quit and was replaced by Brad Roberts, who has since portrayed Jizmak Da Gusha.
''Scumdogs of the Universe'' and ''This Toilet Earth'' (1990–1994)
With Gwar's line-up somewhat solidified, the band would set up to record Scumdogs of the Universe released worldwide on producer Ivan Healy Purvis' label Master Records, a subsidiary of Blue Beat Records. The album met a moderately large mainstream success and would mark the start of a career under the Metal Blade Records record label. The band would tour extensively in support for this album, releasing the Live from Antarctica produced by Ivan Healy Purvis, VHS tape in July 1990, containing, among other things, the music video for the song Sick of You. It was shortly after the video's release when the Slave Pit took in another new, young artist, Matt Maguire, to help out with costume fabrication, as well as illustrations for comics and related material.In August 1990, the birth of Michael Derks's daughter resulted in his taking a short break from the band. Barry 'D'live' Ward from the band Rich Kids on LSD filled in on guitar as Balsac during Gwar's 1991 European tour. On September 18, 1990, Brockie wore his "Cuttlefish of Cthulhu" codpiece during a show in Charlotte, North Carolina, resulting in Brockie's arrest and, ultimately, a one-year ban from the band performing in the state of North Carolina; the band would later highlight the absurdity of the case by pointing out that the presiding judge over the case was called Dick Boner. Upon returning home, Gwar filmed its first cameo in a mainstream film, Mystery Date.
Scumdogs of the Universe was originally released through the U.K. label Master before being picked up by Metal Blade in 1991. In the group's hunt for a larger label, they auditioned for Relativity Records, one of the larger independent heavy metal labels. The group failed their audition when they arrived in costume and Slymenstra Hymen broke a blood capsule from her codpiece onto one of the office chairs, simulating menstruation.
The band suffered further line-up changes during this period, with Dewey Rowell leaving the band in 1991 and not being replaced until 1992 by Pete Lee, after the recording of America Must Be Destroyed. The Charlotte, North Carolina incident from 1990 was the inspiration for Gwar's third album, America Must Be Destroyed, released in 1992. The album was accompanied by the movie Phallus in Wonderland, which documented the main concept and contained music videos for the album. Phallus in Wonderland was nominated for a Grammy Award in 1993. After recording for This Toilet Earth was completed, bassist Mike Bishop left the band. He was replaced by Casey Orr, from the band Rigor Mortis.
This Toilet Earth was released in 1994, to moderate success. The album received additional attention due to controversy surrounding "B.D.F.", a song that graphically refers to subjects such as sodomy, necrophilia, pre-natal rape, pedophilia and mutilation. 1994 also saw the music videos for "Saddam a Go-Go" and "The Road Behind" being aired on Beavis and Butt-head. This would also mark the beginning of the band straying from their trademark sound, as the album contained several experimental songs as opposed to the punk of Hell-O and thrash of Scumdogs of the Universe.
''Ragnarok'', ''Carnival of Chaos'' and ''We Kill Everything'' (1995–2000)
In 1995, Gwar released Ragnarok, an album characterized by a unique sound, including the use of keyboards, something largely unseen before by the band, as well as a much larger use of secondary vocalists. The record is considered to have been largely unnoticed after the success of the previous three albums. Despite this, the band would record two videos for the album, "Surf of Syn" and "Meat Sandwich" as well as release Rendezvous with Ragnarok to support the album's plot through footage from the supporting tour. Later that year, the band also made a cameo appearance in the film Empire Records.The band's first side project, X-Cops, would also come to life after the Ragnarok tour, releasing their only full-length album, You Have the Right to Remain Silent..., the same year.
Doom developer, id Software, hired Gwar to produce a showcase space at Microsoft's Judgement Day event for Halloween of 1995.
Gwar appeared in a video game focused Circuit City television advertisement in 1996.
The band's next record would come out in 1997 under the name Carnival of Chaos, proving to be the epitome of this experimental period containing songs from many different genres, including the classic heavy metal, but also hard rock, country, and even jazz. Shortly after the release of Carnival of Chaos, select members of the Gwar ensemble appeared on The Jerry Springer Show to discuss the growing trend of "shock rock" and their role as entertainers. Aside from their appearance on The Joan Rivers Show, this guest appearance is still recognized as one of their most infamous appearances on national TV. In 1998, Gwar fought the ska band, The Aquabats!, during The Ska Parade.
Carnival of Chaos would be the last album with Pete Lee on guitar, being replaced by Tim Harriss who had previously been in the band around 1986 and was featured as a guest guitarist on America Must Be Destroyed. For the recording of We Kill Everything between late 1998 and early 1999, Michael Bishop would temporarily rejoin the band as the bassist during the absence of Casey Orr. The record, largely influenced by punk rock, is the band's least favorite album and thus its songs are rarely played live.
Following this, co-founder, Hunter Jackson, left the group in 2000 to focus on personal projects. Danielle Stampe also left the band to focus on a personal project named Girly Freakshow; however, she rejoined the band temporarily for the Bitch Is Back tour in 2002.