The Sounding
The Sounding is a 2017 American drama film co-written and directed by Catherine Eaton, based on her stage play Corsetless. The film premiered in competition at the 2017 Cinequest Film Festival, and went on to receive over two dozen awards and nominations on the festival circuit. The film was subsequently distributed by Giant Pictures and HBO Europe.
Plot
Set on a remote island off the coast of Maine, the film follows Liv, a woman who has remained silent her entire life, communicating through gestures and actions. She lives under the care of her grandfather, Lionel, a retired neuropsychiatrist who has protected her from societal interventions. Following Lionel's death, Liv begins to speak, but exclusively in phrases derived from William Shakespeare. This sudden change concerns Lionel's friend, Michael, a neuropsychiatrist who perceives Liv's behavior as symptomatic of a mental disorder. Despite earlier promises to Lionel to protect Liv's autonomy, Michael arranges for her involuntary commitment to a psychiatric hospital. Within the institution, Liv resists conformity, her rebellion highlighting the tension between individual expression and social expectation. The film explores themes of individuality, communication, and the complexities of societal norms, challenging perceptions of normalcy and the right to self-expression.Cast
- Catherine Eaton as Liv
- Teddy Sears as Michael
- Harris Yulin as Lionel
- Frankie Faison as Roland
- Erin Darke as Christine
- Lucy Owen as Joan
- Danny Burstein as Dr. Anderson
- David Furr as Ed Knott
Development
In 2010 Eaton was approached by John Knowles about staging Corsetless as an installation piece in the glassed-in storefront space of the Roger Smith Hotel in Midtown Manhattan. Eaton was hesitant at first, later recalling “So initially I said No way, I’m not going to do that. It’s like being a monkey in a cage - you’re in Manhattan. You’re in a box and people are walking by - thousands of people an hour.” However, she was subsequently convinced, and one year later the installation became a cult hit, routinely drawing crowds large enough to create a public safety hazard. During this run of the play, Eaton recalled
Corsetless was subsequently re-worked into a 2015 short film, which served as a proof of concept for the 2017 feature length film. Eaton would document this incremental process from stage to screen in a panel at the 2016 SXSW Festival entitled “Through Our Eyes: Female Filmmakers Tell All.” In 2018 the making of The Sounding would become the subject of a branded mini-doc by Stella Artois entitled “The Art of Living: Catherine Eaton,” which aired on Hulu.
Production
The Sounding was shot entirely on Monhegan Island, a small, rocky island ten miles off the coast of Maine.The film's co-screenwriter, Bryan Delaney, appears twice in the film: first as a guest during the funeral scene, and again as one of the lobstermen who helps pull Liv from the water.
Release
The Sounding was originally acquired by myCinema for North American theatrical release in nationwide, but was ultimately cancelled due to the 2020 COVID-19 pandemic.The film was released via VOD on AppleTV and Amazon Prime Video in the United States, and via streaming on HBO Europe on October 20, 2020.
Reception
The Sounding received mostly positive reviews from critics, with particular praise for Eaton's direction and performance. The film currently holds a 70% “Fresh” rating on the review aggregator Rotten Tomatoes and 62% on Metacritic, indicating “Generally Favorable Reception.” In a review for The Wall Street Journal, Pulitzer Prize winning film critic Joe Morgenstern observedKate Erbland of IndieWire offered similar praise, noting “Rich in its execution and careful in its approach, The Sounding resonates.”
Frank Scheck of The Hollywood Reporter gave the film more mixed review, writing, "that the film proves intriguing despite its overly familiar themes is a testament to the acting more than the writing." He goes on to praise Eaton's "compelling, highly physical performance," while criticizing the scripts "contrived plot mechanics." Ultimately, Scheck asserts that the film might have worked better on stage. Tomris Laffly of RogerEbert.com offered an equally mixed review, noting “The Sounding impresses more with its majestic and ageless feel than its vague ideas around the human mind.”