Strasbourg Cathedral
Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg, also known as Strasbourg Minster, is a Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of Rayonnant Gothic architecture. Architect Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318, and beyond through his son Johannes von Steinbach, and his grandson Gerlach von Steinbach, who succeeded him as chief architects. The Steinbachs' plans for the completion of the cathedral were not followed through by the chief architects who took over after them, and instead of the originally envisioned two spires, a single, octagonal tower with an elongated, octagonal crowning was built on the northern side of the west facade by master Ulrich Ensingen and his successor, Johannes Hültz. The construction of the cathedral, which had started in the year 1015 and had been relaunched in 1190, was finished in 1439.
Standing in the centre of the Place de la Cathédrale, at , Strasbourg Cathedral was the world's tallest building from 1647 to 1874, when it was surpassed by St. Nikolai's Church, Hamburg. Today it is the sixth-tallest church in the world and the tallest extant structure built entirely in the Middle Ages.
Described by Victor Hugo as a "gigantic and delicate marvel", and by Goethe as a "sublimely towering, wide-spreading tree of God", the cathedral is visible far across the plains of Alsace and can be seen from as far off as the Vosges Mountains or the Black Forest on the other side of the Rhine. The reddish-brown sandstone from the Vosges mountains gives the cathedral its distinctive colour.
The construction and maintenance of the cathedral has been supervised by the Fondation de l'Œuvre Notre-Dame since at least 1224. The Musée de l'Œuvre Notre-Dame, a municipal museum located in the Foundation's buildings, displays original works of art from the cathedral, including sculptures and stained glass, as well as the plans for the original building.
In 1988, Strasbourg Cathedral was inscribed on the UNESCO World Heritage List along with the historic centre of the city because of its outstanding Gothic architecture.
History
The history of Strasbourg's cathedral is well documented thanks to the archives of the Notre-Dame Foundation, the city of Strasbourg, and the archdiocese. Archaeological excavations below and around the cathedral have been conducted in 1896–1897, 1907, 1923–1924, 1947–1948, between 1966 and 1972, and finally between 2012 and 2014.Previous buildings on the site
A Roman settlement called Argentoratum, twenty hectares in size, existed on the site since about 12 B.C., at a strategic point where bridges crossed the Rhine and two of its tributaries. It became a major trading center for wine, grain, and later for textiles and luxury products. Christianity was first imposed in 313 by the Edict of Constantine. The first recorded bishop, Amand, participated in the Councils of Cologne and Sardique in 346 and 347. A paleochristian church or cathedral is believed to have been founded by an edict of Clovis I, but its exact location and appearance is unknown.The first cathedral built on the present site was erected by the bishop Saint Arbogast in about 550–575. Under Charlemagne, the Bishop Remi consecrated the altar and built a funeral crypt in about 778. This Carolingian church is believed to have had an apse flanked by two chapels and a nave covered with a wooden beamed roof, but no trace remains today.
The Romanesque Cathedral
In 1002, following the death of the Holy Roman Emperor Otto III, a battle broke out between his potential successors. When Bishop Werner I supported the winning candidate, Henry II of Germany, one of his Henry's rivals, Hermann of Germany, raided Strasbourg and burned down the cathedral. The Bishop appealed to the new emperor, who granted one eighth of his revenues in the province toward the construction of a new cathedral. In 1015, bishop Werner laid the first stone of a new cathedral on the foundations of the Carolingian church.The new church was exceptionally large, just ten meters shorter than the present cathedral, and just ten meters narrower on its west front. The west front was also exceptional because it was flanked by two towers, the "harmonic" style which became common in Gothic cathedrals during the following century. The chevet, or east end, probably also had a tower, and was flanked by two chapels. The transept of the cathedral was 55 meters long, the same length as the nave and choir. The nave and choir were composed of three vessels, each with two traverses. The central vessel was higher than the two collaterals.
The new building, with its wooden roof beams, was unfortunately prone to fire; it suffered from fires in 1136, 1140,1150, and 1176. The church was repaired after each fire, and reconstructions and modifications made, but it retained its essentially Romanesque form, with thick walls, small windows and massive columns. Work on the church was frequently interrupted by wars and political crises.
The Romanesque-Gothic Cathedral
Bishop Heinrich I von Hasenburg decided to construct a new cathedral, to be more beautiful than that of Basel Munster, which was just being finished. Construction of the new cathedral began on the foundations of the preceding structures. The original Romanesque crypt was kept and expanded westwards. The architects of the rebuilding began to include Gothic elements, following the style that had appeared in northern France in the 12th century, while still preserving the existing Romanesque features. Between 1200 and 1228, the Romanesque vaults of the north transept were replaced by the pointed Gothic rib vault, which were stronger and shifted the thrust of the weight outwards, reducing the need for massive pillars in the interior. This was then carried out in the south transept. The next major step toward Gothic took place with the raising of the vaults of the south transept, creating thinner walls and more space for high windows. The Gothic style also appeared in the statuary, particularly the Pillar of the Angels, and in the tympanums over the double portals on the south transept, which showed the influence of the sculpture in French Gothic cathedrals.The next major step was the reconstruction of the nave into the Gothic style, which took place between 1240 and 1274. Thanks to the installation of rib vaults, the nave was raised in height to 27 meters, and the upper walls were filled with stained glass windows. The first traverses were made in what was known as the Lorraine style, with two levels of quadripartite windows, traversed by a narrow passageway. However, between 1250 and 1255 they decided to become more ambitious, and used what was called the "Parisian style"; this created three levels with a total height of 32 meters from the floor to the vaults. The Gothic pillars of the new section were copied exactly from those of the Basilica of Saint Denis.
Rayonant additions (1277–1439)
The next major project was the rebuilding of the west front, or facade, in the Gothic style. The first stone was placed on 25 May 1277, by Bishop Conrad of Lichtenberg. The new plan was inspired in part by French cathedrals, particularly the Basilica of Saint-Urbain of Troyes. The design called for a west front taller and wider than the nave behind it. By the use of buttresses and a double wall, the outer wall decorative with wide spaces, and the inner wall bearing the weight and having large windows, the interior of the cathedral could have more light. At the same time, the planned two spires on either side of the facade would reach an extraordinary height of 122 meters. Erwin von Steinbach's son Johannes von Steinbach served as magister operis, or Werkmeister from 1332 until his death in 1341. From 1341 until 1372, the post of chief architect was held by a Master Gerlach, who has been identified as Erwin's grandson Johannes Gerlach von Steinbach. He completed the installation of the rose window, and above it twelve statues of the apostles. In 1372 the work was taken over by a master Conrad, also known as Kuntze, about whom little is known, until 1382. He was followed by a Michael von Freiburg, recorded as magister operis in 1383–1387, who was then succeeded by Claus von Lohre. The three men completed the bell tower over the central part of the façade, in a design that moved away from Gerlach von Steinbach's initial idea of a central tower and whose precise authorship is unknown.The octagonal north tower was the combined work of architects Ulrich Ensingen and Johannes Hültz of Cologne. Ensingen worked on the cathedral from 1399 to 1419, taking over from Claus von Lohre, and Hültz from 1419 to 1439, completing the building at last. The building of the second tower was often discussed, and was seriously proposed when Alsace became part of Germany after the Franco-Prussian War in 1871, but was coldly received by the population of Strasbourg, who considered it would be a symbol of German occupation.
The north tower was the world's tallest building from 1647 until 1874. The planned south tower was never built and as a result, with its characteristic asymmetrical form, the cathedral is now the premier landmark of Alsace. One can see 30 kilometers from the observation level, which provides a view of the Rhine banks from the Vosges all the way to the Black Forest.
In 1505, architect Jakob von Landshut and sculptor Hans von Aachen finished rebuilding the Saint-Lawrence portal outside the northern transept in a markedly post-Gothic, early-Renaissance style. As with the other portals of the cathedral, most of the statues now to be seen in situ are copies, the originals having been moved to the Musée de l'Œuvre Notre-Dame.
Like the city of Strasbourg, the cathedral connects German and French cultural influences, while the eastern structures, e.g. the choir and south portal, still have very Romanesque features, with more emphasis placed on walls than on windows.
The tower is one of the first to rely substantially on craftsmanship, with the final appearance being one with a high degree of linearity captured in stone. While previous façades were certainly drawn prior to construction, Strasbourg has one of the earliest façades whose construction is inconceivable without prior drawing. Strasbourg and Cologne Cathedral together represent some of the earliest uses of architectural drawing. The work of Professor Robert O. Bork of the University of Iowa suggests that the design of the Strasbourg façade, while seeming almost random in its complexity, can be constructed using a series of rotated octagons.