The Secret History
The Secret History is the first novel by the American author Donna Tartt, published by Alfred A. Knopf in September 1992. A campus novel, it tells the story of a closely knit group of six Classics students at Hampden College, a small, elite liberal arts college in Vermont.
The Secret History is an inverted detective story narrated by one of the six students, Richard Papen, who reflects years later upon the situation that led to the murder of their friend Edmund "Bunny" Corcoran. The events leading up to the murder are revealed sequentially. The novel explores the circumstances and lasting effects of Bunny's death on the academically and socially isolated group of Classics students of which he was a part.
The novel was originally titled The God of Illusions, and its first-edition hardcover was designed by the New York City graphic designer Chip Kidd and Barbara de Wilde. A 75,000 print order was made for the first edition and the book became a bestseller. It has been credited as originating the dark academia literary sub-genre, causing it to "explode like a firework" in the literary scene, according to The New York Times.
Plot
Around 1985, Richard Papen leaves his hometown of Plano, California, to study literature at the elite Hampden College in Vermont. Richard finds he cannot enroll in the classes of the sole Classics professor, Julian Morrow, who limits enrollment to a hand-picked coterie: twins Charles and Camilla Macaulay, Francis Abernathy, Henry Winter, and Edmund "Bunny" Corcoran. After Richard helps them with a translation, the other students give him advice on endearing himself to Julian, and Richard is accepted into his classes.Richard enjoys his new status as a member of the clique, but notices several odd behaviors from the others: they seem to constantly suffer small injuries, boil strange plants on the stove, and attempt to hide bloody clothing. The group is devoted to Julian, who requires his students to only take classes with him and asserts sole control over their academic careers. Though Henry seems to have a strained friendship with Bunny, they spend the winter break together in Rome, while Richard lodges in an unheated warehouse. He nearly dies from hypothermia and pneumonia, but is rescued when Henry returns unexpectedly and brings him to the hospital.
In the new year, tensions between Bunny and the group worsen. Bunny constantly insults the others and begins behaving erratically. Richard learns the truth from Henry: the group, minus Richard and Bunny, held a Dionysian bacchanal with Julian's approval in the woods near Francis's country estate. During the bacchanal, the group killed a Vermont farmer, although the details are left ambiguous. Bunny, who found out by chance, has been blackmailing the group ever since, with Francis and Henry giving him large amounts of money in the hopes of placating him. No longer able to meet Bunny's demands, and fearing that he will expose them as his mental state deteriorates, Henry convinces the group to kill Bunny. The five confront Bunny while hiking, and Henry pushes him into a ravine to his death.
The members of the group struggle to maintain their cover, joining search parties and attending Bunny's funeral. Though the police presence eventually dies down, the group begins to crack under the strain: Francis's hypochondria worsens, Charles descends into alcoholism and abuses Camilla, Richard becomes addicted to pills, and Henry realizes he has no moral objections to murder. Richard learns that Francis has had sexual encounters with Charles; Francis believes the twins have also slept with each other. As Charles becomes even more possessive of his sister, Henry arranges for Camilla to move from their shared apartment to a hotel, further incensing Charles.
Julian receives a letter purporting to be from Bunny, detailing the bacchanal murder and Bunny's fear that Henry is plotting to kill him. Though Julian initially dismisses it as a hoax, he later realizes the truth when he notices a letterhead from Henry and Bunny's hotel in Rome. Instead of addressing the matter, Julian flees campus and never returns, much to Henry's grief and dismay.
Charles' alcoholism and enmity towards Henry worsens as Henry begins living with Camilla. When Charles is arrested for drunk driving in Henry's car, Henry fears Charles will expose the group, while Charles fears that Henry may kill him to keep his silence. Charles barges into Camilla and Henry's hotel room with a gun and tries to kill Henry. In the ensuing altercation, Charles accidentally shoots Richard in the stomach. With bystanders approaching, Henry shoots himself to provide cover for the rest of the group. The police report concludes that, in a suicidal fit, Henry inadvertently shot Richard.
With Henry's death, the group disintegrates. Charles descends further into alcoholism and runs away from rehab with a married woman; Camilla is left alone caring for her ailing grandmother; and Francis, though homosexual, is forced by his wealthy grandfather to marry a woman he despises and attempts suicide. Richard graduates from Hampden as a lonely academic with an unrequited love for Camilla. The novel ends with Richard recounting a dream in which he meets Henry in a desolate futuristic museum. After a brief conversation, Henry leaves Richard to contemplate his unhappiness.
Major characters
- Julian Morrow: an eccentric classics professor at Hampden who teaches only a small group of students whom he selects for their intellect, connections, and wealth. Julian was a prominent socialite in the 1940s, associated with T. S. Eliot and Ezra Pound. The independently wealthy Julian donates his salary to Hampden, with which he has a strained relationship. Julian extols the virtues of Greco-Roman society, and is viewed as a father figure by his students, who are taught nearly exclusively by him.
- Richard Papen: a transfer student of modest means from California. He feels insecure about his background and so embellishes it to fit in with his fellow classics students. Richard reluctantly follows Henry's plans but does not put up serious resistance. Despite his portrayal of himself as an innocent bystander, it becomes increasingly evident throughout the story that Richard is deeply flawed and values appearances more than ethics, which is further heightened by his increasing infatuation for the members of Julian Morrow's clique.
- Charles and Camilla Macaulay: Charming, but aloof orphaned fraternal twins from Virginia. The complex relationship between the twins is characterized by jealousy and protectiveness. The twins frequently host the group for dinner. Camilla is a love interest of Richard, Henry and Charles.
- Henry Winter: a polyglot intellectual prodigy and published author with wealthy Nouveau riche parents and a passion for the Pāli canon, Homer, and Plato. He is the unofficial leader of the group and is Julian's favorite student. Despite his intellectual talents, he is far removed from the modern world and has a deeply entrenched entitlement, as shown by his "aesthetic objection" to taking the SAT. Furthermore, Henry did not graduate from high school due to injuries from an accident.
- Francis Abernathy: a generous and hypochondriac student from an old money background, whose secluded country home becomes a sanctuary for the group. Francis has an overprotective mother with a history of drug addiction who sent him to several elite European boarding schools. Francis later briefly appeared in Tartt's novel The Goldfinch.
- Edmund "Bunny" Corcoran: a jokester who despite appearances of wealth, is in fact penniless and unabashedly takes advantage of his friends. Bunny's bigoted attitudes such as anti-Catholicism and homophobia antagonize other group members. Bunny is the least academically talented of the group; he has severe dyslexia and did not read until age 10. Unlike other group members, Bunny has a girlfriend and friends outside of the group. He is outwardly social and thought of by outsiders as funny and scholarly, but in reality is extremely egotistical, immature and impulsive.
Themes
Classics
The Secret History partially draws its inspiration on the 5th-century BC Greek tragedy, The Bacchae, by Euripides. According to Michiko Kakutani, some aspects of the novel reflect Nietzsche's model of Apollonian and Dionysian expression in The Birth of Tragedy. Kakutani, writing for the New York Times, said "in The Secret History, Ms. Tartt manages to make...melodramatic and bizarre events seem entirely plausible." Because the author introduces the murder and those responsible at the outset, critic A. O. Scott labeled it "a murder mystery in reverse." In 2013, John Mullan wrote an essay for The Guardian titled "Ten Reasons Why We Love Donna Tartt's The Secret History", which includes "It starts with a murder," "It is in love with Ancient Greece," "It is full of quotations," and "It is obsessed with beauty."The main characters' romantic and sometimes hedonistic lifestyles spiraling into moral ruin has prompted questions surrounding the portrayal of the Classics discipline. Sophie Mills describes Tartt's depiction of the Classics as nuanced: in a 2005 article, Mills said the Classics are portrayed as an "enemy of the ordinary: intriguing, stimulating, and individualistic, perhaps, but even more, exclusive, curiously cold, and impractical."